Lepel Tsmok, the tsmok statue,
immediately after its ceremonial unveiling at Lake Lepel in Belarus on 9 November
2013 (©
Alexander "Tarantino"
Zhdanovich / cmok.budzma.org/node/81 on http://labadzenka.by/?p=25052 / inclusion here strictly on Fair Use/non-commercial basis only)
Earlier this month, on 8 August 2015, the city of Lepel in Belarus's Vitebsk Province hosted an international festival of mythology entitled 'On a Visit to
Lepel Tsmok' (click here to access its full programme of events). Among the varied array of subjects featured
in this festival's talks and presentations was Lepel's very own legendary
monster, one that was once virtually unknown to the outside world. Thanks to a
wonderful statue here, however, all that is now changing, rapidly. But, as they
say, to begin at the beginning…
Publicity poster for Lepel's
international festival of mythology, depicting Lepel Tsmok (© 'On a Visit to Lepel Tsmok'
international festival / inclusion here strictly on Fair Use/non-commercial basis only)
On 14 September 2013, Lepel celebrated its 574th
birthday – and as part of those celebrations, a specially-commissioned statue
was officially installed on the shores of Lake Lepel, a large body of
freshwater that has always been a popular sight and attraction among visitors
and locals alike here, and bordered today by Tract Tsmok, the city's park. Now,
however, it is even more special, thanks to this remarkable, unique statue – which,
following its ceremonial unveiling on 9 November 2013, swiftly become a veritable
magnet for photo opportunities, its success in attracting tourists eager to see
it and be photographed alongside it exceeding even the already high
expectations held by the city's ruling council when originally sanctioning its
creation.
For not only is the Lake Lepel statue both spectacular and highly photogenic, but in addition its
subject is certainly no ordinary one. What it portrays is a tsmok – a legendary
medieval water dragon of a type scarcely known outside Belarus and Lithuania (until 1793, Lepel was part of Lithuania, lying directly to the west of Belarus), but a few of which are said still to inhabit
this lake's mysterious depths, at least according to traditional Lepel lore.
Vladzimir Karatkievich's novel Hrystos Pryzyamlіўsya ¢ Garodnі: Evangelle Іudy
Hell ('Christ Has Landed in Grodno: The Gospel of Judas'), published in 1990 (© Vladzimir
Karatkevich / inclusion here strictly on Fair Use/non-commercial basis only)
The idea for the statue, which has been formally dubbed
Lepel Tsmok, came from ethnographer Vladimir Shushkevich – aka 'Valatsuga' (Valadar)
– whose home city is Lepel, where he has lived for many years, and who has a longstanding
interest in the mythology of its fabled water beasts. Fellow Belarusian
ethnographer Nikolai Nikiforovsky has also written about tsmoks, and they were
mentioned by Slavic culture researcher Alexander Afanasyev too.
In particular, however, Shushkevich is well-acquainted with esteemed Belarusian author Vladzimir Karatkievich's historical novel Hrystos Pryzyamlіўsya ¢ Garodnі: Evangelle Іudy Hell ('Christ Has Landed in Grodno: The Gospel of Judas'), published in 1990, which in its first section, 'The Fall of the Fiery Serpent', draws upon Lepel folklore chronicling how 40 tsmoks were allegedly killed overnight in Lake Lepel during the Middle Ages. It also describes their morphological appearance, referring to them as behemoths with the head of a deer or snake and the body of a seal.
In particular, however, Shushkevich is well-acquainted with esteemed Belarusian author Vladzimir Karatkievich's historical novel Hrystos Pryzyamlіўsya ¢ Garodnі: Evangelle Іudy Hell ('Christ Has Landed in Grodno: The Gospel of Judas'), published in 1990, which in its first section, 'The Fall of the Fiery Serpent', draws upon Lepel folklore chronicling how 40 tsmoks were allegedly killed overnight in Lake Lepel during the Middle Ages. It also describes their morphological appearance, referring to them as behemoths with the head of a deer or snake and the body of a seal.
After Shushkevich conceived and publicised at
various cultural and tourist festivals his proposed project of producing this tsmok
statue, it was formally approved by an international jury from the European
Union, as were nine other initiatives, all of which focused upon promoting sustainable
rural tourism in Russia and Belarus. However, it was Shushkevich's statue project that
received the largest EU grant – 2900 euros.
Leo Oganov and Vladimir Shushkevich,
with Oganov's plasticine scale model of his tsmok statue (© Lepel.by / inclusion here strictly on Fair Use/non-commercial basis only)
The sculptor selected by the Arts Council in the Regional Executive
Committee to produce Lepel Tsmok was Leo Oganov (sometimes spelt Aganov)
from Minsk, Belarus's capital, who had already received plaudits for a sculpture
honouring a Grand Duchy of Lithuania leader that he had presented to Lepel in
2010, and which stands in the city's main square. (There is also a mermaid statue
in Lepel, produced by Igor Golubev a year earlier.) Oganov prepared plasticine
scale models of several different reconstructions of the tsmok, one of which
resembled a typical fire-breathing, winged, non-aquatic dragon, but after much
debate the eventual choice was very different, much more interesting, and extremely
eyecatching.
The material that Oganov's Lepel Tsmok would be
made from also became an important subject for debate. It was felt that bronze
would prove too expensive, but other, more viable options included cast iron or
silumin (a silicon-aluminium alloy). Cast iron was the final choice, bestowing
upon it a silvery sheen reminiscent of shining fish scales, an appropriate look
for an aquatic creature. When the statue was complete, it weighed just over 1
ton, and was 5.5 ft tall.
