Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. Author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; expanded in 2002 as The New Zoo), In Search of Prehistoric Survivors (1995), and more recently Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Dinosaurs and Other Prehistoric Animals on Stamps: A Worldwide Catalogue (2008), and Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), his many fans have been badgering him to join the blogosphere for years. The CFZ Blog Network is proud to have finally persuaded him to do so.


ShukerNature - http://www.karlshuker.blogspot.com

Dr Karl Shuker's Official Website - http://www.karlshuker.com


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Wednesday, 25 January 2012

"I NEVER SAW A PURPLE COW" – WELL, NOW I HAVE (SORT OF...)


My own idea of what a purple cow may look like (Public domain photograph adapted by Dr Karl Shuker)

One of the shortest but most famous of all nonsense poems is 'The Purple Cow', penned by American author Gelett Burgess (1866-1951). It originally appeared in the first issue of The Lark, a magazine published in 1895 that was co-edited and (at least initially) largely written by Burgess. Here is the illustrated page from The Lark containing this poem:



It is well-documented that this humble little verse attracted such attention in the years to come that eventually Burgess was driven to distraction by its unexpected yet unrivalled popularity – to the extent that he announced publicly how he wished that he had never written it. He even wrote the following humorous parody of it to that effect:

Ah, yes, I wrote the "Purple Cow" —
I'm Sorry, now, I wrote it;
But I can tell you Anyhow
I'll Kill you if you Quote it!


Gelett Burgess

Outside poetry circles, 'The Purple Cow' is also often used nowadays as a symbol or representation of any highly unlikely occurrence or object encountered in life – something so unusual that it couldn't possibly exist...

Except that in its original bovine connotation, it could and has done – at least twice, in fact!

Having said that, however, until today I only knew of one real-life example – this one:

In 1948, the head of Florida's State Nutrition Laboratory was very bemused by the discovery that one of the cows present in a herd grazing on poor land in this U.S. state was purple in colour. Needless to say, this herd and in particular its singularly-shaded member soon attracted detailed scientific attention, and the cows were all found to be very mineral-deficient. Following a course of feeding upon a natural, balanced diet, however, they became much more healthy and appeared in no way different from any others – all except one, that is.

For although it too became much more healthy, the purple cow never lost its extraordinary hue. And despite close study, neither the reason for its remarkable colouration having arisen in the first place nor the reason for its persistence following a proper diet was ever uncovered.

Now, moreover, as I learnt today, courtesy of an online news video kindly brought to my attention on Facebook by Lazarro Baca, there is a second specimen on record. On 17 January 2012, media worldwide published reports of a certain male calf lately born in Jezdina - a small mountain village close to the Serbian city of Čačak - which is attracting considerable local interest and publicity, due to its remarkable purple colouration.

Having said that, in videos and still photos of it that I have seen so far, such as those included in this present blog post of mine, the animal variously looks grey and white or very pale lilac and white. In view of the appreciable attention that it is receiving, however, I am assuming that it appears more purple in colour when seen in the flesh.

Serbia's purple calf

Its owner is farmer Radmila Glavonjić, who has stated that his unique calf will certainly not be sent to the slaughterhouse. Due to its resemblance to the famous purple cow emblem of Milka chocolate, Radojka would have named it Milka had it been female, but as it is male, he is toying with the idea of naming it either Milkan or Sladjan ('Cutie' in Serbo-Croat).

Veterinary surgeons who have examined this calf claim that it is perfectly healthy, and consider its unwonted colouration to be of genetic rather than external origin. It will be interesting to see whether the animal retains its purple shade as it matures.

Serbia's purple calf with its mother

Speaking about the purple cow logo of Milka chocolate, cryptozoological colleague Markus Bühler has shared the following fascinating information with me:

"I am not completely sure if this is an urban legend, but apparently many children who lived in towns and had never seen a cow in life really assumed that cows are purple, as a result of the wide precence of purple Milka cows on tv and on chocolate."

Wonderful! Thanks Markus!

A short video of Serbia's purple calf can be viewed on YouTube here.

