Official
movie poster from the 1982 film Q – The Winged Serpent (© Larry Cohen
(dir.)/United Film Distribution Company)
As the author of
two books on dragons – Dragons: A Natural History
(1995) and Dragons in Zoology, Cryptozoology, and Culture (2013) – I've researched an extremely wide range of
these reptilian monsters in my time. So here, excerpted from my two books, and in
no particular order, are ten of my all-time favourite dragons and
dragon-related subjects – a very diverse selection drawn from mythology,
literature, and the media. And what more fitting, timely example with which to
begin it than the Lambton worm, whose story supposedly began one Easter, long
long ago…
THE LAMBTON WORM
– AN ACCURSED BRITISH SERPENT DRAGON
The term
'dragon' is widely believed to derive from the Greek word 'derkein', which
translates as 'sharp-eyed', and seems to have been applied originally to a
snake. When transliterated into Latin, it became 'draco' – 'giant snake'. This
is particularly apt because, morphologically, the basal dragon form was the
serpent dragon. As its name suggests, in overall appearance this form, which
was both limbless and wingless, resembled a huge snake or even a gigantic worm.
Indeed, some serpent dragons were actually referred to as worms, also known as
wyrms (an Old English term for snakes), wurms, or orms – all of which are terms
derived from the Norse 'ormr' or 'ormer', translating as 'dragon'. Unlike these
humble, harmless beasts, however, and betraying its draconian status, a serpent
dragon had a head that was horned, long-jawed, and very often bearded.
Many of Britain's dragons were
of the worm variety, which was also recorded widely across northwestern Europe. Dragon-headed
and generally of immense length, worms not only lacked limbs and wings but also
one of the characteristics most readily linked with dragons – the ability to
breathe fire. However, this did not make them any less deadly – far from it. Instead
of fire, worms emitted noxious clouds of poisonous gas that could lay waste to
great swathes of countryside and decimate entire villages, or possessed a
venomous bite of lethal propensity.
Worms could also kill
by wrapping their huge coils around any potential antagonist, rather like
real-life pythons and boas. They could even survive being chopped into several
pieces, because the pieces swiftly reconnected with one another unless they
were buried separately or burnt immediately.
Perhaps the most
famous British worm is the Lambton worm, which reputedly grew from a small
black leech-like beast caught in the River Wear, County Durham, on Easter
Sunday 1420 by John Lambton - the youthful, impious heir to Lambton Castle, who had gone
fishing while everyone else from the town of Washington close by
attended church. Cursed for his blasphemy, Lambton sought redemption by
journeying to the Holy Land on a pilgrimage
after hurling his loathsome-looking catch into a nearby well. When he returned
several years later, however, he was horrified to discover that the creature
had grown into a monstrous worm that had been terrorising Washington's inhabitants
by devouring their lifestock, wilting their crops with its toxic breath, and
killing anyone who had dared to challenge it. Even chopping it in two had been
futile – the two halves simply rejoined straight away.
Happily,
however, Lambton was able to rid the town of this accursed creature. After
seeking the advice of a wise witch, he commissioned the creation of an
extraordinary suit of armour, bristling with long sharp spines. He then enticed
the worm into the River Wear, and as soon as it attempted to crush him in its
mighty coils, the spines on his armour sliced it into several segments, which
were immediately carried away and dispersed by the river's fast-flowing current,
so that they were unable to reconnect. Thus ended the Lambton worm's reign of
terror.
The
Lambton worm, from an 1894 book of fairy tales illustrated by John D. Batten (public domain)
This famous myth
has been preserved through generations of retellings in northern England, but how it
originated remains a mystery - unless, perhaps, the worm was in reality some
less dramatic wild beast (or even an imaginative personification of a local
now-forgotten natural disaster) that John Lambton had successfully combated?
Having said that, however, eminent English historian and antiquarian Robert
Surtees (1779-1834) claimed that during the early 19th Century he
had seen at the village of Lambton (aka Old Lambton) in Washington a piece of
preserved skin said to be from the Lambton worm, and which resembled the hide
of a bull.
