Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his first two long-awaited, much-requested ShukerNature blog books (2019, 2020).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Saturday 23 May 2015


Postcard depicting Jake the Alligator Man (© Marsh's Free Museum)

On 1 March 1992, Turkish archaeologists publicly announced the discovery of an extraordinary Egyptian mummy in the vaults of Istanbul's famous Topkapi Palace Museum during some recent restoration work there. It was concealed inside a wooden sarcophagus (whose form confirmed it as having originated in ancient Egypt), and when carefully unwrapped it was found to consist of the upper parts of a young boy fused to the lower half of a crocodile!

The explanation for this bizarre specimen is still unknown. Some researchers have speculated that the boy may have been killed and partially eaten by the crocodile while bathing (or after accidentally falling) in Egypt's Nile River – and that in order for him to possess a complete body with which to pass into the afterlife, his parents arranged for his reptilian murderer to be killed and for the section of its body corresponding to the devoured portion of their son's to be attached to the boy's remains. However, this theory seems no less grotesque than the mummy itself!

Photocopy of a photograph - click to enlarge - depicting Topkapi's mummified crocodile boy being examined by the museum's Assistant Director of Restoration and Conservation, Behçet Erdal – from a report dated 1 March 1992 in the Turkish newspaper MeydanMeydan – photocopy courtesy of Paul Sieveking/Fortean Times via Izzet Goksu)

A more plausible possibility is that the pseudo-conjoined mummy was deliberately created as a sacred artefact or offering by worshippers of Sebek (aka Sobek), ancient Egypt's crocodile-headed god of rivers and lakes. It may even have been produced as a clever fraud for exhibition purposes – in modern times, such specimens are popularly referred to as gaffs; if so, this would make it one of the earliest gaffs ever recorded.

Line drawing from 1885 of Sebek, ancient Egypt's crocodile-headed deity (public domain)

As yet, I have not succeeded in discovering whether this unique specimen is on public display at Topkapi. So if anyone reading this ShukerNature blog article can provide me with some relevant details, I'd be very grateful.

Similar monstrosities were once very popular in carnivals and sideshows, especially in America, and at least one such creation still is today. Known as Jake the Alligator Man and constituting the upper half of a monkey skeleton skilfully attached to the lower half of a small alligator, this famous specimen has been on display for many years at Marsh's Free Museum [http://www.marshsfreemuseum.com/] – a thoroughly fascinating, highly-recommended exhibition of wonders and curiosities in Long Beach, Washington (not California, as often erroneously claimed) – and is said to be more than 75 years old.

Jake the Alligator Man (© imhavingfun42/Wikipedia)

Indeed, every year for almost a decade now there has been an official Annual Jake the Alligator Man 75th Birthday Party held in Long Beach. A short YouTube video of Jake on display at Marsh's Free Museum can be viewed here.

Incidentally, a much more common variant on this particular gaff theme is of course the so-called 'Feejee mermaid' (named after the famous specimen exhibited by American circus showman Phineas T. Barnum in 1842), which consists of the upper half of a monkey sewn to the lower half of a large fish.

19th-Century engraving of Barnum's Feejee mermaid (public domain)

Jake was purchased by the founders of Marsh's Free Museum in 1967 from an antique store in California, for the princely sum of $750, and was allegedly created by a New York-based firm known as Nelson Supply House. Jake subsequently featured in a series of highly entertaining albeit fictitious reports published by the American tabloid Weekly World News and beginning on 9 November 1993, which claimed that it had been found alive in a Florida swamp!

The headline from the first in the series of Jake the Alligator Man reports from Weekly World NewsWeekly World News)

More recently, a man named Josh brought a similar gaff into the curiosities shop Obscura featured in the Science Channel TV show Oddities, and sold it to the shop's proprietors for $450. A YouTube video of this interesting episode, uploaded by Science Channel on 1 June 2011 and showing the gaff in close-up detail, can be viewed here.

The Oddities alligator man (© Science Channel)

I also know of a third American alligator man specimen, but, sadly, its present whereabouts are apparently unknown (or at least to me). I have on file a copy of a report from 1996 written by Chris L. Murphy from the organisation Progressive Research, based in British Columbia, Canada. In his report, Chris documented his recollections of what appears to have been an outstanding alligator man, which he encountered while visiting the little town of Seaside, in Oregon, during the summer of 1976. Going into a large general store in the centre of the town, he discovered that it contained a free museum, and exhibited in that museum, housed inside a glass case, was a remarkable specimen labelled as an Alligator Boy. In his report, Chris described it as follows:

"The creature in the case was human looking to about its navel, and the rest of its body was that of an alligator. The human part was "upright," fairly erect as I recall. I studied the creature for a long time and reasoned that it was the body of a child, say about two years old, that had been fused onto the body of a small alligator. The child's body was "mummy-like" in appearance but still had considerable detail. I recall especially its hair, which was very fine and white, very much like the hair one would find on a child of this age, except for the color.

"The process used to fuse the bodies was certainly very exacting. The smooth skin of the child melded in with the scaly alligator skin very gradually, making the creature appear very realistic. I carefully studied the head, hands (which were very small), arms and other parts of the body and reasoned that it would be very difficult to fake something of that nature. In other words, I believe the human portion of the creature was the body of a real child. Unfortunately, there was no literature on the exhibit, and I did not take a photograph of it."

