Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label basilisk. Show all posts
Showing posts with label basilisk. Show all posts

Wednesday, 21 December 2022

FIRE SERPENTS, SAND SERPENTS, AND A SERPENT KING – A TRIO OF CRYPTO-CREATURE FEATURES UNCOILING ON-SCREEN!

 
Publicity posters for Fire Serpent, Sand Serpents, and Basilisk: The Serpent King (© John Terlesky/CineTel Films/Kandu Entertainment/Outrage Productions/Premiere Bobine/S.V. Scary Films/Sci-Fi Channel/Lionsgate Home Entertainment // Jeff Renfroe/Media Pro Pictures/Muse Entertainment/SyFy/RHI Entertainment // Stephen Furst/BUFO/Curmudgeon Films/Sci Fi Pictures – all three posters reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

It's always a pleasure to watch creature features in which the monsters in question are far removed from the usual cinematic stereotypes (e.g. ferocious man-beasts, werewolves, sea monsters, gargantuan insects, prehistoric survivors), and the three examples appearing in the trio of monster movies reviewed by me here, courtesy originally of ShukerNature's sister blog, Shuker In MovieLand, are definitely out of the ordinary, that's for sure! They display a vermiform similarity, but their respective origins could not be more dissimilar – cast down to Earth from the scorching surface of the sun, rudely awoken from deep subterranean desert dreaming, and resurrected from a very lengthy petrified past.

 

 
A second publicity poster for Fire SerpentJohn Terlesky/CineTel Films/Kandu Entertainment/Outrage Productions/Premiere Bobine/S.V. Scary Films/Sci-Fi Channel/Lionsgate Home Entertainment – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

FIRE SERPENT

My movie watch on 25 August 2022 was a highly original sci fi/monster movie entitled Fire Serpent.

Directed by John Terlesky, created by celebrated Star Trek actor William Shatner, and originally screened in 2007 by the Sci-Fi Channel, Fire Serpent has as its central concept the notion that every so often throughout history, one of these eponymous fire-embodied serpentine entities is shot forth via solar flares from the sun's scorching surface down to Earth, where it commits all manner of mayhem, inducing large-scale blazes, forest fires, etc in its search for fuel to revitalise it.

In so doing, this ophidian flame-spreader will even take over humans in its bid to destroy anyone who stands in its path before incinerating them internally yet without leaving a mark on them externally. Needless to say, spontaneous human combustion instantly comes to mind here, but sadly – and strangely – this extraordinary yet still-unexplained fiery phenomenon is neither mentioned by name nor incorporated in any way within the movie.

The existence of fire serpents is known to the US government but is kept a closely-guarded secret until maverick firefighter Dutch Fallon (played by Randolph Mantooth), whose girlfriend was killed by one of these flying furnaces, decides to devise a means of destroying them. This does not go down well with one mysterious government agent in particular, however, a religious fanatic and covert arsonist named Cooke (Robert Beltran) who believes that they are fiery angels sent by God to cleanse the world by fire in order to renew it.

Can Dutch and a couple of semi-believing associates put a stop both to the fire serpents and to the fire-preaching maniac Cooke who seeks to harness them in his mad bid for catastrophic global conflagration?

The CGI fire serpents are well executed, and, as I say, this movie's theme is unusual enough to keep even a hardened seen-it-all creature feature fan like me interested and entertained.

If you'd care to gaze from the flame-retardant safety of your sofa at the coruscating creatures featured in this incandescent movie, be sure to click here to watch an official Fire Serpent trailer on YouTube that won't leave you feeling hot under the collar!

 

 
Close-up of a giant sand serpent in Sand Serpents (© Jeff Renfroe/Media Pro Pictures/Muse Entertainment/Syfy/RHI Entertainment – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

SAND SERPENTS

On 29 June 2022, my movie watch was the crypto-themed Canadian film Sand Serpents.

Directed by Jeff Renfroe, and released on the Syfy Channel in 2009, Sand Serpents is definitely one of the better entries in the long-running made-for-TV 'Maneater' series of sci fi/horror creature features produced by RHI Entertainment for Syfy and released from 2007 onwards.

