Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label Journal of Cryptozoology. Show all posts
Showing posts with label Journal of Cryptozoology. Show all posts

Thursday, 8 December 2016

VOLUME 4 OF THE JOURNAL OF CRYPTOZOOLOGY IS NOW PUBLISHED



I'm very happy to announce that Vol. 4 of the Journal of Cryptozoology – currently the world's only peer-reviewed scientific journal devoted to mystery animals – is now published.

The four papers contained in this volume constitute a quartet of very different but equally interesting and significant contributions to cryptozoology. Namely:

An insightful examination by Paul Michael Donovan of the original occurrence and subsequent dispersal and gradual generalisation in meaning of a famous cryptid term – 'bunyip'.

An exhaustive and exceedingly valuable checklist compiled by Dr Charles G.M. Paxton and Adrian J. Shine of identities proposed over time for what must surely be the world's premier cryptid – the Loch Ness monster.

A very pertinent application of DNA analysis by Dr Haskell V. Hart to alleged cryptozoological (bigfoot) samples, a practical approach that I anticipate becoming ever more important in this field.

The presentation by Bruce A. Champagne of a very comprehensive, novel type proposal for water monsters.

The journal is now actively calling for submissions in relation to Vol. 5. These should be emailed directly to me. Before doing so, however, all contributors must ensure that their manuscripts have adhered to the journal's presentation style and requirements, as given in each volume's Instructions to Contributors section, and online in the journal's website (click here) - where this newest volume of the journal (and all of its earlier ones too) can be purchased directly. In addition, Vol. 4 can be purchased here on Amazon US, and here on Amazon UK.

Scale illustration of the possible appearance of the long-necked variety of bunyip (© Connor Lachmanec)





Monday, 13 April 2015

THE JOURNAL OF CRYPTOZOOLOGY, VOLUME 3 – A SNEAK PREVIEW



Volume 3 of the Journal of Cryptozoology, front and back cover (© Journal of Cryptozoology)

The long-awaited third volume of the Journal of Cryptozoology is currently at the printers, so it will be published and available for purchasing very shortly now, directly from the Journal's own website (click here) as well as from Amazon and other online booksellers. It can also be ordered through traditional bookstores.

Meanwhile, here is a sneak preview - its List of Contents:

List of Contents from the Journal of Cryptozoology, Vol. 3 (© Journal of Cryptozoology)

Hope you enjoy it!

As the Journal's editor, I am now actively calling for submissions for Vol. 4, which will be published this coming December. A full Instructions to Contributors guide regarding the presentation style required by the Journal for all submissions, as well as email addresses for editor and publisher, can be found on the Journal's website.

UPDATE - 18 April 2015

Vol.3 of the Journal can now be purchased on Amazon's USA site - just click here.

 A pair of pink-headed ducks painted by Henrik Grönvold (public domain)






Monday, 9 December 2013

CRYPTOZOOLOGY AND THE BIRTHDAY PRESENT THAT CHANGED MY LIFE

My much-read, greatly-treasured original copy of the Paladin 1972 abridged paperback reprint of On the Track of Unknown Animals (© Paladin/Dr Karl Shuker)


Today is my birthday, the first one that I have ever known without any family since the passing away of my dear mother, Mary Shuker, exactly 36 weeks ago on Easter Monday.

Yet on this poignant day of reflection and remembrance for me, I still fondly recall a birthday present bought for me by Mom a very long time ago but which changed my life forever, literally…

As a zoologist, media consultant, and author specialising in cryptozoology, it is supremely ironic that my introduction to this enthralling subject was anything but promising.

It all began one day during the early 1970s when, aged around 13, I walked into the department store Boots in the town of Walsall in the West Midlands, England, and spotted a copy of the Paladin abridged paperback edition (1972 reprint) of Dr Bernard Heuvelmans's classic book On the Track of Unknown Animals. Picking it up, I opened it at random, and my eyes alighted upon the following sentence, on p. 199, concerning a South American subterranean cryptid called the minhocão:

"Senhor Lebino also related that in the same district, a Negro woman, who was going one morning to draw water, found the pool destroyed and saw an animal 'as big as a house' crawling away on the ground."

"An animal as big as a house! How ridiculous!", I thought to myself, and promptly replaced the offending book on the shelf.