Saturday, 21 January 2012

FELIS - LOST CONSTELLATION OF THE CAT

Felis, as depicted in Alexander Jamieson's 1822 star atlas

Today, only 88 constellations in the night sky are formally recognised by the International Astronomical Union (IAU), but many additional ones were once described and named too. One of these was Felis, the Cat, which was originally designated in 1799 by French astronomer Joseph Jérôme de Lalande, a noted cat-lover who had lamented the domestic cat's absence in a sky populated by no less than three different domestic dog constellations (Canis Major, Canis Minor, and Canes Venatici), as well as three wild cats (Leo, Leo Minor, and Lynx). And so Felis, situated between the constellations of Antlia (the Air Pump) and Hydra (the Water Snake), was duly added to the list, becoming the thirty-fourth animal constellation (albeit a rather small one).

Accordingly, in 1801 it was portrayed in German astronomer Johann Elert Bode's magnificent atlas of the heavens, Uranographia Sive Astrorum Descriptio (the largest star atlas ever published, containing the positions of over 17,000 stars), as well as in a map of 1805 prepared once again by Bode.

Felis, as depicted in Bode's Uranographia (1801)

It also appeared in an equally spectacular star atlas by Alexander Jamieson, entitled Celestial Atlas Comprising a Sistematic [sic] Display of the Heavens, which was published in 1822.

In later years, however, just like numerous other once-recognised constellations, Felis lost its place in the night sky. After having been deemed by French astronomer Nicolas Camille Flammarion to be superfluous, it was not included in the final list of 88 constellations drawn up and officially approved by the IAU in 1922. And that is why – just like other 'extinct' constellations such as Rangifer the Reindeer, Bufo the Toad, Cerberus the Three-Headed Hound of Hades, Hippocampus the Sea Horse, Noctua the Owl, Limax the Slug, Apis the Bee, Dentalium the Tooth Shell, Gallus the Rooster, Anguilla the Eel, and (truly!) Manis the Pangolin, to name but a few - Felis the Cat no longer gazes down upon us from the Heavens far above.


Manis - the Pangolin constellation - as designated and depicted in 1754 by John Hill within his Urania: A Compleat View of the Heavens; Containing the Ancient and Modern Astronomy, in Form of a Dictionary


This blog post is extracted from my forthcoming book, Last Night I Saw The Strangest Cat: A Cat-alogue of Feline Magic, Mythology, and Mystery.

Saturday, 7 January 2012

AS EASY AS ABC? TRACKING DOWN AN ICONIC CRYPTO-TERM

With the Ludlow jungle cat, an ABC from 1989 (Dr Karl Shuker)

I recently received on Facebook a most interesting enquiry from fellow mystery cat investigator Stuart Paterson. Stuart was interested in discovering where and when the term 'alien big cat' and its acronym 'ABC' had first appeared in print.

Keen to track down the answer to this very thought-provoking query, and mindful that they have long been standard usage in Fortean Times, Britain's pre-eminent anomalies journal, I duly conducted some bibliographical research, and this is what I discovered.

Being fortunate enough to own a complete run of Fortean Times, I trawled through every issue starting from #1 (published in November 1973, when it was entitled The News), and I found that the first time that either of these phrases appeared in it was in issue #44 (summer 1985), p. 28. In an article by editor Bob Rickard entitled 'Once More With Felines', reviewing recent mystery cat reports in Britain, the opening section of the first line read as follows: "Our last round-up of alien big-cats (ABC) - we have decided to adopt this acronym - was in FT 42...".

Although previous issues of FT contained numerous accounts of feline cryptids, they had only ever been referred to variously as 'mystery cats', 'phantom felines', 'phantom panthers', 'MAs' (Mystery Animals), or by location-specific terms such as 'Exmoor Beast', 'Surrey Puma', etc.

However, back in 1980, Janet and Colin Bord had referred to 'alien big cats' several times in the mystery cat chapter of their book Alien Animals, though they never abbreviated this term to 'ABC' in it.