Chris revisited Seaside in or around 1993, intending to photograph the alligator boy, but when he arrived in town he discovered that the general store and its in-house museum were gone, replaced by a clothing store. When Chris spoke to a couple concerning the store and its alligator boy, the man informed him that he'd lived in Seaside most of his life and remembered this specimen well, but stated that some time before the store had closed down, it had been robbed and the alligator boy stolen from it.

A second postcard depicting Jake the Alligator Man (© Marsh's Free Museum)

Another Seaside resident, the proprietor of a jewellery store there, informed Chris that there was an alligator man on display at a free museum in Long Beach, Washington (Jake the Alligator Man at Marsh's Free Museum, obviously) and wondered whether this could be the same specimen as the one that had vanished from Seaside's erstwhile store-museum. Anxious to pursue this potential lead, on his way back home to British Columbia Chris stopped by in Long Beach and visited its alligator man. However, he could see straight away that this was a totally different specimen, its body held at an angle, not erect, and, at least in Chris's opinion, of inferior workmanship to the Seaside specimen that he had seen back in 1976. Moreover, he was able to chat with the museum's owner in Long Beach, who confirmed that he had purchased Jake in California (and a decade before Chris had seen the Seaside specimen anyway), and was unaware of any comparable gaffs anywhere else.

Having not seen the Seaside specimen personally, I am reluctant to discount Chris's opinion that it incorporated the head and upper body portion of a real human child, but it does seem more likely that these constituents of this gaff were actually derived from a monkey. Having said that, however, gaffs can be inordinately sturdy (especially if well-constructed), and hence are sometimes extremely old – dating back to times when, whereas albeit entirely abhorrent today, the prospect of such a macabre exhibit having been purposefully created would have been neither unthinkable nor impossible, as exemplified by Topkapi's mummified crocodile boy.

Meanwhile: whatever happened to the Seaside alligator boy? (Not only is it not Jake the Alligator Man, it is not the specimen sold on Oddities either, because the latter's body was not erect in posture but instead was held at an angle, just like Jake's.) Does it still exist today, and, if so, where is it? And are there still other alligator man gaffs also out there? If you know of any, or have any information concerning the presently lost Seaside specimen, please post details here on ShukerNature – thanks again!

Two Turkish newspaper reports from 1 March 1992 - click to enlarge - concerning the Topkapi mummified crocodile boy, one from Meydan, the other from Hürriyet Daily NewsMeydan/(© Hürriyet Daily News - photocopies courtesy of Paul Sieveking/Fortean Times via Izzet Goksu)


After reading my above blog article and perusing the two photographs of Topkapi's mummified crocodile boy, longstanding crypto-correspondent Hodari Nundu was intrigued by the presence of a crocodile's head and apparent upper body portion within the sarcophagus but at the opposite end to the mummy's human head, and he wondered if in reality the mummy was actually composed of the head and upper body portion of a boy fused at the posterior edge of the boy's upper body portion to the posterior edge of the upper body portion of a crocodile, with its neck and head still present too. In other words, is it a veritable amphisbaena in mummified form, i.e. consisting of a single body with a head at each end (the boy's head at one end of the body, the crocodile's at the other)? If so, this would make the mummy even more bizarre than it already appeared to be. 

Yet according to both of the Turkish newspaper reports, as well as a subsequent report in the UK's prestigious Sunday Times newspaper for 8 March 1992, it was definitely the lower body portion of a crocodile that was fused to the boy's upper body portion (the Sunday Times report even referred specifically to the mummy incorporating the crocodile's tail). Also worth recalling is the mention in the Turkish reports of the theory that perhaps the boy's parents had arranged for the portion of the boy eaten by the crocodile (which was obviously his lower body portion, because his upper portion and head are incorporated into the mummy) to be replaced by the corresponding body portion of the crocodile (hence the crocodile's lower body portion) in order for their son to possess a whole body with which to pass into the afterlife.

Consequently, two different explanations for this ostensible contradiction come to mind. Either the crocodile head and upper body portion are not actually attached to the mummy but are merely lying on top of its crocodilian lower body portion and tail, thereby obscuring them from view in the photographs (the crocodile head and upper body portion presumably therefore having also been placed inside the sarcophagus, rather than merely being discarded, after the composite mummy had been produced and laid in there); or the Turkish newspaper reports (and thence that of the Sunday Times, which most likely obtained its information from Turkish media sources) were in error, and that in reality the mummy is indeed a crocodile-human amphisbaena in terms of its composition and construction.

Also today, on my 'Animal Discoveries and Curiosities' Facebook group's page, Hodari posted the following data:

"I did find some stuff online, including a Turkish news report from 2007 according to which the mummy would soon be put in display at the Topkapi Palace Museum. The story states that the mummy’s age has not been determined even though it was submitted to the carbon 14 test; the age of the boy when he died was between seven and eight. According to the director of the Topkapi museum, the legend says that the boy was the son of an Egyptian dignitary who fell into the Nile and was eaten by a crocodile. The reptile was then killed with the boy still inside, and mummified. However, at least two sources state that more than one half child half crocodile mummies have been found throughout Egypt, and that the Topkapi “specimen” is only one of several. Which I find strange since one would expect such rarities would be better known. One of the sources does include a possible explanation; Harpocrates (the child-like aspect of the god Horus) is often represented as stepping or standing on top of a crocodile, which represents the chaotic and malignant forces of the universe, so according to them, the child emerging from the crocodile would have a similar meaning."