That hasty action could well have ended my cryptozoological career before it had even begun, cruelly stifled at birth. Happily, however, Fate decreed otherwise. My mother, who was with me, had seen that I had been reading this particular book, albeit briefly, so while I was looking elsewhere in Boots she secretly purchased it as a surprise birthday present for me in December of that same year. When I opened the parcel and saw which book was inside, I remembered what I had read before, and viewed it with suspicion, but as soon as I began reading it properly, from the beginning, I was of course totally hooked. In no time, I had read it from cover to cover on so many occasions that I could virtually recite great chunks of it.

Eager to learn more about undiscovered animals, I began collecting every newspaper cutting, magazine article, and book that I could find on the subject. And when, while studying zoology at university, I became friends with a fellow student who actually owned the unabridged 1958 hardback edition of On the Track..., containing several short chapters that had been omitted from my abridged paperback version, and who kindly permitted me to take his book to the nearest photocopier, I felt as euphoric as if I had been handed the Holy Grail!

My copy of the original 1958 hardback English edition, which I finally purchased more than a decade after receiving the paperback edition from Mom as a birthday present (© Rupert Hart-Davis)

How I wished then that I could make a career out of cryptozoology, but, like most zoology students starting university, I anticipated pursuing a traditional professional life as a research scientist.

And indeed, I went on to obtain both a BSc (Honours) degree in pure zoology and also a PhD in zoology and comparative physiology. However, I had always enjoyed writing, and during my spare time I had by now also amassed a formidable private archive of cryptozoological material. So instead of continuing with mainstream zoological research following my PhD, I decided instead to plunge into the uncertain waters of freelance journalism - specialising in cryptozoology and other areas of so-called 'fringe' science.

My copy of the original two-volume French edition of On the Track of Unknown Animals, entitled Sur la Piste des Bêtes Ignorées and published in 1955 (© Librairie Plon)

Some of my early cryptozoological friends and colleagues outside Britain jokingly said that I seemed to spring up from nowhere, and I can appreciate that this may well have been how it looked to them. However, I can assure everyone that, in the time-honoured showbusiness tradition with such matters, it took me quite a long time to become an overnight success!

It began with a number of articles and letters of mine published in various British newspapers, and regular cryptozoological commissions from a British magazine (sadly now defunct) called The Unknown. Following this, I experienced my first success abroad, with a selection of articles accepted for publication in Fate by its then editor, Jerome Clark. My long-running 'Alien Zoo' column in Fortean Times began soon afterwards (and still appears today), as well as regular articles in many other magazines too.

My copy of the four-volume, revised and corrected 1982 edition of Sur la Piste des Bêtes Ignorées (© Famot)

In 1987, I was amazed and ecstatic when my very first book synopsis, proposing an international survey of feline cryptids, was swiftly accepted by a well-respected London publishing firm, Robert Hale. Even before the ink was dry on its contract, I had already begun writing the book, which was published in June 1989 as Mystery Cats of the World - achieving great success, staying in print for several years, and bringing my name to widespread attention at last. Two years later saw the publication of a second book of mine by Robert Hale - Extraordinary Animals Worldwide, reviewing a diverse range of animal anomalies.

I had also been researching and preparing another book for quite a long time (although initially only as a hobby), on a subject that had never been covered in book form before - new and rediscovered animals of the 20th Century. In 1993, however, five years of exhaustive work on this pioneering project climaxed with its publication by HarperCollins, as The Lost Ark - which I successively updated in subsequent years to yield two fully-revised, much-expanded sequels – The New Zoo (2002), and The Encyclopaedia of New and Rediscovered Animals (2012).

My copy of the revised 1995 edition of On the Track of Unknown Animals (© Kegan Paul International)

Twenty years have somehow raced by almost unseen and unrealised by me since the publication of The Lost Ark, and the current tally of books written by me stands at 20, plus another 12 for which I have acted as consultant and/or contributor, as well as countless articles and blog posts, and my continuing editorship of the Journal of Cryptozoology (click here and here for a complete listing of my books and those for which I have acted as consultant/contributor).

And they all owe their existence to that unassuming birthday present bought for me by Mom all those years ago. Today, it is battered, tattered, stapled, and sellotaped together to within an inch of its life, almost read into oblivion by me over the years. Indeed, I eventually purchased a second, near-pristine copy for my cryptozoological bookshelves in my study. But my original copy remains one of my most treasured possessions, safely housed within a bookcase in my bedroom alongside other much-loved books from my childhood and early teenage years.