I have also scoured through a number of additional books as well as articles from other magazines published during the late 1970s, but I have not uncovered any usage of 'alien big cat' pre-dating that of the Bords in their book. Thus it would appear that they coined this now-iconic phrase, as an offshoot of the 'alien' tag that they also attached to various other terms in their book, and that FT shortened it to 'ABC' five years later in their summer 1985 issue.

Wednesday, 4 January 2012

GROW YOUR OWN HOMUNCULUS

Creating a homunculus via alchemy

Even today, the alchemists of medieval times remain famous for their supposed (but unconfirmed) ability to transmute base metals into gold, using the fabled philosopher's stone. Less well-remembered, yet even more controversial, is their alleged artificial creation of tiny living humanoids - known as homunculi. Some references to homunculi in alchemical texts featured them as symbolic rather than literal. For instance, the fabled Philosopher's Stone is sometimes considered to be a homunculus, with its creation no less than the representation of the Great Work (Magnum Opus) process, merely described in a different way.

A symbolic homunculus, depicted in The Pretiosissimum Donum Dei ('The Most Precious Gift of God'), an important 15th-Century alchemical work by Georgius Aurach de Argentina

In September 1994, however, Paul Thompson published an engrossing review of this largely-forgotten arcane subject in America's Fate Magazine that contained some remarkable revelations regarding the alleged creation of living homunculi.

Alchemists claimed that the culture medium required for the growth of homunculi contained several biological fluids such as sputum or egg-white, and sometimes inorganic fluids like dew, but the two substances most commonly cited as essential were human blood and semen - both of which are widely believed in primitive or non-scientific societies to harbour the vital essence of life. Also required was horse manure, whose heat-releasing properties were utilised to incubate the medium.

Bearing in mind that all of the above ingredients are readily obtainable, why was the production of homunculi a skill restricted to alchemists? The answer is that the recipes always seemed to contain one vital ingredient that was exceptionally complex and difficult to prepare.

Paracelsus, painted by Quentin Massys

For example, in the homunculus recipe contained within the treatise De Natura Rerum, written by 16th-Century Swiss scholar and alchemist Theophrastus Paracelsus (aka Philippus von Hohenheim), 'the arcanum of human blood' was included - essential but esoteric, its constituents known only to the alchemical fraternity. Here, just in case any reader wishes to attempt it himself, is Paracelsus's description of how to create a homunculus:

"Let the semen of a man putrefy by itself in a sealed cucurbite [glass vessel] with the highest putrefaction of the venter equinus [horse manure] for 40 days, or until it begins at last to live, move, and be agitated, which can easily be seen. After this time it will be in some degree like a human being, but, nevertheless, transparent and without body. If now, after this, it be every day nourished and fed cautiously and prudently with the arcanum of human blood, and kept for 40 weeks in the perpetual and equal heat of a venter equinus, it becomes, thenceforth, a true and living infant, having all the members of a child that is born from a woman, but much smaller. This we call a homunculus; and it should be afterwards educated with the greatest care and zeal, until it grows up and begins to display intelligence."

Equally obscure is 'animal tincture', listed in another medieval recipe.

The vaguely human-looking root of the mandragora or mandrake plant Mandragora officinarum inspired the false belief during medieval times that it could be utilised in the production of homunculi. During his body's last convulsive spasms before death, a hanged man will sometimes ejaculate semen, and it was said that where this fell to the ground, a mandrake would grow. If its anthropomorphic root was then pulled out before dawn on a Friday morning by a black dog, then washed, and nurtured with milk, honey, and sometimes human blood too, the root would subsequently develop into a homunculus, which would guard and protect its owner.

Mandrake with unrealistically humanoid root, depicted in Tacuinum Sanitatis, a 15th-Century manuscript

An even more exotic recipe for growing your own homunculus was cited during the 1700s by no less a figure of learning than Dr David Christianus from Germany's Giessen University. According to his claim, an egg should be taken from a black hen, and a tiny hole should be poked through its shell. A bean-sized portion of the albumen then needed to be removed and replaced by human semen, after which the egg's opening should be sealed with the hymen from a virgin maiden. Once this was accomplished, the egg must be buried in dung during the first day of the March lunar cycle. After 30 days, a homunculus should emerge from the egg, and as long as its owner provided it with a regular diet of earthworms and lavender seeds it would protect him and assist him in all of his endeavours.