Think Tremors, but set in Afghanistan (although filmed in Romania), Sand Serpents centres upon a small US special forces military squad led by Lieutenant Richard Stanley (played by Jason Gedrick) and seeking to elude the Taliban, but also facing an even deadlier and far more unexpected foe – 60-ft-long predatory worms disturbed from their subterranean realm by a massive explosion and now hunting down and devouring or destroying anything that betrays its presence to them via loud sounds or other vibrations. Not even helicopters flying overhead are safe from these voracious vermiforms that rear up into the sky and swallow the whirlybirds in a single gulp. Gulp!

The squad's only hope is to make its way through a series of underground tunnels to a location where yet another helicopter will attempt to rescue them, but the worms seem intent upon picking them off, one by one... Make sure that you watch this movie right to the very end, because the closing scene contains a very dramatic and unexpected albeit somewhat unnecessary twist.

For a low-budget movie, its CGI mega-worms are excellent, with Sand Serpents a worthy homage to the Tremors franchise, and an equally worthy addition to my crypto-cinema collection.

Moreover, if what I've read in various reviews of it elsewhere is true, this movie's portrayal of the US military in action in Afghanistan is a decent, relatively accurate representation (though apparently there are various authenticity issues concerning the soldiers' outfits and insignia – as someone not well-informed on military matters, however, I couldn't say).

For a spectacular taster of what to expect down deep in the desert where the giant sand serpents dwell, be sure to click here to view a trailer of sand serpent excerpts from this movie on YouTube.

 

 
A French publicity poster for Basilisk: The Serpent King (© Stephen Furst/BUFO/Curmudgeon Films/Sci Fi Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

BASILISK: THE SERPENT KING

Viewed on the UK's Horror [now renamed Legend] TV Channel, my movie watch for 18 June 2022 was the creature feature Basilisk: The Serpent King.

Directed by Stephen Furst, filmed in Bulgaria, and released in 2006 on the Sci Fi Channel, Basilisk: The Serpent King opens with a modern-day discovery in the Middle East of what appear on first sight to be a series of stone statues of soldiers dating back two millennia. These are brought back to the States by the archaeological team that has discovered them, led by Dr Harrison 'Harry' McColl (played by Jeremy London), together with their most extraordinary find there – namely, what again seems to be a stone statue, but this time of an enormous serpentine dragon, plus a very ornate serpent-ornamented sceptre containing a beautiful precious stone.

However, it's not long before the terrifying truth emerges – these 'statues' are actually petrified humans. Moreover, when the giant serpentine dragon 'statue' is put on display in the Colorado university museum sponsoring Harry's archaeological dig, and sensationally comes to life during a major reception there for the museum's wealthy patrons via an unexpected photo-reaction involving the sceptre and a solar eclipse, it turns out to be a basilisk, which spits forth a deadly white liquid that when activated by its incandescent gaze promptly turns to stone a fair few of its awe-struck audience. Not only that, it's pregnant! (Not so much a Serpent King as a Serpent Queen, therefore, or are there aspects of basilisk reproduction that I have yet to learn about??)

Anyway, much mayhem results, especially when the basilisk lays waste to a multi-story indoor shopping centre (whose property & contents insurance is unlikely to cover wholesale destruction caused by a mythical mega-monster!), and the U.S. army is brought into play in a desperate bid to nullify this Medusa-mouthed Middle Eastern mall-wrecker.

Meanwhile, Harry and friends (one of whom, Carlton, is played by director Furst) no less desperately attempt to regain possession of the sceptre that has been stolen by a wily and wealthy albeit decidedly wacky villainess named Hannah (Yancy Butler). She plans to use it to uncover a priceless cache of treasure, uncaring that it also happens to be the only object in existence that can counter the basilisk.

Notwithstanding its ostensibly incongruous, spindly little legs (even though some traditional basilisk depictions do indeed supply it with limbs), the CGI basilisk is very acceptable, and whereas there is an emphasis upon wisecracks and goofy characters, this monster movie still boasts its fair share of thrills along the way too. Basilisk: The Serpent King was a film hitherto unknown to me but one that I certainly enjoyed, and also recorded in order to add it to the crypto-themed section of my movie collection, as I have so far been unable to locate it on DVD.