Holding two books that influenced me greatly during my formative years, both of them bought for me by Mom (© Dr Karl Shuker)

Thank you, little Mom, for being my rock, the foundation upon which I have built my entire life, and, by giving me this humble little book as a birthday present over 40 years ago, propelling me along a hitherto-unsuspected but inspirational path - opening my eyes to the fascinating world of mystery animals that led to my lifelong career in cryptozoological writing and research, and which in turn has given me so much happiness and engaged my continuing interest for such a very long time.

How I wish that you were here today, to wish me a happy birthday and to give me a birthday card like you've always done every year of my life. You often joked that I'm an incorrigible hoarder, but occasionally it can be of great benefit, and today was one such occasion. I've hoarded quite a few of the birthday and Christmas cards that we've sent to each other over the years, so today I found some birthday cards that you'd written and given to me in earlier years, and I've put a couple of them up on the mantelpiece here, where I always placed yours in previous times.

The wonderful birthday card that Mom gave to me on my 11th birthday in 1970 - knowing that I liked cats and that my favourite colour was blue, she knew how much I'd love this card, and I've treasured it ever since - thanks Mom (© Dr Karl Shuker)

So even though you can't be here with me today, I still have a birthday card from you – two, in fact – to look at and remind me with great joy and thankfulness of when you were here, of all the many happy birthdays that we spent together down through the years, and how very lucky and truly blessed my life has been with you in it as my mother.

Mom and a giant ground sloth statue at Crystal Palace, 2010 (© Dr Karl Shuker)




Friday, 29 November 2013

FROM KING CHEETAHS TO KOOLOOKAMBAS - VOLUME 2 OF THE JOURNAL OF CRYPTOZOOLOGY IS NOW AVAILABLE TO PRE-ORDER




The orang pendek of Sumatra in Indonesia's Greater Sundas island group has attracted considerable cryptozoological attention, but could there also be diminutive yet previously less-publicised man-beasts existing still-undiscovered by science on Indonesia's much smaller Lesser Sundas island of Flores?

Does an ornate 16th-century painting from India's Mughal Empire hold the key to the former existence in Asia of a mystery cat analogous to Africa's king cheetah?

How can the vast diversity of reports appertaining to mysterious freshwater cryptids across the length and breadth of Spain be explained?

What is the taxonomic identity of the koolookamba, a longstanding African mystery ape known not only from reports but also from captive specimens - just an aberrant version of chimpanzee, or a taxonomically discrete form in its own right, or even a bona fide chimpanzee-gorilla hybrid?

These are the fascinating subjects and thought-provoking questions under consideration in the papers contained within Volume 2 of the Journal of Cryptozoology - the world's only peer-reviewed scientific periodical devoted to mystery animals - which is now available to pre-order here. Don't miss it!

Engravings from 1896 of Mafuca, the most famous koolookamba to have been exhibited in captivity






Friday, 2 November 2012

THE JOURNAL OF CRYPTOZOOLOGY IS NOW IN PRINT!


Less than nine months after exclusively announcing on ShukerNature its official launch (click here for details), I am delighted to announce that the inaugural volume of the Journal of Cryptozoology – currently the world's only peer-reviewed, scientific journal devoted to mystery animals – is now in print. Click here to visit its official website for full details of its contents and how to subscribe to this historic periodical, for which I am the editor and CFZ Press is the publisher.

Of course, now that it is in print, this means that once again I am calling for papers, this time for Volume 2, due for publication in 2013. A full 'Instructions to Contributors' giving style conventions required for all submissions can be found in the journal or viewed online (click here), and all submissions can be emailed directly to me at Editor@journalofcryptozoology.com

NB – I am happy to confirm that when purchasing the journal a shipping rate of just £2 applies not only within the UK but also worldwide, so if you are purchasing it from outside the United Kingdom you will still pay just £2 shipping.


Monday, 26 March 2012

MY INTERVIEW WITH MONGABAY.COM ON NEW AND REDISCOVERED ANIMALS



Click here for my interview with Mongabay.com on the subjects of new and rediscovered animals, cryptozoology, my new book The Encyclopaedia of New and Rediscovered Animals (Coachwhip: Landisville, 2012), and the newly-launched Journal of Cryptozoology.

Monday, 27 February 2012

WELCOME TO THE JOURNAL OF CRYPTOZOOLOGY - A NEW, PEER-REVIEWED SCIENTIFIC JOURNAL DEVOTED TO MYSTERY ANIMALS.