Thanks, Hodari! Occurring in late Greek mythology as developed in Ptolemaic Alexandria, Egypt, and adapted from the ancient Egyptian child-god Horus, Harpocrates was a child-deity, the god of silence and secrecy. He was variously portrayed in art forms standing in human form upon the back of a crocodile, or emerging from the jaws of a crocodile, or possessing either the entire lower body portion and tail of a crocodile or the tail alone of a crocodile.

Following up these leads, I have just discovered online a photograph of a drachm coin originating in Alexandria and dating from the time of the Roman emperor Trajan (reigned 98-117 AD) that depicts Harpocrates with the tail of a crocodile:

Crocodile-tailed Harpocrates on Trajan-dated drachm coin from Alexandria, Egypt (© Aeqvitas.com)

And here is a depiction of a crocodile-bodied Harpocrates on a silver ring in the collections of the University of Michigan's Kelsey Museum of Archaeology at Ann Arbor (click here for full details):

Close-up of silver ring depicting Harpocrates with a crocodile's body (© Christopher A. Faraone, Ann Arbor, Kelsey Museum of Archaeology)

Could it be, therefore, that Topkapi's mummified crocodile boy was intentionally created as a physical representation of Harpocrates? 

With all of these new developments and findings to hand, I am now even more eager than before to obtain further information concerning this unique specimen, so that its true nature can be confirmed. So if you have any details, please post them here - thanks very much!


My above-proposed 'amphisbaena' identity for the Topkapi crocodile boy has been proved correct. On 7 July 2018, Turkey's Hürriyet Daily News published an exclusive, revelatory article concerning Topkapi Palace's enigmatic crocodile boy mummy, and included the first detailed, close-up photograph of it to be released publicly, which was snapped on 6 July. (Versions of this report later appeared in various British newspapers - click here to read London's The Sun report of 9 July, as it contains an excellent presentation of the photograph.) The article revealed that the mummy's human portion was indeed attached to the upper body portion and head of a crocodile (not its lower portion and tail), so was, as I suggested earlier here, a veritable amphisbaena. Moreover, it was not from a boy after all, but had instead been derived from a girl, and no ordinary girl either – nothing less, in fact, than a princess, albeit a currently unidentified one, hailing from ancient Egypt. The mummy had been brought from Egypt to Turkey during the reign (1861-1876) of Ottoman Sultan Abdülaziz. It was kept at Yildiz Palace in Istanbul (which was the sultan's official residence at that time), until, after one of the palace servants used it to play a joke upon another worker there, Ottoman Sultan Abdul Hamid II (r.1876-1909) duly 'exiled' the mummy to the older palace of Topkapi, where it has remained ever since. My thanks to Hodari Nundu for bringing to my attention today the Hürriyet Daily News article.
This ShukerNature blog article is a greatly-expanded, fully-updated version of a short account of mine that originally appeared in my book The Unexplained: An Illustrated Guide to the World's Natural and Paranormal Mysteries (1996).

Wednesday 20 May 2015


The hellbender, indigenous to the eastern USA, 19th-Century engraving (public domain)

Only the Chinese giant salamander Andrias davidianus (up to 6 ft long) and its Japanese relative A. japonicus (up to 5 ft long) are bigger than North America's largest known salamander species - the hellbender Cryptobranchus alleganiensis. Officially confined to the eastern United States, the hellbender can attain an impressive total length of up to 2.5 ft. However, as I have previously documented on ShukerNature (click here), and in my book In Search of Prehistoric Survivors (1995) too, there are also some very intriguing unconfirmed reports on file attesting to the supposed existence in the western United States (in particular California) of mysterious salamander-like creatures that are allegedly even bigger than the hellbender.

Unfortunately, these reports generally date back many years, suggesting that even if such animals did once exist there, they no longer do so – which is why I was very happy to receive recently the following first-hand details concerning a most interesting 21st-Century sighting of an apparent giant salamander in California, but which have never been made public…until now.

19th-Century colour-tinted engraving of a Japanese giant salamander viewed underwater (public domain)

The details were sent to me by the eyewitness in question via a series of emails, which she has kindly given me permission to document publicly as long as I do not release her name (which I have on file). So I shall simply refer to her here as Prunella (not her real name).

I received Prunella's first email on 1 March 0f this year, which read as follows:

"In 2005 I saw a giant salamander or newt walking along a path in Redwood Park in Arcata, California. It was reddish brown mottled and was 4-5 feet long, it was huge. I had a 10 year old boy with autism that is nonverbal and my cell phone didn't have a camera. It had just rained and was early in the morning. The creature was walking slowly and was all the way off the ground it didn't have a flat head like those other giant salamanders. It really looked more like a newt but all the newts I saw when I googled were so small. I just have no clue what this was and I have always wondered about it. I was so close to it I could have touched it so there is no mistaking what I saw. I just wish I had my iPhone then. There must be more people that have seen it but have no way of reporting things like this. I just hope they are really discovered and then protected."

I swiftly emailed Prunella back, requesting more details concerning this remarkable creature's morphology. I also included two links to videos currently accessible on YouTube – one showing some hellbenders (click here), the other showing a Japanese salamander on land (click here), and I asked her if her mystery beast resembled either of these known species. On 6 March, I received her second email:

"Thank you for replying back! I watched the videos that you sent and the salamander I saw was so much bigger than the hellbenders and it looked different. It didn't have that weird ruffled skin and it walked off the ground. The colors that it had looked similar to this [she enclosed a photograph of a Californian coastal giant salamander Dicamptodon tenebrosus, see below] but not exactly the same."