Notwithstanding the inherent difficulties in obtaining the necessary ingredients and in performing the intricate series of processes required, records detailing the successful culturing of homunculi do exist. An extraordinary specimen grown from distilled human blood and able to emit beams of red light was reputedly cultured and exhibited at the court of France's King Louis XIV by royal physician Dr Borel.

Homunculi feature in many contemporary novels including Peter Ackroyd's The House of Doctor Dee (1993), in which he portrays real-life Elizabethan magus John Dee successfully creating a homunculus

As fully documented in Dr Emil Besetzny's book Sphinx (1873), however, the most outstanding case must surely be the creation of ten living homunculi in a mere five weeks, accomplished by two Austrian alchemists from the late 16th Century - Count Johann Ferdinand von Kufstein and Abbé Geloni.

Like all homunculi, they were grown in sealed jars (homunculi die if exposed for any considerable period to the air), filled with water and eventually buried under heaps of manure. These were treated (as usual) with some special, but unspecified, solution, and doubled the size of eight of the homunculi, producing a series of 1-ft-tall specimens.

No two homunculi looked the same, and to each was fixed an identity. Eight were physical manikins, known respectively as the king, queen, knight, monk, nun, seraph, miner, and architect, and clothes pertinent to their identities were manufactured for them. Each of these eight homunculi was fed with special pink tablets every 3-4 days, and their water was changed once a week. On at least one occasion, the 'king' homunculus escaped from his jar, and was earnestly trying to remove the seal on the jar housing the 'queen' when he was spotted by Count Kufstein's butler. Chased by Kufstein and the butler, the 'king' soon fainted from exposure to the air, and was put back inside his own receptacle.

The remaining two homunculi were non-corporeal, and only appeared when Geloni tapped their jars and chanted certain magical words. A face would then materialise in each of them; moreover, in one the liquid would turn blue, in the other it would turn red. The red 'spirit' homunculus was fed on blood, and its water was changed every 2-3 days, but the blue 'spirit' homunculus was never fed and its water was never changed.

All ten homunculi would answer questions concerning future events, invariably predicting correctly the outcomes, and they were observed by many people. These included some very notable personages, like Count Franz Josef von Thun and Count Max Lamberg. Surely, however, such bizarre man-made entities could not really have existed - or could they?

I cannot help but wonder whether these particular homunculi were nothing more than large amphibians brought back by travellers from the tropics. One likely candidate is the African clawed toad Xenopus laevis, a common species vaguely humanoid in shape, which lives permanently in water - explaining why the 'king' fainted soon after escaping from its jar?

Homunculi – created from blood, or merely specimens of the African clawed toad (like this one)? (Michael Linnenbach/Wikipedia)

No-one knows what happened to nine of the homunculi after Geloni and Kufstein ultimately went their separate ways. However, an event occurred that may actually have left behind some tangible evidence of the tenth. Once, the jar containing the 'monk' homunculus was accidentally dropped, smashing as it hit the floor and killing its humanoid inhabitant. His body was afterwards buried in the grounds of Kufstein's Tyrolean residence - but where is this today? If only we knew its locality, the soil around it could be sifted, as suggested by Paul Thompson - and who knows what remains might be found?

One thing is certain. If a 12-in-long skeleton is ever found under these circumstances, Thompson would be very interested to learn more about it - and so would I.


This article is extracted and expanded from the homunculus section of my book The Unexplained: An Illustrated Guide to the World's Natural and Paranormal Mysteries (Carlton: London, 1996).

Monday, 19 December 2011

THE FAIRY HOUND AND THE POOKA - A CRYPTO-FOLKTALE FOR CHRISTMAS

My very own Celtic fairy hound! (Dr Karl Shuker)

During my time on Facebook, I've made many friends all over the world who share my interests in cryptozoology and animal mythology. One of these friends is Randi Wood, from Texas, USA, to whom I recently recounted a very brief version of a traditional Irish folktale about a Celtic fairy hound. She liked it so much that she said she would love to read a full-length version of it if ever I decided to write one. Well, now I have done, so here, as an early Christmas present to you, Randi, is my story. I hope you enjoy it - Happy Christmas!