With the demise of Kraken and, in particular, Cryptozoology (published by the now-defunct International Society of Cryptozoology), there has been no peer-reviewed scientific journal devoted to cryptozoology for quite some time. Consequently, the Journal of Cryptozoology is launched today to remedy this situation and fill a notable gap in the literature of cryptids and their investigation. For although some mainstream zoological journals are beginning to show slightly less reluctance than before to publish papers with a cryptozoological theme, it is still by no means an easy task for such papers to gain acceptance, and, as a result, potentially significant, serious contributions to the subject are not receiving the scientific attention that they deserve. Now, however, they have a journal of their own once again, and one that adheres to the same high standards for publication as mainstream zoological periodicals.

To that end, a distinguished peer review panel has been assembled, consisting of some of the world's most eminent zoologists and associated researchers in their respective fields. And I am honoured to have been invited by the journal's originator and publisher, CFZ Press, to become Editor - an invitation that I am delighted to accept.

It is planned that each volume of the Journal of Cryptozoology should contain at least four papers. These can be discussion or review articles concerning a given cryptozoological subject, research-related papers, or field reports. Details concerning the required presentation formats for these contributions can be found on the journal's inside back cover and are also included below.

Down through the decades, cryptozoology has been defined in different ways by different researchers, with some definitions much more restrictive than others. Consequently, it is important to make clear the definition – and therefore the scope of subjects available for papers – to which this journal adheres. For the purposes of relevance to this journal, a cryptid is a creature that is known to the local people sharing its domain (ethnoknown) but unrecognised by scientists. Such a creature may be any of the following:

1) A species or subspecies apparently unknown to science, including alleged prehistoric survivors (e.g. mokele-mbembe).

2) A species or subspecies presently unknown to science in the living state, but which is known to have existed in historical times and allegedly still persists today (e.g. thylacine).

3) A species or subspecies known to science but allegedly existing as a natural occurrence in a location outside its scientifically-recognised current geographical distribution (e.g. puma in the eastern USA).

4) A species or subspecies known to science but allegedly existing as an artificial occurrence (i.e. due to human intervention) in a location outside its scientifically-recognised geographical distribution (e.g. alien big cats in Britain).

5) An unrecognised non-taxonomic variant of a known species or subspecies (e.g. Fujian blue tiger; prior to its scientific recognition, the journal's logo creature, the king cheetah, was another example from this category).

In addition, papers dealing with fabulous, mythological beasts will be considered for publication in the journal if their subjects have direct relevance to cryptids (e.g. reviewing the similarity between a given lake monster from folklore and cryptids reported in that same lake in modern times).

Some cryptozoological researchers prefer to impose a lower size limit for cryptids, arguing that a crucial aspect of a cryptid's definition is that it should be of unexpected form. However, as I have revealed time and again in my various books documenting new and rediscovered animals, some very notable, unexpected cryptids were also very small. This is exemplified by Kitti's hog-nosed bat Craseonycteris thonglongyai, scientifically described in 1974 but already known to the local Thai people, and so dramatically different from all other bats that it required the creation of an entirely new taxonomic family to accommodate it – yet it is no bigger in size than a bumblebee. Consequently, although this journal is primarily interested with 'classic' cryptids, i.e. those of large or relatively large size, whose apparent continuing existence undiscovered by science is therefore particularly surprising, papers dealing with interesting, unusual, or potentially significant cryptids of smaller size will also be considered for publication.

Please note: unidentified animal-like (zooform) entities of an apparently paranormal nature, e.g. spectral Black Dogs, fall outside the scope of subjects with which this journal is concerned.

It is always exciting to be part of a major new development, and I believe that the Journal of Cryptozoology marks a major new development in the advancement and mainstream awareness of cryptozoology. I hope that you will too.


Consequently, I now wish to take this opportunity to make a formal call for papers for publication in the journal's inaugural volume, scheduled for publication later this year. Below are guidelines concerning requirements for the submission and presentation of manuscripts of papers to the Journal of Cryptozoology that must be adhered to by contributors.


All submissions must be original manuscripts not previously published elsewhere or submitted elsewhere simultaneously with submission to this journal. All submissions will be sent to two members of the journal's peer review panel for their opinions concerning content, clarity, and relevance to cryptozoology. Their comments will then be studied by the editor whose decision is final concerning whether or not the manuscript is published, subject if necessary to amendments by the author(s) if suggested by the reviewers. The copyright of all published papers belongs to this journal.