A similar ploy
to Lambton's wearing of a spiny suit of armour was utilised in the killing of
another British worm. This was when, during the 1300s, Sir William Wyvill wore
a suit of armour covered in razor-sharp blades when battling an enormous worm
at Slingsby in North Yorkshire. But this time, instead of a river
dispersing the worm's body segments, the knight's faithful dog carried each
segment away and buried it in a different location. Despite its resourcefulness,
however, it could not save its master, or itself, from the worm's baneful
effects. When it licked its grateful master's face, drops of the worm's deadly
blood upon its jaws transferred inside its mouth and also onto the knight's
face, and both man and dog died shortly afterwards.
THE JACULUS AND ZILANT
– WYVERNS WITH A DIFFERENCE
Wyverns are
semi-dragons generally possessing a single pair of hind limbs but no front
limbs, a pair of wings, and a long tail usually terminating in a scorpion
sting. In addition to this typical wyvern form, however, there were certain
other versions that displayed some interesting variations. Notable among these
were the jaculus and the zilant.
Referred to as
long ago as the 1st Century AD by the Roman poet Lucan (39-65 AD) in
his epic multi-volume poem Pharsalia, the jaculus was said to resemble a
10-ft-long winged serpent but with a pair of short forelimbs too, so it
presumably resembled an unusually elongate wyvern. It also possessed two
tongues, one of which was barbed, and had a passion for collecting gemstones
and gold.
When not doing
so, however, the jaculus spent much of its time concealed from sight high in
the Arabian spice trees that it jealously guarded – hurling itself ferociously
like an animated spear (hence its name – 'jaculus' translates as 'javelin') at
anyone approaching below, then biting them deeply and lethally in the neck or
throat with its long venomous fangs.
Zilant
statue in Kazan
(Snowleopard/Wikipedia)
The zilant
appears in Russian and Tatar mythology and resembled a typical wyvern in basic
form except for lacking a sting at the tip of its tail and sometimes sporting
two heads instead of just one. It occurs in several legends associated with the
founding of Kazan, the capital
city of Russia's Tatarstan Republic, and features
in Kazan's coat of arms. It was first made this
city's official symbol in 1730. According to traditional lore, any snake that
lived over a century became a zilant.
DRAGONS ON
CHILDREN'S TELEVISION
There have been
many notable small-screen dragons, but thanks to the charmed tenacity of
nostalgia, perhaps those that we most readily recall are ones that featured in
shows from our childhood.
One of the
legendary names in British children's TV is Oliver Postgate (1925-2008), who
created and wrote some of the most beloved shows of all time in this special
genre of television – 'Bagpuss', 'Clangers', 'Noggin the Nog', 'Ivor the
Engine', and 'Pogles' Wood', among others. They were all made by his company
Smallfilms (founded with Peter Firman), and screened by the BBC. Some of these
featured delightful dragons, remaining cherished childhood memories for
generations.
Originally
screened from 1969 to 1972 but repeated numerous times thereafter, 'Clangers'
was a stop-motion show of 27 10-minute episodes. They featured a family of
small whistling aliens, the clangers, with long snouts and knitted waistcoats.
These share a tiny hollow planet with a host of exotic fauna and flora, such as
the iron chicken, the froglets, the musical trees, and, most notable of all,
the soup dragon. It is she who obtains from the planet's volcanic soup wells
the delicious blue string pudding and green soup that the clangers adore. It
was this character (and her baby dragon) who inspired the name of Scottish
alternative rock band The Soup Dragons.
A
delightful personal interpretation by fantasy artist Anthony Wallis of the soup
dragon from 'Clangers' (© Anthony Wallis)
Consisting of 27
10-minute episodes (six in colour) of limited stop-motion photography and first
screened in 1959, 'Noggin the Nog' was a Norse-type saga about a tribe of
Northmen, the Nogs, led by King Noggin, and featuring an extensive cast of
characters. These include Noggin's villainous uncle Nogbad the Bad, inventor
Olaf the Lofty, a giant green bird called Graculus, Arup the great walrus, and
an amiable ice dragon known as Groliffe (not to mention a flying machine and a
fire machine!). Befriended by Noggin, Groliffe subsequently comes to his aid
when he and his friends are in trouble.