According to Irish mythology, one of the most formidable enchanted beasts occasionally met with in lonely rural locations is the fairy hound, or hound of the hollow hills, where the Faerie folk of Erin dwell. Gracile in form, and white in colour, but extremely large, often shaggy-coated, and always instantly distinguished from mortal, non-magical dogs by virtue of its bright red eyes and the red inner linings of its ears, even the mere sight of one of these ethereal creatures is said to bring bad luck. And to speak to or touch one means certain death – usually. Very rarely, however, a fairy hound will bring its human observer good fortune, if it is treated with sufficient courtesy and compassion – as was the case in the following traditional folktale, featuring both a fairy hound and a pooka, which has variants on record not only from Ireland but also from Cheshire and certain other regions of England. But what, may you ask, is a pooka? Let's just hope that you're never unlucky enough to meet one and find out...!

It had been a very long, arduous day, and the apprentice labourer was weary as he slowly trekked across the mist-shrouded moorlands, following the winding, shadowy road that would lead him back home, aching, hungry and earnestly yearning for the warmth, comfort, and security of his parents' little cottage. Whistling to himself to keep his spirits up as he continued on his way through this somewhat depressing, forbidding terrain, where strange shadows lurked all around him, and without warning a tree would abruptly loom out of the darkness up ahead like some frightful apparition, he suddenly heard what sounded like a dog, whining somewhere close by. He walked on a little further, and there, lying in some bushes at the side of the road, was what seemed on first sight to be a large red and white foxhound.

Having seen a number of footsore foxhounds in the past, which had been left behind by the pack when they had grown too weary to pursue their quarry any further, the youth called to it in a friendly voice, telling it that he'd take it back to the kennels but would first do something for its sore paws. True to his word, he scoured around and soon spotted some large dock leaves that he soaked in water from the stream running close by. Then he whistled to the dog, and called to it to come out of the bushes, so that he could treat its tender paws with the cooling wet leaves.

Celtic fairy hounds (Roger Garland)

Sure enough, up stood the dog and trotted out of the bushes towards him – but it was no foxhound. As large as a calf, with a shaggy pure-white coat, but red-lined ears and bright scarlet eyes that glowed like rubies, it was – as the terrified youth was only too readily aware – a fairy hound! Shaking with fear, he stood there, as still as a statue as the great dog padded right up to his side. All of the stories that had passed down through the generations in his family and in those of his friends and neighbours came flooding back. If you so much as see a fairy hound, you will experience bad luck, and if you should be foolish enough to speak to one or touch one, death will swiftly and assuredly follow. And yet, somehow, he sensed that it meant him no harm. Scarcely knowing what he was doing, or why, the youth spoke gently to the fairy hound, politely asking it to give him each of its paws in turn, so that he could bathe them.

The hound raised its huge head until its scarlet eyes were gazing directly into those of the youth, transfixing him for what seemed to him like an eternity yet was the merest moment in real time, and then, slowly, it raised its right front paw, and placed it heavily in his hands. At its first touch, the youth felt a strange sensation course through his body, like a living stream of electricity rippling and sparking beneath the surface of his skin. As if awakening from a dream, he shook his head, and then, after carefully inspecting the creature's paw, wrapped some wet leaves around it in a cooling bandage. As soon as he had done this, the fairy hound pulled its paw away, sniffed it for a moment, then gingerly placed it on the ground. The dock leaves were clearly working their own kind of magic, because the hound never flinched when it placed its full weight on the paw.

The youth expected to receive the hound's left front paw next, but the hound had other ideas. Instead, it turned sideways, and raised its right back paw towards him. So the youth knelt, and bandaged this paw with some more soaked dock leaves, then repeated his actions with its left back paw. When this was bandaged, the fairy hound turned to face the youth again, and as he looked down at its one remaining untreated paw – the left front paw – he realised that the hound was barely resting on it at all. Instead, it held it up just above the ground. Clearly, this was the most painful of its four paws, and when the youth knelt down to it, he immediately saw why.