All manuscripts submitted should be one of the following three types of paper:

Discussion/Review article: Its subject should be a discussion or literature review of a given cryptozoological subject, and should not include original, unpublished research. It can be of 1000-3000 words in length, and can also include clearly labelled and numbered b/w photographs, artwork, tables, or maps, provided that the copyright of these falls into one of the following three categories:

(1) owned by the author(s);

(2) has been granted to them in writing by their copyright owner(s) - a copy of such permission will need to be submitted with the manuscript and artwork;

(3) expired, i.e. in the public domain.

The article should be preceded by a 200-word abstract, and should be divided into relevant subtitled sections. A reference list can be included at the end of the article; if so, this and the accompanying in-text citation style should correspond with the preferred version outlined below.

Research article: Its subject should be original research (but not fieldwork) conducted by the author(s). It should be of comparable length to or shorter than discussion/review articles, but with a minimum count of 1000 words. It can also include clearly labelled and numbered b/w photographs, artwork, tables, or maps, provided that the copyright of these falls into one of the three above-listed categories. The article should be preceded by a 100-word abstract, and its main text should be split into four sections – Introduction, Materials and Methods, Results, Discussion. A reference list can be included at the end of the article; if so, this and the accompanying in-text citation style should correspond with the preferred version outlined below.

Field report: Its subject should be fieldwork conducted by the author(s). It should be of 1000-2000 words in length. It can also include clearly labelled and numbered b/w photographs, artwork, tables, or maps, provided that the copyright of these falls into one of the three above-listed categories. The article should be preceded by a 100-word abstract, and its main text should be split into four sections – Introduction, Description (in which the fieldwork undertaken is described), Results, Discussion (which should also include details of any future plans). A reference list can be included at the end of the article; if so, this and the accompanying in-text citation style should correspond with the preferred version outlined below.

Style of reference citation required:
All in-text citations should be: author(s) surnames, comma, year of publication, all in parentheses. If the cited reference has more than two co-authors, give only the first surname followed by et al. Examples: (Jones, 1987), or (Jones & Jones, 1987), or (Jones et al., 1987).

For books, the style required for the reference list should be: Author surname followed by given names with first (or legal) given name in full and others as initials, followed by the year of publication in parentheses, and a full stop/period. The title of the book should be italicised, with its principal words beginning with a capital letter, and should end with a full stop/period. The publisher's name should then be given, with the town or city of publication included in parentheses. If the book is co-authored by two authors, their names should be separated by an ampersand; if co-authored by more than two, all but the last name should be separated by commas, and the last name should be separated by an ampersand. Here are some hypothetical examples:

Smith, John C. (1987). The History of Cryptozoology. Jones & Son (London).

Smith, John C. & Jones, James A. (1987). The History of Cryptozoology. Jones & Son (London).

Smith, John C., Taylor, Paul B., & Jones, James A. (1987). The History of Cryptozoology. Jones & Son (London).

For journal articles, the style required for the reference list should be: Author surname followed by given names with first (or legal) given name in full and others as initials, followed by the year of publication in parentheses, and a full stop/period. The title of the article should not be italicised, and should not be capitalised (other than the first word). The title of the journal should be given in full, not abbreviated, with its principal words beginning with a capital letter, it should be italicised, and should end with a comma. Volume numbers should be given as figures, issue numbers also as figures (preceded by no.) but included in parentheses following the volume number (together with date of issue if relevant, and separated from issue number by a semi-colon), followed by a colon, and then the page numbers, given in full. If the article is in a newspaper, the town or city of publication in parentheses should follow the newspaper's title, and instead of volume numbers, the full date of publication will suffice, followed by the page number(s) if known. Here are some hypothetical examples:

Smith, John C. (1987). Investigation of an unidentified lizard carcase discovered in Senegal. Journal of Lizard Studies, 33 (no. 2; September): 52-59.

Smith, John C. (1987). Mystery cat on the loose in Wales. Daily Exclusive (London), 4 February: 23.

For online sources, if an author name is given, it should be presented in the same style as for books and articles, followed by the title of the source, which should adhere to the style format given above for a hard-copy journal article, followed by the complete URL, date of posting if given, and the date upon which it was accessed by the paper's author(s). Here is an example:

Shuker, Karl P.N. (2012). Quest for the kondlo – Zululand's forgotten mystery bird. http://www.karlshuker.blogspot.com/2012/02/quest-for-kondlo-zululands-forgotten.html 21 February. Accessed 24 February 2012.

If no author is given, simply begin the reference with - , then give the article title, etc as above.


I look forward to receiving and evaluating your submissions. Please email them to me at my usual address - karlshuker@aol.com

Dr Karl P.N. Shuker, the Editor, the Journal of Cryptozoology, 27 February 2012.