Incidentally, for the benefit of zoomythology zealots, I must point out two intrinsic discrepancies between this movie's basilisk and traditional ones. Firstly: although the basilisk is indeed referred to in classical legends as the king of the serpents, it is usually represented as being quite small, certainly nothing remotely as sizeable as this film's gargantuan representative. Secondly: and according once again to legends, should a basilisk direct its gaze or its venom upon anyone (or any other living thing), the latter is instantly killed, not turned to stone – that more specialised slaying ability is instead reserved for the trio of  gorgons in Greek mythology.

Nevertheless, here and here, to petrify you, but, happily, not in a gorgonesque manner, are a couple of Basilisk: The Serpent King clips on YouTube.

 
A close encounter of the basilisk variety in Basilisk: The Serpent King(© Stephen Furst/BUFO/Curmudgeon Films/Sci Fi Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

 

Friday, 23 December 2016

THE BASILISK AND THE COCKATRICE - MONSTROUS MYTHOLOGY OR REPTILIAN REALITY?



The basilisk (above left) and the cockatrice (right), depictions from medieval bestiaries (public domain)

Two of classical mythology's most feared reptilian monsters were the basilisk and the cockatrice. But were they really nothing more than legends and fables – or could they have been inspired by various real-life creatures?


THE BASILISK

Today, the only basilisks known to herpetologists are those very eyecatching but totally harmless Latin American iguanid lizards of the genus Basiliscus, famous for their remarkable ability to sprint bipedally across the surface of ponds – hence their lesser-known alternative name of Jesus Christ lizards. However, they derive their more familiar name from a very different, allegedly lethal reptile from the Old World, and which supposedly existed there during medieval times – the original basilisk.

The harmless real-life basilisk lizard (© Markus Bühler)

One of the earliest references to it appeared in Pliny the Elder's magnum opus Natural History (c.77-79 AD). On first sight, this inconspicuous serpent dragon, just 3 ft or so long, simply resembled a slender brown snake. On closer inspection, however, it could be seen to bear a regal crown of gold upon its head (hence 'basiliskos' - Greek for 'little king'). And when it moved, it raised much of its body vertically upwards in a proud, fearless stance, eschewing the lowly belly-crawling mode of locomotion typifying ordinary serpents.

The basilisk had every reason to be fearless. According to popular lore, its merest glance was enough to kill almost any living creature instantly – including another basilisk (and even itself if it somehow caught sight of its own reflection). The tiniest drop of venom dribbling from its jaws was ample to poison the earth upon which it fell, or the water into which it dripped. And the faintest breath that it exhaled was sufficient to transform the land for many miles in every direction from fertile pastures into arid desert. Indeed, the very existence of the deserts where the basilisk lived, in North Africa and Arabia, was said to have been directly caused by its baleful presence.

In short, the basilisk was virtually invulnerable. Thankfully, however, it was also very uncommon, and could be warded off with a sprig of the rue plant. Moreover, it could be killed outright by the rank odour of urine from a weasel – an aspect of the basilisk legend that may have been inspired at least in part by tales emanating from the Orient of cobras confronted and dispatched by mongooses.

Basilisk, in Conrad Gesner's Historiae Animalium, vol 5, 1587 (public domain)

The basilisk's origin was just as uncanny as its appearance and capabilities, and explained why this diminutive but much-dreaded monster was so rare. A basilisk was only created if the egg of a serpent were hatched by a rooster (cockerel) – a bizarre event which (thankfully!) was hardly likely to happen very frequently.

Despite its formidable nature, medieval alchemists were very keen to possess the ashes of a dead basilisk, because they believed that this scarce, precious matter could transmute silver into gold. Some scholars, such as Theophilus Presbyter (fl. c.1070-1125), even believed that a basilisk could be magically created via a detailed recipe of ingredients and reactions, and that the resulting creature would convert copper into Spanish gold.

Although traditionally said to inhabit the deserts of North Africa and the Middle East, the basilisk could claim a number of counterparts elsewhere in the world too. For example, in bygone ages the town of Baunei in the province of Ogliastra on the Italian island of Sardinia was terrorised by a basilisk-like monster that lived in the bushes there and was known as the scultone or ascultone. Just like the basilisk, its gaze was sufficient to kill anyone or anything that looked directly at it, but unlike the basilisk it was immortal. Nevertheless, Peter the Apostle finally managed to rid Baunei of this menace using a mirror, though the precise manner in which he accomplished the feat remains unclear.