Spanning 1959 to
1977 and consisting of 32 10-minute black-and-white episodes and 40 5-minute
colour episodes of stop-motion photography, 'Ivor the Engine' was famously set
in "the top left-hand corner of Wales". It
features a green locomotive called Ivor, his driver (Edwin) Jones the Steam,
plus several supporting characters. Notable among them is Idris, a small red
heraldic dragon based upon the emblem of Wales, who lives with
his wife and two dragon children in an extinct volcano called Smoke Hill, and
sings in the local choir.
A dragon called
Dennis who combined the best of both geographical types appeared in 'James the
Cat' – a cartoon series of 52 5-minute episodes screened by the BBC from 1984
to 1992. One of many animal friends of the show's title character, Dennis is a
pink Chinese dragon but breathes fire and speaks with a Welsh accent!
A
happiness-bringing luck dragon long before Falkor debuted in the novel and film
versions of The Neverending Story, Chorlton was the friendly but
somewhat slow-witted star of an enchanting British series entitled 'Chorlton
and the Wheelies', originally screened on ITV from 1976 to 1979. In the very first of its 40
stop-motion animated episodes, created by the company Cosgrove Hall, Chorlton
hatches from an egg and then arrives in Wheelie World. This is a strange land
populated mostly by Wheelies – creatures that have wheels instead of legs, but
which are burdened with sadness conjured up by a wicked witch called
Fenella...until Chorlton's happiness soon dispels the gloom. In subsequent
episodes, Fenella puts into practice all manner of evil schemes to rid Wheelie
World of Chorlton, or cause problems for him, but he and his Wheelie friends
invariably manage to foil them.
One of the most
popular series from the golden age of children's TV in the USA was 'H.R.
Pufnstuf', a live-action show featuring life-sized puppets whose 17 25-minute
episodes were first screened from September 1969 to September 1971. H.R.
Pufnstuf is not only a dragon but also a mayor – of a magical isle called Living Island. Here
everything is alive, even the houses, and is where an 11-year-old boy called
Jimmy (played by Jack Wilde, the artful dodger in the 1968 film musical Oliver!)
and his talking flute Freddy are taken to in a mysterious boat. The series'
basic scenario is similar to that of 'Chorlton and the Wheelies', in that the
bane of Living Island is a troublesome witch, called Witchiepoo here, but her
evil plans are always thwarted by the dragon, Jimmy, and their many friends
there.
Originally aired
in Canada and the USA from 1993 to
1997, and running to five seasons, collectively containing 65 30-minute
episodes, 'The Adventures of Dudley the Dragon' was a live-action show in which
a full-costumed actor played Dudley. Befriended by
two children after waking up from centuries of hibernation, Dudley finds out what
the modern-day world is like, with particular emphasis upon environmental
issues.
Other popular
children's TV shows featuring dragons included 'Wacky Races', 'My Little Pony',
'The Smurfs', 'Pocket Dragon Adventures', 'Eureeka's Castle', 'Digimon', and,
for older children and teenagers, 'Power Rangers', 'Dungeons and Dragons', and
several Manga series. Moreover, countless TV cartoons have featured dragons as
one-off foes or comic relief characters.
Not
all dragons are huge and frightening, some are very small and very sweet,
especially in children's media (© Thomas Finley)
THE PELUDA AND
THE MIHN – A COUPLE OF HAIRY DRAGONS
Even among the
unparalleled diversity of dragon forms, the following two examples are
certainly very distinctive on account of their uncommonly hirsute forms, yet both
are surprisingly little-known outside dracontological circles.
Appearing in
medieval French folklore. the peluda was also known as the shaggy beast,
because whereas most dragons were surfaced in scales, the huge body of this
singular creature was profusely covered in long green fur instead. Concealed
amid that hirsute mass, however, were countless venom-tipped spines that it
could shoot forth like poisoned javelins at anyone bold, or reckless, enough to
venture near it. The peluda's long neck and tail were liberally scaled, and its
head was that of a huge fire-breathing serpent. Completing its horrifying
appearance were two pairs of webbed, turtle-like feet tipped with sharp claws.