The photograph that Prunella enclosed with her first of two emails sent to me on 6 March 2015, and which she'd accessed here on the Fieldherpforum website (© Mike Rochford/Fieldherpforum.com)

Prunella's email continued…

"The shape of it was like this one too with how the head and tail looks except that the legs were a lot bigger to carry the weight of the creature. I really want someone to find one of these again. I told one of the girls at work about it and she told me her boyfriend saw one in brush that he was clearing that was about a foot shorter than the one I saw. I'm not sure where he saw it though. I have taken many walks in the forest hoping to see it again but no luck. How long do salamanders live? Are they like tortoises where they keep growing and growing? Redwood Park is part of the community forest and goes for acres and acres so I think it's possible that there are animals in there that people just don't know about.

"Please tell my story. I hope that more people have information about this and I would love to be kept in the loop. Can you please leave my name out of it though?


After receiving from me some emailed answers to her questions plus various additional queries of my own, Prunella sent me a further email later that same day:

"The day that I saw this creature was a very wet day. It had just rained so everything was wet. Also, the redwood forest is usually very damp and there are streams everywhere. The brush would also be very damp in a forest like this so I can see why a salamander would be living in brush in a redwood forest. The skin of this thing was smooth and looked wet and slimy, it didn't have any scales at all. I really don't think it was a lizard.

"Maybe its legs were just more sturdy because it needed to walk around a bit and had to develop them to hold its huge body. Maybe it was an adaptation so it could walk around and look for slugs to eat or something. I hope more people have seen it and reply to your letter. I really want to get to the bottom of this."

Judging from her detailed, three-email report of what she had seen, there seems little doubt that if her testimony is true (and I see no reason to doubt it), Prunella did indeed encounter some unexpectedly large form of salamander (as opposed to a lizard) in Arcata, California's Redwood Park, but what could it have been?

Preserved giant salamander at Museum Schloss Rosenstein in Stuttgart, Germany (© Markus Buhler)

Seemingly not an out-of-place hellbender, judging from the clear differences from this latter species as outlined by her; and the chances of it being either a Japanese or a Chinese giant salamander that had somehow absconded from captivity seem highly remote – if only because these species are so rare and hence so seldom maintained in captivity that if there was such a creature in this area that had indeed escaped, its owner would surely have quickly alerted the authorities in a bid to locate and recapture this highly valuable animal with all speed. As for the species whose photo she'd enclosed with her second email, namely California's coastal giant salamander Dicamptodon tenebrosus: notwithstanding its 'giant' appellation, this species barely exceeds 1 ft in confirmed total length – unless, perhaps, a few freakishly out-sized specimens also exist, currently unconfirmed by science?

Both Prunella and I would very much like to know if other people have seen a similar animal in this same locality or elsewhere in California (she did mention that the boyfriend of one of her work colleagues had allegedly seen a smaller specimen, though she didn't know where), so if you have done, I'd greatly welcome any details that you can post here or email to me privately – thanks very much.

The human-sized Chinese giant salamander…with a human (© NGT/National Geographic Creative )

By sheer coincidence, only a week after I had received Prunella's initial email regarding her giant mystery salamander in California, an extraordinary story hit the headlines concerning the apparent capture of a giant mystery salamander in Vietnam – a country not known to harbour any such species. Not surprisingly, therefore, it attracted considerable interest online, but most especially on Facebook. For this where the story had begun, when in early March 2015 a 25-year-old Vietnamese man named Phan Thanh Tung had claimed on his Facebook page that he had pulled the mysterious 3-ft-long creature out of a pond near his home in northern Vietnam's Vinh Phuc region. He had also posted some top-quality colour photographs of it on his page.

These revealed that although the creature superficially resembled the larger giant salamander of neighbouring China, it exhibited various differences too, thereby perplexing local environment officials who had examined the photos, and spurring various other viewers into suggesting that it may represent an entirely new, hitherto-undescribed species.

The mysterious Vietnamese giant salamander (original copyright owner unknown to me/photo-manipulated by Tung Nguyen)

The officials, however, were not merely perplexed but also very alarmed, because Phan Thanh Tung announced that he had sold the animal (but would not reveal its new owner's identity or whereabouts) and at least one of his photos showed it alive but placed upon a large dining tray with a chopping board in disturbingly close proximity! As a result, the officials were so determined to track the animal down and save it that they called in the police to assist them in searching for it – always provided, of course, that the poor creature had not already been killed and eaten, as a number of social website commentators feared. (Tragically, Chinese giant salamanders remain a much sought-after culinary delicacy in their native homeland notwithstanding their IUCN status as a critically endangered species.)

Happily, however, this proved not to be the case – for the simple reason that the whole episode was soon exposed as a hoax. When summoned by police to an interview shortly after his story had made headlines worldwide, Phan Thanh Tung shamefacedly confessed that he'd made the whole thing up. As for the photos, he'd found them online and they had originally depicted a normal Chinese giant salamander, but after downloading them he'd edited them via photo-manipulation in order to create a creature that looked different from all known species, and had then uploaded them together with his fake story onto his FB page in order to attract some attention to himself – too much, as it turned out.