Scultone (public domain)

In Gambia, Senegal, Guinea, and Guinea-Bissau in West Africa, traditional lore tells of a greatly-feared serpent dragon known as the ninki-nanka. Not only did it possess supernatural powers, it also concealed a precious diamond inside its head, from which it drew these powers. Moreover, echoing the odd manner in which a basilisk was created, a ninki-nanka was only hatched from an egg that was present in the very centre of a clutch of normal python eggs.

South America's basilisk equivalent, the basilisco, was toad-like rather than serpentine, and could only be hatched from a black egg. Accounts of this creature come from Santiago del Estero, the Mapuche area, and the northwestern region of Argentina.

Is it conceivable, however, that belief in such bizarre, fictitious monsters as the basilisk and its cohorts elsewhere around the world was derived at least in part from sightings of unusual but genuine creatures?

Ringhals spitting cobra Hemachatus haemachatus (© Lee R. Berger/Wikipedia – CC BY-SA 2.5 licence)

The original basilisk, supposedly inhabiting North Africa's deserts, and whose merest glance could kill, may have been inspired by a very specific and unusual type of real-life snake – the spitting cobra. Several species are recognised (some of which are native to North Africa), and all of them incapacitate their prey or potential aggressors by spitting accurately, and from some distance away, a stream of corrosive venom into their eyes (click here to watch a short YouTube video of a spitting cobra doing precisely this to a snake handler - happily, the handler is wearing protective glasses!). Early travellers' tales of this remarkable ability could have been elaborated over generations of retelling into the basilisk's fatal glance.

In addition, the deserts of North Africa and the Middle East are home to a small, harmless species of colubrid snake known as the awl-headed sand snake Lytorhynchus diadema. The diadem-like markings upon its head and its yellowish-brown body colouration recall traditional descriptions of the basilisk's appearance and may therefore have helped to inspire belief in the latter.

Incidentally, a spitting cobra brought to England during the early 1600s as an exotic pet or exhibit that later escaped into the countryside could provide a plausible identity for a 10-ft-long serpent dragon reported from St Leonard's Forest, near Horsham, West Sussex, in August 1614. According to a pamphlet circulated at that time (which is the original source of this report and was subsequently republished in the Harleian Miscellany, 1744-1753), it killed two people, two dogs, and several cattle by spitting venom at them, but did not try to devour them.

Illustration of the St Leonard's Forest dragon from the original pamphlet of 1614 (public domain)

Nor are spitting cobras the only potential link between the basilisk of folklore and certain unexpected creatures of fact. Chickens are often infected with parasitic gut-inhabiting worms, including the ascarid roundworm Ascaris lineata, a nematode species that can grow to a few inches in length (a related giant species in humans can grow to over 1 ft in length!). They are often passed out of the bird's gut when it defaecates. Unlike in mammals, however, the bird's gut and its reproductive system share a common external passageway and opening – the cloaca. Sometimes, therefore, an ascarid worm ejected from the gut finds its way into the bird's reproductive system rather than being excreted into the outside world, and moves into the oviduct. Once here, however, it becomes incorporated into the albumen of an egg, inside which it remains alive yet trapped when the egg is laid. But as soon as the egg is broken open to eat by some unsuspecting diner, the worm wriggles its way out of it to freedom, scaring the diner and perpetuating the myth of the basilisk in the process!

On 3 March 2012, Copenhagen University zoologist Lars Thomas left a message below a short basilisk post of mine (click here) on my Eclectarium of Doctor Shuker blog, informing me of his own direct experience with this fascinating phenomenon:

I suppose you know, that some legends say young basilisk "worms" could sometimes be found in chicken eggs. Indeed if you found a worm in an egg, not so very long ago, old folks would tell you it was a basilisk, and tell you how to get rid of it. When I was 8 years old, I was on holiday at my aunt who had a small farm. One day I was helping her in the kitchen cracking eggs, and in one of them was a worm. Auntie told me it was a young basilisk, and that I should very carefully take it out in her garden and bury it, and then walk three times around the filled up hole. So I did, but not before making a drawing of the egg and the worm. I still got the drawing.

Ascaris, a parasitic nematode or roundworm (public domain)

Judging from this telling little vignette, burying traditional belief in basilisks is clearly much harder to do than burying the supposed basilisk itself!