According to
legend, the peluda had been spawned during early biblical times, but after
being refused entry onto Noah's Ark its amphibious
nature had enabled it to survive the Great Flood, and eventually it made its
way into the River Huisne, at La Ferté-Bernard in southern France. Here, it
lurked on the river banks by day, but at night it not only raided the local
farms in search of livestock to devour, but was not amiss to adding women and
children to its menu too if the opportunity to do so arose. Happily, this
murderous monster was eventually dispatched when a brave hero chopped off its
tail – the only portion of its body vulnerable to mortal injury.
Artistic
reconstruction of the peluda (© Tim Morris)
Less famous yet
no less fascinating than the peluda was another hairy dragon – the mihn,
featuring in the traditional legends of North America's
prairie-dwelling Cheyenne nation. They
describe it as an extremely large, lizard-like water monster, but instead of
scales it was covered with hair, and bore either one or two horns. Horned, hairy
water dragons occur in Sioux traditions too.
THE PYRALLIS – A
VERITABLE FIRE-FLY DRAGON!
The smallest of
all dragons and entirely at home in the midst of a blazing fire was a tiny
beast termed the pyrallis. Also called the pyragones or pyrausta, this
remarkable animal was no bigger than a large fly, and resembled a four-legged
insect, with burnished bronze body and golden filigree wings - but its head was
that of a dragon.
A
pyrallis, as depicted by Una Woodroffe in her spectacular illustrated book Inventorum
Natura (© Una Woodroffe/Paper Tiger)
It was
associated exclusively with the copper smelting forges and foundries of Cyprus, in which
swarms would dance and cavort like incandescent will-o'-the-wisps. Yet if one
of these animate sparks should fly out of the flames, even for the briefest of
instants, it would die at once - because the pyrallis drew not merely its
sustenance but its very life-force from the furnaces' burning heat and raging
vitality. Truly a beast of the fire and the flame!
DRAGONS OF
MIDDLE-EARTH
Considered by
many readers and literary critics alike as the most significant and influential
modern-day works of fantasy fiction ever published, The Hobbit (1937), The
Lord of the Rings trilogy (1954, 1954, 1955), The Silmarillion (1977),
and J.R.R. Tolkien's other novels contain a number of important dragons.
It has often
been supposed that his works are Christian allegories or are at least derived
from Christian themes, and therefore comparable in terms of inspiration to the
Narnia novels of C.S. Lewis. In reality, however, Tolkien's principal muse was
the Elder Edda – a collection of Old Norse myths and legends preserved
principally within the Codex Regius, which is a medieval Icelandic
manuscript, written in the 13th Century. Yet the myths and legends
themselves are far older, and include all of the famous Norse ones known today.
Many familiar
character names in Tolkien's books, for example, including Gandalf and various
of the dwarves featuring in The Hobbit, were borrowed directly by him
from the Elder Edda. So too were other entities and themes, one of which
that attracted his particular attention being the slaying by the hero Siegfried
of the evil dwarf Fafnir, who had transformed himself into a typical Nordic
dragon in order to protect his ill-gotten treasure hoard. This dragon became
the basic template for the various examples featuring in Tolkien's novels.
Siegfried
slaying a dragon-transformed Fafnir in this stunning artwork by Arthur Rackham
(public domain)
Yet although
Tolkien's dragons were of traditional Nordic form and treasure-hoarding
behaviour, they were much more intelligent than their antecedents in the Old
Norse myths and legends, and they could speak too.
Created by the
dark lord Morgoth, there were three types – the great worms, the winged
quadrupedal dragons, and the wingless quadrupedal dragons. Some could also
breathe fire, enabling them to destroy the lands and cities of Middle-Earth's
men, elves, and dwarves.
The first
Middle-Earth dragon was Glaurung, a huge wingless fire-breather, which
ultimately spawned numerous lesser dragons, and led them into battle on the
side of Morgoth against the elves, but was finally slain by the hero-warrior
Túrin.
The greatest
Middle-Earth dragon of all, however, was Ancalagon the Black, the first winged
fire-breather. His appearance alongside his spawn astonished the entire world,
and initially gave victory to Morgoth's horde – until the great eagles and
other warrior birds rallied against them, eventually achieving victory over
their reptilian foes and breaking Morgoth's power forever. Ancalagon was slain
by warrior Eärendil, and so enormous was this mighty dragon's body that when it
plummeted down from the sky to earth, it decimated the three-peaked mountain
Thangorodrim.