Not so much a salamander, then, as a sillymander, and a very silly one at that.

A second photograph of the mysterious Vietnamese giant salamander (original copyright owner unknown to me/photo-manipulated by Tung Nguyen)

Sunday 17 May 2015


Beware of the drop bear?!! (Photo-manipulator unknown/original photograph © Oz_drdolittle/Flickr)

No country's corpus of traditional myths and folklore would be complete without also containing various tongue-in-cheek yarns concerning all manner of bizarre and sometimes deliciously deadly beasts that exist only in the twinkle of the storyteller's eye. And if those listening to these tall tales actually believe them, the twinkle becomes a veritable supernova!

Bearing in mind that even its authentic wildlife is truly extraordinary, it should come as no surprise to learn, therefore, that Australia's fauna of the fraudulent kind is particularly memorable, as demonstrated by the following selection of examples.

Artistic representation of the drop bear in life (© Tim Morris)

The most famous of these Antipodean ambiguities is the drop bear. Closely related to the koala but larger and darker in fur colour, the drop bear shares its cuddly appearance, but not its inoffensive nature. On the contrary, the drop bear is greatly feared by anyone journeying through heavily-wooded outback territory, because it is known to lie in wait on overhead branches, and should anyone walk unsuspectingly beneath, this monstrous marsupial will drop unerringly down upon and dispatch its hapless victim with its lacerating claws and savage teeth. The only way to ensure safe passage through drop bear-inhabited terrain is to smear Vegemite behind your ears, which should be more than sufficient to deter even the most voracious drop bear.

Do these kangaroo feathers look like emu plumes to you?  :-)  (public domain)

Less daunting and much more exotic is the feathered kangaroo. The main claim to fame of this elusive creature is that its long white plumes are used to decorate the head-dress of certain Australian soldiers, namely the Australian Imperial Force (AIF) light horsemen.

To the uneducated eye, these look remarkably like emu plumes, but when asked, the AIF themselves are happy to confirm, with straight faces manfully employed, that they are indeed kangaroo feathers.

Artistic representation of the gunni in life (© Connor Lachmanec)

Whereas North America has the jackalope, Australia boasts the gunni – an eyecatching marsupial equivalent, consisting of a wombat sporting a showy pair of antlers. To date, however, only one example has been procured – the handsome taxiderm specimen, complete with striped back and hindquarters, plus a distinct tail, formerly on display in the visitors’ information centre at the tourist town of Marysville in Victoria. It was presented to the centre by local ranger Miles Stewart-Howie, together with a detailed account of this pseudo-species’ equally fictitious history, which was duly displayed alongside it.

Tragically, however, this unique specimen was destroyed when the centre burnt down during the major onslaught of bushfires that raged through Victoria during February 2009.

The only known preserved specimen of the gunni, now destroyed (© Ken Irwin)

Staying with the subject of fabricated fauna Down Under: According to local tradition, a peculiar fish inhabited a single water-hole in Queensland’s Burnett River. Superficially, it resembled the Australian lungfish Neoceratodus forsteri that also lived in this river, but was instantly distinguished from that latter species and indeed from all known fishes by virtue of its long flat spatula-shaped beak.

19th-Century engraving of the Australian lungfish (public domain)

Dubbed the ompax by Australian ichthyologist Count Castelnau during the 1870s, a single specimen of it was eventually obtained, and its species was formally christened Ompax spatuloides. During the 1920s, however, the true nature of this specimen, and the ompax as a whole, was exposed, when a writer discovered that the specimen had been cleverly constructed from the body of a mullet, the tail of an eel, and the beak of a platypus! Exit the ompax from the ichthyological catalogue!

Sketches of the ompax from 1930 (public domain)

Incidentally: despite the fact that the drop bear is no more likely to be discovered than are any of the so-called 'fearsome critters' from North American lumberjack/frontier folklore (click here for three feline examples), this has not prevented it from being 'identified' by some as a possible surviving thylacoleonid or marsupial lion (which was distantly related to the koala). Nor has it prevented a number of websites labelling the photograph opening this present ShukerNature blog post as depicting a bona fide drop bear, though I strongly suspect (or at least hope!) that they did so merely in jest, not as a serious statement of assumed fact.

What this startling photograph (popularly dubbed the 'Angry Koala') does portray is a very wet koala, but no genuine koala has jaws like those snarling in savage fury at the camera. In reality, they are the jaws of some carnivorous creature that have been deftly added by person(s) unknown via photo-manipulation techniques to a photograph of a normal koala that was snapped on 30 January 2009 by an Australian photographer with the Flickr username Oz_drdolittle. It was one of three koalas sitting in a tree near his home in Adelaide, South Australia, during a 12-day heatwave, and which his garden's water sprinklers sprayed with water, thereby enabling them to cool them off. Below is his original, non-manipulated photograph, sans snarling jaws, and click here for his Flickr page that contains full details and additional photographs of what is now a world-famous koala, thanks to both its original unmodified picture and its drop bear 'alter ego' version having gone viral online during the past 6 years.