THE COCKATRICE

During the Middle Ages, the small yet deadly basilisk underwent a very dramatic transformation in mythology, metamorphosing into a much bigger, truly grotesque type of two-legged, wyvern-like dragon known as a cockatrice, However, there is much confusion and terminological interchange relating to this, with many unequivocal cockatrices often being referred to incorrectly as basilisks.

Cockatrice statue at Trsat Castle in Rijeka, Croatia (© Georges Jansoone/Wikipedia – CC BY-SA 3.0 licence)

Muddying the mythological waters even further, moreover, an intriguing, seemingly intermediate version with multiple limb pairs and a horizontal body but a wattled, cockerel-like head (yet still bearing a regal crown) was also popularly illustrated in bestiaries during that time, and was variously referred to as a basilisk or as a cockatrice, depending upon the chronicler in question.

Swedish artist and film-maker Richard Svenson's vibrant, colourful representation of the intermediate, multi-limbed stage in the basilisk-to-cockatrice transformation (above), inspired by bestiary depictions of it (e.g. below, from Serpentum et Draconum Historiae by Ulisse Aldrovandi, 1640) (© Richard Svensson / public domain)

During its transformation from the basilisk, the cockatrice gained a pair of large bat-like wings, a long coiled tail (still covered in scales but often terminating in a sharp sagittal tip), and a single pair of sturdy rooster-like legs that enabled it to walk upright. Furthering its cockerel parallels, however, it also sported a coxcomb on its head, a pair of pendulous facial wattles, a pointed horny beak, sometimes a covering of feathers upon its body, and even the ability to crow like a farmyard rooster too.

Cockatrice fleeing from a weasel wrapped in rue, illustrated by Wenceslaus Hollar, 1600s (public domain)

Even so, this weird avian reptile (or reptilian bird?) retained the basilisk's deadly gaze, its dread of weasels and rue, and also, albeit in a reversed version, its bizarre mode of creation. Now, one of these monstrous entities would only arise if a round leathery shell-less egg laid by a seven-year-old cockerel when the dog star Sirius was in the ascendant was hatched by a toad in a dung heap. Although such an occurrence may seem highly unlikely, cockatrices were reported not just in North Africa and Arabia like their basilisk antecedent but also widely through Europe, including several examples from Britain.

Cockatrice in Raoul Lefèvre's tome Histoires de Troyes Belgique, 1400s (public domain)

One of the most recent of these was the Renwick cockatrice - or was it? Crowing loudly, this bat-winged horror, black in colour but sporting facial wattles and a coxcomb, reputedly emerged from the foundations of a church being demolished by workmen in the Cumbrian village of Renwick in 1733. Happily, the monster was dispatched by local hero John Tallantine (sometimes given as Tallantire) with a sturdy wooden lance hewn from a rowan tree - famed for its magical, evil-repelling properties. This is the most commonly-recounted version of the alleged incident. However, it is well worth noting that in the earliest-known written record of it, appearing as a brief mention in his tome The History of the County of Cumberland, Vol 1 (1794), historian William Hutchinson stated that it had actually taken place "about 200 years ago", i.e. some time during the late 1500s. Regardless of its precise date, however, if such an event did truly occur, might the offending creature have been merely a large bat, whose proportions were duly exaggerated and elaborated in subsequent retellings of the incident?

Is this what the so-called Renwick cockatrice looked like? (public domain)

Iceland is not a country well known for dragon legends, but its traditional lore does lay claim to its own version of the cockatrice – a deadly creature called the skoffin. It has a very curious origin – the highly unlikely outcome of a liaison between a male fox and a female cat (the offspring of the reverse pairing – between a tom cat and a vixen – is called a skuggabaldur, and is just as ferocious as a skoffin). Similar in form to the cockatrice, albeit furry rather than feathery, the skoffin also shared the latter's lethal gaze - and could even kill another skoffin simply by looking it in the eye. Otherwise, it was virtually invincible, unless shot with a silver button upon which the sign of the Cross had been inscribed (click here to see a depiction of a skoffin as featured on an Icelandic postage stamp).