The last famous
Middle-Earth dragon was Smaug, a huge golden-red winged monster almost entirely
ensheathed in impermeable iron scales. Smaug destroyed with fire the human city
of Dale and vanquished the dwarves from the Kingdom under the Mountain (of Erebor)
in order to seize for himself their vast treasure of gold, jewels, and precious
elvish metals stored there. This he jealously guarded for almost two centuries
until disturbed by a party of dwarves seeking retribution, led by Thorin
Oakenshield and also including among their number the hobbit Bilbo Baggins. It
was Bilbo who discovered the one vulnerable region on Smaug's underside, which
enabled a Northman archer named Bard the Bowman to slay Smaug after he had
attacked the city of Esgaroth upon the Long Lake.
More
light-hearted and whimsical was another Tolkien dragon – Chrysophylax Dives.
Pompously comical but still wily and villainous, he was finally captured and
controlled by Farmer Giles of Ham in the book of the same title, using a mighty
sword called Caudimordax (aka Tailbiter) that once belonged to a famous
dragon-slayer.
A classic
collection of Tolkien characters (© Richard Svensson)
THE LONGMA –
SCALY DRAGON HORSE OF CHINA
One of the most
unusual Oriental dragons was the longma or Chinese dragon horse. Traditionally
deemed to be the vital spirit of Heaven and Earth, as indicated by its English
name it was a curious yet surprisingly effective composite of two very
different animals - sporting the body, legs, and hooves of a horse, but the
head and scales of a dragon. Some, though not all, dragon horses also possessed
a pair of wings, and could walk upon the surface of water without sinking.
Legend has it
that eight winged dragon horses pulled the carriage of Emperor Mu of Jin
(belonging to the Eastern Jin Dynasty) as he travelled around the world during
the post-regency period of his reign (he reigned from 343 AD to 361 AD).
It was a yellow
dragon horse that emerged long ago from the River Lo to reveal the eight
trigrams of the famous divination system known as I Ching. Similarly, a dragon
horse rose up out of the Yellow River and gave to the
Emperor a circular diagram depicting the yin-yang.
Wooden
carving of a dragon horse (© Dr Karl Shuker)
According to the
Imperial Readings of the Taiping Era (aka Taiping Yulan) – a
massive 1000-volume, multi-contributor Chinese encyclopaedia dating from the 10th
Century – a dragon horse spotted blue and red, covered in scales, sporting a
thick mane, and giving voice to a mellifluous flute-like neigh once appeared in
the year 741 AD, which was taken to be a good omen for the reigning emperor,
Xuanzong of Tang. So fleet-footed that it could cover more than 280 miles without a pause, this wonderful
beast had been born to a normal mare that had become pregnant after drinking
water from a river in which a dragon had bathed.
During the 7th
Century, the Turkestan city of Kucha (now part of China) was visited by
the travelling Chinese Buddhist monk and scholar Hsuan-Tsang, who noticed that
a lake in front of one of this city's temples contained a number of water
dragons. He was informed that they could change their form so as to mate with
mares, and that the progeny of this curious crossbreeding were dragon horses,
of a fierce, wild nature, and very difficult to tame.
Q – A VERY
QUIRKY MOVIE DRAGON
One of the
quirkiest yet most original dragon-based films ever released, and one of my own
particular favourites, is director Larry Cohen's 'Q – The Winged Serpent'
(1982). In it, a cult in New York City successfully resurrect Quetzalcoatl, the
ancient flying serpent deity of Aztec mythology, who proceeds to swoop down
from Manhattan's skies and skyscrapers to seize, dismember, and devour unwary
city dwellers.
In appearance, however,
this odd-looking entity is not serpentine at all, instead resembling a rather
gangly, long-necked quadrupedal dragon with wings. Yet its smooth skin seems
devoid of typical reptilian scales or spines, and it does not sport any
feathers either – despite the original Quetzalcoatl being a plumed sky serpent.
Fantasy
artist Anthony Wallis's superb personal interpretation of Q – the Winged
Serpent (© Anthony Wallis)
Perhaps the
epitome of the modern-day dragon film, however, is 'Reign of Fire' (2002),
directed by Rob Bowman, and starring Christian Bale and Matthew McConaughey.