Embedded in one of the paw's thick pads was a long curved thorn! Shocked, he looked up at the fairy hound, once again meeting its bright scarlet stare. Surely he dare not attempt to pull a thorn from the paw of a fairy hound? To do so would certainly inflict pain upon it, and that in turn would surely be more than sufficient to bring about his own death. But scarcely had these thoughts materialised within his petrified mind than the hound raised its wounded paw and delicately placed it in his open hand. As if sensing his hesitation, it then licked the thorn and nuzzled his hand with its large, icy-cold nose before gazing directly into his eyes again.

'Hound Wraith' - a very different, unicorned fairy hound (Heather L. Kidd)

Drawing a deep breath, and trying hard to hide the fear in his voice, the youth softly spoke to the fairy hound, telling it that he would try his best to remove the thorn but warned that its paw might hurt for a moment while he was doing so. Taking a second deep breath, and focusing his attention entirely upon the thorn in the hope of remaining as calm as possible, the youth gripped it tightly between thumb and finger, and then, in a swift fluid movement, withdrew it from the pad of the creature's paw with Androclesian skill.

The fairy hound jerked its leg back, and the youth heard what sounded like the faintest rumble emanating from its chest, like the onset of thunder on a humid summer evening, as it attempted to pull its paw from his grasp. At the same moment, however, with his other hand the youth deftly placed a dripping-wet bandage of dock leaves upon the pad, and immediately he felt the hound relax, leaving its paw within his hand. After holding the leaves against the wounded pad for a few moments, the youth then removed them and replaced them with some more, which he bound in place.

The fairy hound placed its paw on the ground, and, as before, the dock leaves had evidently proven effective, because it discovered that it could place its full weight upon the paw without discomfort. For one last time, the fairy hound looked up at the youth, capturing his eyes with its own, and then it slowly wagged its long white tail from side to side, several times, before turning away. Remembering how he had been told by his elders to be respectful at all times to the Faerie folk, he bid it a polite "Goodnight, Sir", and he saw it wag its tail again as it departed into the mist.

Fairy hound (C Martin)

Scarcely believing that he had survived such an extraordinary encounter with a fairy hound, the youth hurried on along the road leading home, hoping to leave this deserted, lonely terrain before it became completely dark. Happily, he did so, and although he made the same journey each evening in the weeks to come, nothing else eventful took place – until one night, just before Christmas.

The youth had worked even later than usual that particular evening, so it was already almost dark while he was still walking along the road across the moorlands - which, as a result, seemed more oppressive and threatening than ever. Even so, he smiled when he reached the area of low-lying bushes where, a few weeks earlier, he had treated the fairy hound's paws. Although he had never seen it again, he frequently thought about it, but he had never told anyone about his encounter, just in case to do so would anger the Faerie folk.

Suddenly, something large moved amid the shadows covering the road up ahead, and for a moment the youth thought that the fairy hound had returned. But as he drew nearer, he saw something very different – and even more frightening! At first, it looked like a small black pony, but as he looked at it, the creature began to grow bigger, and bigger. In moments, the 'pony' was the size of a horse, and as it turned his head towards him, the youth cried out in terror - because the head was no longer that of a horse. Instead, it now resembled a goat's, bearing a pair of long twisted horns, and with glittering emerald-hued eyes that glowed malevolently like green fire. This was neither a pony nor a horse – it was a pooka!

A pooka (Ceara Finn)

An evil shape-shifting supernatural being, a pooka often assumes the guise of a pony that is sometimes merely mischievous, chasing after humans in gleeful delight, or slyly luring them across the moors until they are hopelessly lost if they try to capture or ride it. On other occasions, however, if someone succeeds in mounting it, the pooka will instantly ride off at speed and plunge into a river or lake, drowning its hapless rider. And if it should transform into a goat-headed monstrosity like the beast now confronting the terrified youth, death is inevitable.