Cockatrice in German Jesuit scholar Athanasius Kircher's Mundus Subterraneus, 1665 (public domain)

Continuing this intriguing link between cockatrices and Christianity, it may come as a surprise to learn that the cockatrice was formerly mentioned no less than four times within the Old Testament of the Bible, three of these mentions occurring in the Book of Isaiah, and the fourth in the Book of Jeremiah. The Hebrew terms that were once translated as 'cockatrice' were 'Tsepha' and 'Tsiphoni', but in modern-day versions they are translated as 'viper' or 'adder' instead, thus explaining the cockatrice's disappearance from this holy book.

Cockatrice illustrated in a German manuscript from 1507 (public domain)

Iceland is not unique in boasting its own specific form of cockatrice. So too does Korea – the gye-ryong ('chicken-dragon'). Just as Oriental dragons are generally more benevolent than malevolent, however, so too is this Korean cockatrice, often pulling the chariots of notable legendary heroes or those of their parents.

Cockatrice, by Friedrich Johann Justin Bertuch, 1806 (public domain)

Thanks to its rooster-like coxcomb, wattles, feathers, and crowing cry, the cockatrice was a very unusual dragon. And as befitting this, it may well have had a comparably odd origin in the real world.

A very gallinaceous faux cockatrice participating as the Basilisk of Reus in the 2016 Cercavila de les festes del Barri Gòtic, in Barcelona, Spain (© Pere López Brosa/Wikipedia – CC BY-SA 3.0 licence)

Sometimes, an otherwise normal hen develops an internal tumour that stimulates the development of male hormones. These in turn induce the development of male secondary sex characteristics – namely, the rooster's coxcomb, wattles, crowing cry, and even on occasion its plumage. Yet it still lays eggs. In bygone, superstition-laden times, the mere sight of such a bizarre curiosity as one of these partial sex-change 'father hens' would have been enough to initiate imaginative fear-laden tales of the dreaded cockatrice.

Bristol Post newspaper report concerning a sex-change chicken - click it to read it (© Bristol Post, reproduced here on a strictly non-commercial, educational/review basis only; report's date of publication currently unknown to me – any details would be very welcome, so that I can attribute it fully)


THE BASILISK AND COCKATRICE IN CRYPTOZOOLOGY?

Finally: In modern times, there have been several eyewitness reports emanating from isolated regions of verdant vegetation amid the otherwise arid desert zones of Morocco and Tunisia that tell of very large snakes bearing a crest or long 'hair' on their head. Such reports readily recall the legendary basilisk, in terms of both location and these snakes' morphology, so could they explain this much-dreaded reptile? Assuming that these snakes are themselves real, it has been suggested that they may constitute relict populations of pythons, analogous to isolated populations of desert-dwelling crocodiles, and that their supposed crests or hair are merely segments of incompletely-shed skin.

Crested mystery snakes are even more commonly reported in tropical Africa, where they have a wide variety of local names, of which the most familiar is the inkhomi ('killer'), but in English parlance they are generally referred to as crowing crested cobras (see also a previous ShukerNature blog article of mine surveying these ophidian enigmas – click here). They are said to sport a bright-red rooster-like coxcomb (but pointing forwards rather than back) and facial wattles too, and to crow just like a rooster as well – all of which is very reminiscent of the basilisk's transformed equivalent, the cockatrice. In 1944, Dr J. Shircore from Malawi published a detailed description of what he believed to be the fleshy coxcomb and part of the neck from one of these snakes, but the current whereabouts of this potentially-valuable specimen is not known.

Crowing crested cobra representation, based upon eyewitness reports (© Dr Karl Shuker)

Equally noteworthy is a published report by John Knott from September 1962 in which he recalled how, driving home one evening in late May 1959 from Binga, in the Kariba area of what was then Southern Rhodesia (now Zimbabwe), he inadvertently ran over a large, jet-black snake roughly 6 ft long, mortally wounding it. Knott cautiously stepped out of his vehicle to take a closer look at the snake, and was amazed to see that it bore a distinct crest upon its head, perfectly symmetrical in shape, and capable of being erected by way of five internal prop-like structures. This certainly does not sound like a piece of unshed skin but rather like a true crest, yet no known species of snake possesses one.

Remarkably, a very similar but somewhat shorter mystery snake, complete with coxcomb, wattles, and crowing ability, has been reported in modern times, and by native and Western observers alike, on the West Indian islands of Jamaica and Hispaniola. If such snakes as these on record from Africa and the Caribbean are genuine, they may well have assisted in inspiring the cockatrice legend.