The original, unmodified koala photograph (© Oz_drdolittle/Flickr)

Thursday 14 May 2015


The Mockery Bird by Gerald Durrell – Fontana paperback edition, 1990 (© Gerald Durrell/Fontana Books)

Today, there are numerous novels whose themes deal with cryptozoological beasts or scientifically-known but out-of-place animals, and many have become bestsellers, some even giving rise to blockbuster films too – but this has not always been the case. Decades ago, for every unequivocal success story like Sir Arthur Conan Doyle's The Lost World or Edgar Rice Burroughs's The Land That Time Forgot, there were other, less epic but no less interesting and certainly no less readable novels that for whatever reason(s) failed to attract widespread attention, and for the most part have long since faded to varying degrees into the forlorn mists of undeserved but inevitable literary obscurity and out-of-print status.

As a connoisseur of wildlife-related curiosities in whatever form they may take, over the years I've made a point of collecting – and reading, naturally – as many of these unfairly forgotten or tragically neglected works of natural history fiction as I could find. So here – in the hope that perhaps this much-deserved (albeit all-too-brief) return to the spotlight may help to introduce them to a whole new audience and gain for them a sizeable new fan base – is, in no particular order, a ShukerNature Top Ten of personal favourites of mine drawn from the somewhat esoteric literary genre of lesser-known vintage novels that contain a mystery creature or out-of-place (OOP) animal theme.

Or, to put it another, rather more concise way, here imho are ten of the best crypto-novels that got away.

Cat by Andrew Sinclair – Sphere paperback edition, 1977 (© Andrew Sinclair/Sphere Books)

CAT [vt THE SURREY CAT] – Andrew Sinclair (Michael Joseph: London, 1976)

Book blurb: The Cat was at large! The people of the quiet Surrey village of Wittlemead called it simply 'The Cat', for they could find no better words to describe the ravening black beast that prowled the nearby woods. The Cat was deadly, inexorable and fearless; no living thing, human or animal, was safe while it lived. Peter Gwynvor, Master of the local hunt, spearheaded the efforts to track down and kill the Cat before it could strike yet again. But as his campaign progressed he realised that the conflict between man and beast was merely a mirror for another, far deeper and more personal conflict within himself — a conflict he hardly dared acknowledge. The Cat had become the symbol of Peter's secret fears — and only when they met face to face, to kill or be killed, would those fears finally be resolved...

ShukerNature comments: Today, mystery cats are the subjects of many novels, for adults and children alike. A fair number of these have been set in Britain, but as far as I am aware this was the very first one. Without giving too much of the plot away, its ferocious feline antagonist is a highly exotic escapee originating in the steamy jungle marshes of Sumatra, the like of which has never before been seen in the West.

Rare Bird by Kenneth Allsop – Jarrolds hardback 1st edition, 1958 (© Kenneth Allsop/Jarrolds)

RARE BIRD – Kenneth Allsop (Jarrolds Publishers: London, 1958)

Book blurb: When Philip Parfitt, secretary of the local Natural History Society, finds black-winged stilts actually nesting near his Wiltshire home – the first time in Britain for 200 years – his village becomes almost a mad-house. Down come the London bird protectionists, TV units, nature broadcasters and publicists, an army of photographers, reporters and feature writers...all the mendicants of sensation.
Kenneth Allsop's experience of Fleet Street and his life-long interest in bird-life combine to give an unusually authentic country background to this extravaganza of the ballyhoo age, which might (almost) really have happened.

ShukerNature comments: Although the black-winged stilt Himantopus himantopus is an uncommon visitor to Britain, this very distinctive species of wader has bred here occasionally – namely, in Nottingshamshire during 1945, in Norfolk during 1987, and in both Kent and West Sussex during 2014.

Smith's Gazelle by Lionel Davidson – Book Club Associates hardback edition, 1972 (© Lionel Davidson/BCA)

SMITH'S GAZELLE – Lionel Davidson (Jonathan Cape: London, 1971)

Book blurb: Hamud the one-eyed Arab shepherd, righteous murderer of murderers, flees from retribution to the depths of a haunted ravine near the Palestine border. Instead of souls and djinns, he finds there only bones and boulders – and the last pregnant representative of an extinct species of gazelle named Smith. As animal and vegetable life prosper beneath his care, Hamud comes to see himself as the subject of divine grace: his unworthy life's mission, to repopulate with gazelles the Holy Land.
Lionel Davidson's new novel is a delightful entertainment – fresh, funny and wholly charming. He has created three of his most unforgettable characters: the wickedly wise small boy, the delicate – but so prolific – gazelle and the indomitable old man, toiling like an Old Testament archetype in his flowering ravine.

ShukerNature comments: Although Smith's gazelle is a fictitious species, there is at least one bona fide mystery gazelle – the red gazelle Eudorcas rufina. This enigmatic species has never been reported in the wild state, and is known to science only from three museum specimens that were purchased in various markets in Algiers and Oran, northern Algeria, during the late 19th century. Following scientific examination, one of these specimens was unmasked in 2008 as being a specimen of the red-fronted gazelle E. rufifrons.

The People of the Chasm by Christopher Beck – C. Arthur Pearson hardback 1st edition, 1923 (© Christopher Beck/C. Arthur Pearson Ltd)

THE PEOPLE OF THE CHASM – Christopher Beck (C. Arthur Pearson: London, 1923)

Book blurb: Dick and Monty Vince put their plane aboard the missing Anton Javelot's ship 'Penguin' and sail to Antarctica in search of him. They eventually locate Javelot inside a hidden verdant chasm populated by a tribe of friendly pygmies, a band of very unfriendly bipedal apes, and a diverse assortment of lethal monsters including giant arthropods and a terrifying species of rampaging man-eating mole-pig!