Rear view of Lepel Tsmok, showing its dorsal ridge (© Alexander "Tarantino" Zhdanovich /
cmok.budzma.org/node/81 on http://labadzenka.by/?p=25052 / inclusion here strictly on Fair Use/non-commercial basis only)
Oganov drew inspiration for Lepel Tsmok's
morphology from traditional, folkloric descriptions of this water monster,
including those contained in Karatkievich's above-cited novel, but certain potentially
fragile and therefore breakable features present in his original model of it needed
to be amended or omitted entirely, in order to avoid the risk of subsequent
damage to the statue once installed. These included a 'moustache' of catfish-like
barbels around its mouth (omitted), a crest upon its head (reduced to a bare
minimum), and a mane upon its neck (omitted). It was also made more people-friendly
than the original tsmok dragons of lore (as well as less expensive to produce) by
excluding wings, plus any suggestion of fire-breathing, human-devouring, and
general offensiveness, but adding an amiable, friendly expression to its face.
The result is one of the most distinctive
cryptid/legendary monster representations that I have ever seen (albeit only
online so far). Overall, Lepel Tsmok
resembles a fascinating composite of aquatic dragon, female (antler-lacking) water-deer,
and long-necked seal. For whereas the long curling scaly tail is definitely
dragonesque, its face and large ears are decidedly cervine (or even equine if its
mane had been retained), but its overall body shape and flippers instantly recall
those of a seal, particularly a long-necked one (as documented in detail by me here and here
on ShukerNature).
Two stills from the 2007 movie The
Water Horse: Legend of the Deep, showing this fictional cryptid in its small,
juvenile stage (© Columbia Pictures / inclusion here strictly on Fair Use/non-commercial basis only)
It also reminds me a little of the juvenile stage
of the eponymous fictional cryptid in the wonderful 2007 fantasy movie The Water
Horse: Legend of the Deep, which was based upon British author Dick
King-Smith's children's novel The Water Horse (1990).
But just to confirm that Oganov's silvery tsmok is
indeed true if not to life then at least to lore, placed alongside its statue
in its installed form as an incorporated part of the complete sculpture is a representation
in cast iron of an open book, upon whose pages is carved a written description
of the tsmok's appearance as excerpted directly from Karatkievich's novel.
Publicity poster for the 2007 movie The
Water Horse: Legend of the Deep (© Columbia Pictures / inclusion here strictly on Fair Use/non-commercial basis only)
Today, almost two years on from its ceremonial unveiling,
Oganov's Lepel Tsmok is inordinately popular, a veritable Nessie of the East
has been born, with souvenirs and other likenesses of it sold nearby, and
photos of visitors posing alongside it contained in numerous holiday albums and
shared countless times online in social networking sites.
It is especially favoured by visitors about to be
wed or newly-wed, however, because according to Lepel legend yet again, if
offerings of food and drink from a wedding feast are brought to a tsmok's
watery abode and left there, for it to consume at its leisure, the monster will
bless the marriage and bestow good fortune upon the bride and groom. Today, such
tributes are not normally brought to the tsmok statue, but newly-weds nonetheless
derive great joy from posing alongside it, if only on the off-chance that doing
so will in itself be sufficient for the magical, elusive creature that this statue
portrays to look upon their union benevolently and grant them future happiness
together.
From an obscure provincial monster of (very) local
fable and fame, the tsmok seems set to acquire international celebrity status before
much longer. And when it does, remember that, at least in English, you read it
here first!
Leo Oganov's Lepel Tsmok (© Alexander "Tarantino" Zhdanovich / cmok.budzma.org/node/81 on http://labadzenka.by/?p=25052 / inclusion here strictly on Fair Use/non-commercial basis only)
Finally: Poland's traditional folklore contains a dragon-related tale
that features the similar-sounding Smok. This was the dragon of Wawel
Hill in Krakow, Poland, which had terrorised
the city until Skuba, a canny cobbler's apprentice, stuffed a baited lamb with
sulphur. After eating it, Smok was consumed with such a fiery thirst that he
drank without pause from a nearby stream until finally the sulphur reacting
with the vast quantity of imbibed water caused the doomed dragon to explode.
Incidentally, in 2011 a very large species of Polish carnivorous archosaurian reptile from the late Triassic Period 205-200 million years that may constitute a species of theropod dinosaur was officially christened Smok wawelski, in honour of this Polish dragon.
Incidentally, in 2011 a very large species of Polish carnivorous archosaurian reptile from the late Triassic Period 205-200 million years that may constitute a species of theropod dinosaur was officially christened Smok wawelski, in honour of this Polish dragon.
A
souvenir ornament of Krakow's Smok, obtained from a friend several years ago (© Dr Karl
Shuker)
Until my present ShukerNature blog article,
virtually no information about the Belarusian tsmok existed in English, so I
have relied very extensively upon translations of various Belarusian and Russian
accounts as my primary sources. Of these, a detailed online news report in Cyrillic
script by Tatiana Matveeva, posted on 15 June 2013, was particularly beneficial to my researches –
click here to access it directly.
And to read all about plenty of other unusual and
unexpected dragon varieties from around the world, be sure to check out my
recent book Dragons in Zoology, Cryptozoology, and Culture.
No comments:
Post a Comment