A magnificent heraldic cockatrice (public domain)

They may no longer possess the lethal talents originally ascribed to them, but judging from reports such as those noted above, it may be somewhat premature to discount the basilisk and the cockatrice as wholly imaginary after all.

Cockatrice (labelled as as basilisk) and weasel, in Bestiary, Royal MS 12 C XIX, 1200-1210 (public domain)


This ShukerNature blog article is adapted from the relevant sections of my newest, massively-comprehensive dragon book Dragons in Zoology, Cryptozoology, and Culture – a must-read for all draconophiles everywhere!






Monday, 7 July 2014

THE CROWING CRESTED COBRA – A CRYPTOZOOLOGICAL COCKATRICE?


Artistic impression of the crowing crested cobra's coxcombed head and facial wattles, based upon eyewitness descriptions (© Dr Karl Shuker)

The legendary basilisk was originally described in Western folklore as resembling a relatively small, unspectacular serpent in basic form. Down through subsequent ages, however, reports of it changed during the endless retellings of myths until it eventually became much larger, and acquired a cockerel's coxcomb and wattles, as well as the ability to crow like a cockerel too. This marked the beginning of the basilisk's gradual transformation into a much more dramatic-looking yet equally fictitious monster – the cockatrice.

Cockatrice engraving, from Friedrich Justin Bertuch's 12-volume Bilderbuch für Kinder (1790-1830)

In Africa, however, there are many modern-day reports of a supposedly real yet still-unidentified species of snake that allegedly bears a very striking resemblance to this serpentine pre-cockatrice. It is called the crowing crested cobra.


INKHOMI – 'THE KILLER'

Judging from native and Western testimony, the crowing crested cobra has quite a sizeable distribution range, stretching northwards from Natal in South Africa to Lake Victoria and westwards to Zambia and Lake Tanganyika, but is common nowhere, is greatly feared everywhere, and is known by a rich variety of local names. Perhaps the most telling of these, however, is inkhomi – 'the killer' – on account of its infamous ferocity and deadly venom. Said to measure up to 20 ft long (thereby exceeding even the formidable king cobra Ophiophagus hannah), the crowing crested cobra ranges from buff-brown to greyish-black in body colouration, but its face is bright scarlet, and, despite its cobra appellation, it has no hood. Instead, this exceptional serpent reportedly bears a prominent bright-red crest resembling a forward-pointing coxcomb, and the male is also said to sport a pair of red facial wattles. Most astonishing of all, however, in further parallel to a cockerel this bizarre snake can reputedly give voice to a loud crowing cry.

Artistic impression of the crowing crested cobra depicted in its entirety (© Tim Morris)

Despite its great size, the crowing crested cobra is often claimed to be primarily arboreal, concealing itself on sturdy overhead branches in wait for an unsuspecting human or some other prey victim to pass underneath, whereupon the snake lunges downward at their head or face, injecting its lethal venom with a single devastating bite. According to veterinarian Dr Dennis A. Walker, however, specimens sighted in Zimbabwe lurk among kopjes (rocky hillocks) where they prey upon hyraxes.

Of course, such a bizarre, surreal serpent could be readily dismissed as imaginative native folklore – were it not for the disquieting fact that some evidence for its reality goes beyond local legend. In 1944, Dr J. Shircore of Karonga, Nyasaland (now Malawi), published a detailed description of what he claimed were the preserved bony skeleton of the fleshy coxcomb (to which scraps of red skin were still attached) and a portion of the neck (containing several vertebrae) from a crowing crested cobra, which he owned. In a second publication, he stated that some additional vertebrae, as well as two ribs, a piece of skin, and the tip of a coxcomb from two further specimens had also come to light, but the current whereabouts of these potentially significant remains is unknown. Having said that, any remains believed to be from a crowing crested cobra are highly prized by native snake worshippers and witch-doctors, so it is likely that this is where they would have eventually gone.