Set in the year
2020, this post-apocalyptic film reveals the devastation that has resulted
after a sleeping dragon was inadvertently chanced upon and woken in an
underground cave during some construction work on the London Underground
shortly after the beginning of the new millennium. The dragon forced its way to
the surface, swiftly multiplied, and within a dozen years humanity was
virtually wiped out by a worldwide plague of flying fire-breathing dragons.
Finally,
however, a brave survivor, Quinn Abercromby (played by Bale), and his isolated
community hiding out in a Northumberland castle reluctantly join forces with a
band of American fighters led by Denton Van Zan (McConaughey) to bring to a
decisive end the dragons' literal reign of fire. Although the story's premise
seemed decidedly far-fetched, the special effects were truly astonishing.
A
memorable 'Reign of Fire' dragon as personally interpreted by fantasy artist Anthony
Wallis (© Anthony Wallis)
A COLLECTION OF PRESERVED
'CROCODILE DRAGONS'
There are a
number of so-called 'preserved dragons' in existence around the world, but when
examined some of these physical specimens have been readily exposed as being of
crocodilian identity. Perhaps the most notable example is the 'Brno lindworm'
(wingless four-legged classical dragon), of Moravia in the Czech Republic,
which since at least 1608 AD has been hanging suspended from the ceiling of the
arched passage leading to the city's town hall, and can still be seen here
today. To protect it from the weather, it has been liberally covered in black
pitch, but its identity as a crocodile – albeit a very sizeable one, as it
measures approximately 15.5 ft long - remains
instantly apparent.
The
preserved Brno
'lindworm' dragon (© Miroslav Fišmeister)
According to
traditional Moravian folklore, this is the dragon that long ago was said to
have slaughtered livestock and even young children in a prolonged assault on Brno (then called
Brünn), until it was duped into feeding upon a freshly-killed calf's skin that
had been cunningly filled with unslaked lime. After eating it, the dragon was
consumed with such a fiery thirst that it drank without pause from a nearby
stream until finally the lime reacting with the vast quantity of imbibed water
caused the doomed dragon to explode.
The same fate
befell Smok, the dragon of Wawel Hill in Krakow, Poland, which had
terrorised the city until Skuba, a canny cobbler's apprentice, stuffed a baited
lamb with sulphur. Incidentally, in 2011
a very large species of Polish carnivorous reptile from the late
Triassic Period 205-200 million years that may constitute a species of theropod
dinosaur was officially christened Smok wawelski, in honour of this
Polish dragon.
Souvenir
ornament portraying Smok (© Dr Karl Shuker)
Another
crocodilian dragon once hung from the roof of the cathedral of Abbeville in Picardy, France. And until at
least as recently as the early 1850s, what was either a stuffed 6-ft-long
crocodile or lizard (monitor?) could be seen suspended in the church of St Maria delle Grazie,
near Mantua, in Italy. Local lore claims
that it had been killed in some adjacent swamps in c.1406. More likely is that
all of these specimens had been brought back to Europe as unusual
souvenirs by returning travellers or crusaders, or even as exotic living
specimens for private collections or sideshows.
DRAGON TATTOOS
Body art has
experienced an enormous resurgence in recent years, especially tattoos and
tattooing, and one of the most fashionable, in-demand subjects for a tattoo is
the dragon. Indeed, there is even a much-sought-after book devoted entirely to
dragon tattoos – Donald Ed Hardy's lavishly-illustrated tome Dragon Tattoo
Design (1988), containing countless designs for every taste in dragons.
Whether in the
West or the East, most tattooed dragons are of the Oriental category (though
the red Welsh dragon is popular as a symbol of Celtic patriotism). Its slender,
serpentine form and rich spectrum of vivid colours allows itself to be readily
applied to a person's back, arms, chest, or legs, and to achieve individuality
for them. Several notable celebrities sport dragon tattoos, including singers
Lenny Kravitz, Pink, and Mels B and C of the Spice Girls, as well as actor
Bruce Willis, and actress Angelina Jolie.
There is a plethora
of symbolism associated with dragon tattoos, depending in particular upon their
type, colour, activity, the presence of other animals alongside them, and the
sex of the person selecting them.