ShukerNature comments: The 'Lost World' sub-genre of cryptozoology-themed novel is represented in the present ShukerNature list by this gripping but long-forgotten volume, which contains some decidedly bizarre mystery creatures. 'Christopher Beck' was a pseudonym adopted by Thomas Charles Bridges (1868-1944), a prolific French-born UK writer who wrote many sci-fi novels and magazine articles, and spent several years in Florida.

Tiger in the Bush by Nan Chauncy – Puffin paperback edition, 1978 (© Nan Chauncy/Puffin Books)

TIGER IN THE BUSHNan Chauncy (Oxford University Press: Melbourne, 1957)

Book blurb: The Lorenny family lived in a secret valley, hidden so deep in the mountains that no map makers had dis­covered it, where the rarest creatures lived safe from the menace of hunters or the curiosity of scientists. It was, most of the time, a wonderful place, but there were drawbacks, especially for young Badge, the lonely one of the family, who had never met a stranger yet felt the need of companionship without realizing the hazards it could bring in such a very special place.
The crisis came when Dad and the others were away on a prospecting trip, and Badge and his mother were left in charge of the farm. Two friendly strangers appeared and asked to set up camp, and, fatally warm­ing to their friendship and interest, Badge confided to them that the rarest animal of all, the nearly extinct Tasmanian tiger, could still be seen in the valley.
The moment he had spoken, he sensed the disaster and, desperate to find a way to undo the damage before the wild and splendid creature was outlawed or killed by too much interest, he embarked on the only plan he could think of, one that was to lead him into real danger...

ShukerNature comments: When this novel was written, it was still widely believed that the thylacine or Tasmanian tiger Thylacinus cynocephalus was merely very rare as opposed to extinct (its current official status, numerous unconfirmed sightings notwithstanding) – back then, the last confirmed specimen had only died 21 years earlier, in 1936.

The White Gorilla by Henri Vernes – Corgi paperback edition, 1967 (© Henry Vernes/Corgi Books)

THE WHITE GORILLA – Henri Vernes (Éditions Garard: Brussels, 1966)

Book blurb: In the heart of the Dark Continent lurked Niabongha, the white gorilla. Though the natives built images to him, there were vicious white hunters who wanted his life…
It was up to Bob Morane to capture the fantastic beast – and to capture it alive. And the dangerous quest meant a battle – not only with the jungle and its inhabitants, but also with his fellow man…

ShukerNature comments: Henri Vernes is the nom-de-plume of Charles-Henri-Jean Dewisme (b. 1918), an extremely prolific French author who has written over 200 action and science-fiction/fantasy novels. More than 50 of these star Bob Morane, a bold derring-do Indiana-Jones-type hero. Vernes's novel The White Gorilla was originally published in French as Le Gorille Blanc back in 1957, but by a remarkable coincidence, just a few months after it was first published in English in 1966 a real-life white gorilla, but only a baby one, was captured alive in the forests of Rio Muni, Spanish West Africa, after its normal-coloured mother had been killed. The only white gorilla ever confirmed by science, it was brought back to Barcelona Zoo in Spain where it was dubbed Little Snowflake and became a major international star for almost 40 years (click here for a full ShukerNature biography of this unique animal).

The Mockery Bird by Gerald Durrell – Collins hardback 1st edition, 1981 (© Gerald Durrell/HarperCollins)

THE MOCKERY BIRD – Gerald Durrell (Collins: London, 1981)

Book blurb: Peter Foxglove is sent to the island of Zenkali, a small British colony, as an assistant to the native King's (or, as he prefers to call himself, Kingy's) advisor. After meeting the many eccentric inhabitants of the island, he discovers that a thought-to-be-extinct bird, the Mockery Bird, worshipped as a deity by the island's native Fangoua tribe, is not so extinct after all. But the valley where the bird lives is about to be flooded to build a dam to provide energy for Zenkali's airport, and Peter and his friends need to stop this plan to save the bird.

ShukerNature comments: Gerald Durrell's non-fiction books documenting his family life and formative years as a young naturalist on the Greek island of Corfu, his many subsequent animal-collecting expeditions, and the establishment of his celebrated conservation-based zoo on Jersey are famous worldwide (My Family and Other Animals, The Bafut Beagles, Three Singles To Adventure, The Drunken Forest, Menagerie Manor – and many more), but it is not so well known that he has also written several excellent works of fiction, of which The Mockery Bird is a first-class example – slyly satirical, deftly incorporating a range of environmental and conservation issues, and, like all of his works, truly hilarious. Its avian star is a goose-sized, flightless species sporting blue plumage, long legs, and a large hornbill-like beak that bears a large hump in the male but only a small bony shield in the female. It earns its name from its call, which resembles loud mocking laughter.