Leering at him with a vile grimace that revealed an abundance of sharp white teeth, the pooka reared up onto its hind legs, and flailed its razor-sharp hooves at the youth's face. Backing away, he stumbled, losing his footing in his fear as this huge black beast of nightmare come to life reared again, its hooves ready to slash him to ribbons.

Suddenly, however, a huge white shadow hurled itself out of the darkness and directly onto the pooka's back. Gazing at it in amazement, the youth saw that it was none other than the fairy hound! Equally astonished, the pooka turned away, throwing its neck back as it attempted to discover what was attacking it. The fairy hound's mighty jaws bit deeply into the pooka's neck and shoulders as the latter beast sought to shake its assailant off, and the silence was shattered by an ear-splitting cacophony of shrieking neighs from the pooka and baying growls from the fairy hound.

Never underestimate a fairy hound!

The pooka, weakening from the fairy hound's unabated onslaught, dropped to the ground, and sought to dislodge its attacker by rolling over and upon it. To avoid being crushed, the fairy hound duly released its hold upon the pooka's neck, and leapt off – at which point the pooka instantly transformed into a large black owl and flew swiftly away across the moors.

By now, the petrified youth had staggered back up onto his feet again, and there in front of him stood the fairy hound, seemingly none the worse for its battle with the pooka. It looked up at him with its bright scarlet eyes, and wagged its long tail from side to side.

The youth was about to thank it for saving him from the pooka, but just in time he remembered how his wise old grandmother had told him when he was still a child that although you must always be very respectful to the Faerie folk, you must never thank them aloud, even if they have helped you or have been kind to you in some way.

And so, just as he had done during their previous meeting, the youth nodded courteously to the great dog before him, and then bid it a polite "Goodnight, Sir". The fairy hound turned away, and in seconds was lost to sight amid the darkness and shadows of the night, and the youth continued on his way back home, well aware of how exceptionally fortunate he had been that evening, and looking forward even more than before to the Christmastime holidays with his family that awaited him there.

A pack of fairy hounds in pursuit of a wrongdoer

Tuesday, 13 December 2011

THE WONDERFUL THING ABOUT TIGUARS!



Over the years, a great many unusual big cat hybrids have been born in captivity - everything from ligers (lion x tigress hybrids), tigrons (tiger x lioness), and leopons (leopard x lioness), to lipards (lion x leopardess), jaglions (jaguar x lioness), and pumapards (puma x leopardess), to name but some.

Of especial interest, however, because he is quite possibly unique, is a big cat hybrid called Mickey. Born in June 2009 at Altiplano Zoo in San Pablo Apetatlan, Mexico, Mickey is a bona fide tiguar. His father is a Siberian tiger and his mother a jaguar originating from the southern Chiapas jungle. But what does Mickey look like? Despite an extensive online search during the completion of my next book - I Thought I Saw The Strangest Cat..., due out in spring 2012 - I have been unable to locate a single description of him.

However, there may be at least one online colour photograph depicting Mickey. Reproduced below, this photo was kindly brought to my attention yesterday by mystery cat researcher Mark Fraser from BCIB (Big Cats In Britain) and cryptozoological enthusiast Ian C. Thomas. As can be seen here, it shows a very impressive, predominantly ginger-brown big cat, stocky in build, with an unmistakeably tigerine face, plus a white chin and mouth, but only very faint, greatly-reduced body striping.

Alleged photo of Mickey the tiguar of Altiplano Zoo as an adult (credit: http://www.taringa.net/comunidades/tkaffee/945148/Felinos-Hibridos.html)

Worryingly, however, on a few other sites this same photograph is labelled not as showing a tiguar but a liger (lion x tigress hybrid) instead. Moreover, the cat is surrounded by snow, which is not what one would expect from the subtropical region of Mexico where Altiplano Zoo is located. Having said that, as pointed out to me by fellow investigator Paul Willison, meteorological records show that during the winter period this region's temperature has sometimes fallen to only a degree or so above freezing point. So perhaps the presence of snow here is not so implausible after all.