Oriental dragons
in general are associated with freedom, protection, and nobility, but in
keeping with their status and role in traditional mythology, the tattoo of a
Chinese dragon more specifically symbolises good fortune and wisdom, whereas
the more elongate, fewer-clawed Japanese dragon personifies balance in life. As
already noted, the Celtic dragon symbolises pride in one's Celtic ancestry but
also power and strength, and is sometimes depicted alongside a crown or even a
throne. Other Western dragons, which are particularly popular when portrayed as
stylised tribal tattoos, also represent bravery, ferocity, and even war-like
attributes - hearkening back to their traditionally darker, less benign image
than that of their Oriental counterparts.
A
Western dragon in a tribal tattoo design (public domain)
A tattoo of a
yellow Oriental dragon symbolises knowledge, helpfulness, and a good companion,
as does one of a gold Oriental dragon (which is also utilised to indicate a
kind personality), whereas a green one embodies life and the planet, a red one
symbolises keen eyesight, and a black one shows that its bearer has old but
wise parents. A blue dragon tattoo is associated with compassion and
forgiveness. But beware: in Chinese tradition, blue dragons also symbolise
sloth and idleness - so make sure that you don’t give out the wrong impression
if you choose this symbol as a tattoo!
A tattoo
depicting an Oriental dragon protecting treasure signifies wealth (either
material or spiritual). A coiled dragon personifies the oceans but also
suggests that, just like those vast bodies of water, the person bearing this
tattoo has hidden, mysterious depths to their personality, and a horned dragon
represents strength and authority in both deed and intent, because only the
more advanced Oriental dragons possess horns. If the fuku-riu type of Japanese
dragon is chosen for a tattoo, its bearer is hoping to attract good fortune, as
this type is traditionally the luck dragon in Japan.
Oriental dragons
are still revered as rain and water deities, so if such a dragon is tattooed
reposing near to water, i.e. its normal resting state, this symbolises
tranquillity and peace of mind. However, if the dragon's teeth show, or, if
winged, its wings are extended, this can denote hostility or aggression. Taking
great care and giving thought beforehand when selecting a dragon tattoo is very
important, therefore, to avoid its sending out an inappropriate or unwanted
message, especially as tattoos cannot be easily removed or amended once
applied.
My
own tattoo of a serpent dragon entwined around a dagger, symbolising strength,
which was tattooed on me by Birmingham-based tattoo artist and good friend Gary
Stanley, aka Stigmata (© Dr Karl Shuker)
Dragon tattoos
on men typify the general dragon-allied symbolism of power, wisdom, courage,
and protection, and are often applied to readily-visible regions of the body
like arms or legs (often as full-sleeve tattoos), across the shoulders or
chest, or encompassing the back. When present on women, conversely, they tend
to appear on less overt regions, such as feet, ankles, nape, near the navel, or
down the sides, and are more closely linked with creation, emphasising that it
is women who give birth. Consequently, mothers (especially new ones) often
select a dragon when choosing a tattoo.
Sometimes an
Oriental dragon and Chinese phoenix are tattooed together, forming a circle or
otherwise intimately linked with one another, which symbolises a successful
marriage. Tigers in ancient Oriental tradition often represent aggression and
evil intent, so a dragon tattooed above a tiger indicates that its bearer has
overcome darkness in their life, or intends always to do so. Avoid tattoos of
dragons battling with tigers if tattoo symbolism is important to you, however,
because these images can indicate aggression or internal conflict.
An attractive
way of enhancing both the physical appearance and the symbolic significance of
a dragon tattoo is to add a message alongside it, written in either Chinese
Hanji or Japanese Kanji script.
Above all, a
dragon tattoo signifies that the bearer is special. If there could be just a
single tattoo to personify the phrase "Why be ordinary when you can be
extraordinary?", it would be a dragon.
The continuing
popularity of dragons in every conceivable facet of our culture confirms that
even though we may no longer believe in them, we certainly cannot forget them! Indeed,
it is evident that the dragon will continue to evolve, diversify, and populate
our planet for a very long time to come. The dragon is dead - long live the
dragon!
And
here's one I slew earlier! (© Dr Karl Shuker)