The Turquoise Dragon by David Rains Wallace – The Bodley Head hardback 1st edition, 1985 (© David Rains Wallace/The Bodley Head)

THE TURQUOISE DRAGON – David Rains Wallace (The Bodley Head: London, 1985)

Book blurb: 'I kicked my way to the shallows, stood up, and lifted from the water a creature that seemed made of turquoise and lapis lazuli, with ruby belly and topaz eyes. It was shaped more or less like a salamander, but it wasn't any species I'd seen...'
The Turquoise Dragon is a fast-paced adventure thriller with an ecological twist. George Kilgore, a forester living quietly in the foothills of California's rugged Klamath Mountains, stumbles into a deadly web of intrigue when he discovers the body of a murdered biologist friend. With the uncomfortable feeling that homicide investigators have put him at the top of their list of suspects, Kilgore reluctantly begins his own investigation, compelled first by horror and then by growing curiosity.
David Rains Wallace has already been widely acclaimed as an award-winning nature writer and now, with The Turquoise Dragon, he has made an auspicious fiction debut. He skilfully interweaves deft prose, a highly individual storyline involving collectors of endangered species, cocaine-dealers and the exotic location of the Klamath mountain range, with a deep understanding of the wilderness.

ShukerNature comments: Although no turquoise-blue, ruby-red salamanders have been reported there in real life, the Klamath Mountains include the Trinity Alps – which are famous among crypto-herpetologists as the reported home of an alleged undescribed species of giant salamander. This mystery beast was famously sought, albeit unsuccessfully, by the millionaire crypto-enthusiast Tom Slick, but during the expedition an elderly local man was interviewed who claimed that in his youth he had seen several salamanders as big as alligators on the shore of a lake there.

Brother Esau by Douglas Orgill and John Gribbin – Sphere paperback edition, 1983 (©Douglas Orgill and John Gribbin/Sphere Books)

BROTHER ESAU – Douglas Orgill and John Gribbin (The Bodley Head: London, 1982)

Book blurb: Turned towards them, seen more and more clearly as the flare sank towards the ground, was a face. In the bluish light the teeth seemed to be bared. The face was broad and hairy with a flattened nose, and heavy brow-ridges. The reddish hair which fringed it grew thickly round the large ears and head. As the light from the slowly sinking flare became more intense Harry saw that the desperate eyes were fixed on his. For a moment an extraordinary sense of urgent communication filled his mind...It was something like a gorilla, something like a man covered in hair. It was hard to estimate height while the creature was still crouched in the shadows, but it was probably around six feet. The body was barrel shaped, squat and obviously powerful...
The Earth does not belong to man alone. The Himalayas bury their secrets well. Two skulls unearthed in the cradle of the human race — the remote heights of Kashmir — throw evolutionary theory into chaos. But a far more disturbing secret lies hidden deep in the bleak mountains and snow-swept valleys unseen by human eves.
A few miles from the explosive triangle of tension where Afghanistan and Pakistan border on India the story of the century breaks. And the echoes of the most shattering revelation yet made to man threaten to plunge the world into total war which will turn the cradle of the human race into its final grave.

ShukerNature comments: This was the first cryptozoology novel with a man-beast theme that I ever read, and it remains one of my favourites. Its title derives directly from the Biblical account of Jacob and his twin brother Esau, who was hairy all over. Some cryptozoologists believe that this story is evidence for the existence of two separate human species – our own Homo sapiens and a distinct, hirsute species traditionally referred to as the wildman.

The Last Great Auk by Allan Eckert – Collins hardback 1st edition, 1964 (© Allan Eckert/HarperCollins)

THE LAST GREAK AUK – Allan Eckert (Collins: London, 1964)

Book blurb: Eldey Island loomed ahead of them like a gigantic red iceberg jutting from the frigid grey waters of the North Atlantic. Dimly in the haze behind it the swimmers could see the desolate coastline of south-western Iceland…There were more than eighty birds in this flock, and they spread out haphazardly in loose clusters which trailed behind the lead bird to a distance of nearly half a mile. The great auks had come home.
The great auks were handsome penguin-­like birds with head, neck, back and wings a deep glossy black, and underside a startling white. With tiny wings, they were the only flightless birds of the North Atlantic, but with their powerful legs and large webbed feet they swam and fished wonder­fully.
Mr Eckert has reconstructed with great skill and compassion the story of the great auks' last annual migrations between Eldey Island where they bred, off southwest Iceland, and South Carolina where they wintered. Each journey meant an almost incredible swim of three thousand miles. On the island and along the migration route lurked many perils—storms, killer-whales, fish-hooks, scientists, and worst of all, the murderous onslaught of feather and meat hunters. The story is that of the last of these birds, from his hatching and his adventures as a fledgling until as leader of the dwindling flock he returns to Eldey for the last time. By then the reader is hoping against what he knows is inevitable, against what did happen on June 3rd, 1844. The species became extinct. One species out of 8,000—does it matter? It does, and no reader of this sad and beautiful novel will forget it.

ShukerNature comments: Whereas its flightless feathered subject is itself neither strictly cryptozoological nor out-of-place, this novel is so remarkable a work that it definitely deserves to be read by as wide and as numerous an audience as possible, its poignant story a terrifying reminder of what has happened – and is still happening – to so many extraordinary animals at the hand, rifle, machete, chainsaw, and introduced livestock of humankind. Moreover, and where this novel is definitely pertinent to cryptozoology, the grim prospect of losing remarkable animal species to extinction before science has even confirmed their existence still lingers and overshadows conservation efforts like a dark, brooding wraith – one that can only be dispelled forever if future generations read books like this one, and take heed of its message.

Last of the Curlews by Fred Bodsworth – Dodd, Mead paperback edition, 1955 – another, more famous novel dealing with a once-common species (this time the eskimo curlew Numenius borealis) now confronting seemingly-inevitable extinction (© Fred Bodsworth/Dodd, Mead & Company)