In addition, I have discovered what I feel sure is a fleeting glimpse of Mickey as a 2-month-old cub in a video shot at Altiplano Zoo and uploaded by someone with the user name mvzxim onto YouTube on 9 August 2009. View it at:
http://www.youtube.com/watch?v=jyv8HtA1w6M&feature=related

A still from the above video of Altiplano Zoo showing a mysterious cub that may well be Mickey the tiguar (video credit: mvzxim)

Certainly, whereas not resembling that of any familiar big cat, such as a lion, tiger, leopard, or jaguar, the cub (visible in the section of the video spanning 3.10 minutes to 3.14 minutes, and captured here in this still photograph) very closely resembles the above-noted alleged photo of the adult Mickey, complete with ginger fur, faint body striping, and white chin/mouth. Furthermore, unlike the photograph, there is no question that this video was indeed shot in Altiplano Zoo.

I am continuing to investigate the mysterious Mickey, in the hope of obtaining a verified photo of him as an adult plus any additional information concerning him that may be available, so any assistance would be greatly appreciated.

Thursday, 8 December 2011

THE ENCYCLOPAEDIA OF NEW AND REDISCOVERED ANIMALS - A FIRST GLIMPSE OF MY LATEST BOOK



I've just received, one day early, the perfect birthday present! Here's the fully-approved, finalised version of the cover for my soon-to-be-published book The Encyclopaedia of New and Rediscovered Animals: From the Lost Ark to the New Zoo - and Beyond (which is off to the printers in the next few hours!). My very sincere thanks to Bill Rebsamen for his wonderful front and back cover illustrations!

Here's some information concerning my book:

At the beginning of the 20th century, scientists and laymen alike appear to have been peculiarly confident that the world had been thoroughly explored and most of its creatures named and documented. Few, if any, large animals still awaited discovery. The scientific unveiling of the giraffe-like okapi in 1901 was one of the earliest of this century's discoveries to shake this belief. But many consider it to be the last great find, and view the rediscovery of extinct animals to be as likely as the alchemic conversion of iron into gold.

Since 1901, however, a whole host of new and rediscovered creatures has turned up to contradict these views - including a giant 7-ft-long forest hog from Africa, a colossal Indonesian monitor lizard called the Komodo dragon, the lobe-finned coelacanth fish resurrected from 64 million years of supposed extinction, the incredible megamouth shark, deep-sea tube-dwelling worms over 8 ft tall with huge red tentacles resembling strange alien flowers, plus the extraordinary Vu Quang ox and giant barking deer both discovered in Vietnam during the 1990s. And discoveries continue to be made today, in the 21st century - ranging diversely and dramatically from giant peccaries and zombie worms to an entire new suborder of insects known as the gladiators, a veritable jungle of new monkeys, and an extraordinary chameleonesque snake. And nor can we possibly forget the sensational rediscovery in North America of the near-legendary, supposedly long-extinct ivory-billed woodpecker.

The Encyclopaedia of New and Rediscovered Animals is the third, wholly-updated edition of the very first - and still the definitive - book to be devoted to the spectacular zoological discoveries and equally amazing rediscoveries of the 20th century, which attracted international acclaim and exemplary reviews following its original publication in 1993 (when it was entitled The Lost Ark), and its subsequent republication in 2002 as an updated, greatly-expanded second edition (entitled The New Zoo). This latest edition also contains an in-depth survey of the 21st century’s most celebrated discoveries and rediscoveries made during its first decade, a superb foreword by pre-eminent American cryptozoologist Loren Coleman, plus an exhaustive, significantly-increased bibliography, as well as the only comprehensive collection of colour and b/w illustrations of these spectacular animal species ever published (including new, previously-unpublished photographs, and several exclusive, specially-commissioned full-colour paintings).

Unquestionably, The Encyclopaedia of New and Rediscovered Animals provides good reason indeed for believing that our world continues to holds many more animal surprises in store for future revelation.

It is published by Coachwhip Publications in the USA, and is due out very shortly (printers permitting!) - so keep checking Amazon!