An alternative artistic representation of the crowing crested cobra's head, this restoration being influenced by typical hooded cobras (© Maureen Ashfield/Carl Marshall)

No less intriguing is a very noteworthy incident that took place in late May 1959 and which was subsequently documented by the eyewitness in question, a Mr John Knott of Southern Rhodesia (now Zimbabwe). Driving home from Binga in the Kariba area, he accidentally ran over a jet-black snake measuring roughly 6 ft long, mortally wounding it. Knott got out of his Land Rover to take a closer look, and was very surprised to discover that this snake bore a distinct crest upon its head that not only was perfectly symmetrical but also could be erected by way of five internal prop-like structures. Needless to say, no known species of snake possesses such a crest, so it was a great tragedy that Knott didn't collect the dying snake and submit it for scientific examination. In terms of basic structure, this mystery snake's crest is reminiscent of the expandable frill so famously sported by Australia's frilled lizard Chlamydosaurus kingii.

Black mamba (public domain)

Scientists have been very sceptical of reports appertaining to the crowing crested cobra, and the most popular mainstream explanation offered is that sightings actually feature large black mambas Dendroaspis polylepis that have incompletely shed the skin on their head, leaving a tuft of unsloughed skin still attached. Yet although it is true that some supposedly crested snakes have indeed been proven to be mambas exhibiting unorthodox accoutrements of this type, such a solution singularly fails to explain the remains documented by Shircore, or the well-delineated, erectile, prop-supported crest borne by the snake that Knott injured.


CARIBBEAN COUNTERPARTS

As if Africa's crowing crested cobra were not extraordinary enough already, what makes it even more so is that it is not even unique. Remarkably, an extremely similar albeit much smaller counterpart has been reported from at least two major islands in the Caribbean too. While visiting Jamaica during the mid-1840s, Victorian naturalist Philip H. Gosse (1810-1888) documented several eyewitness encounters with crowing coxcomb-crested mystery snakes there and also on Hispaniola.

In 1829, for instance, a well-respected physician on Jamaica had observed the dead, slightly decomposed body of a 4-ft-long, thick-bodied snake, ochre in hue with black spots, that bore upon its head a pyramid-shaped helmet-like crest, lobed distally, and pale red in colour. According to the locals, this deceased specimen belonged to a species famed for its ability to crow like a cockerel and also fond of preying upon chickens.

Philip H. Gosse, photographed in 1855

Several years prior to Gosse's visit, Jamaican resident Jasper Cargill had personally observed just such a snake emerging from some fragments of limestone rock along a mountain road. And in March 1850, Cargill's son actually shot one while rambling with some other youths. Instead of taking it home straight away, however, he placed it for safekeeping inside a hollow tree while they continued rambling, but this took them so far away from the tree that they didn't return for the snake that day. And when one of the youths did go back to fetch it the following day, this zoologically priceless specimen had gone, presumably taken by rats during the night.

Gosse also learned via a friend on Hispaniola that a comparably predatory snake had lately been spied in Haiti. Possessing a coxcomb and bright red wattles, it would use its superficially rooster-like facial appearance and crowing ability to gain entrance into chicken coops without alarming their unsuspecting inmates.


SNAKES THAT ROAR, SHRIEK, AND MIAOW!

Quite apart from their coxcomb and wattles, the crowing crested cobra and its West Indian equivalents have received very short shrift from mainstream zoologists on account of their decidedly unsnake-like ability to crow. This is because snakes are famous for their apparently restricted vocal abilities, generally being deemed incapable of uttering more than a sibilant hiss due to their larynx lacking vocal cords. In reality, however, this widely-held assumption has been soundly disproved by a number of different species.

American bull snake (public domain)

The most famous of these is the North American bull snake Pituophis melanoleucus. This sturdy species expels air from its lungs through its glottis and against its epiglottis with such force that it emits a loud bovine grunt (earning it its name) audible up to 100 ft away.

Equally, the king cobra emits deep growl-like hisses produced via pocket-like tracheal diverticula projecting out from its windpipe and acting as low-frequency resonance chambers. Moreover, contrary to another fondly-held tenet, that snakes are totally deaf and unable to hear airborne sounds, research has confirmed that snakes are actually more sensitive to airborne than groundborne sounds, and that the king cobra can definitely hear its own growls and those produced by others of its species.

King cobra (© Dr Karl Shuker)

Most remarkable of all, however, was the discovery made in 1980 by Philip Chapman from Bristol's City Museum while participating in a scientific exploration of Borneo's enormous Melinau limestone cave system, in Sarawak's Gunung Mulu National Park. While penetrating one particularly dark, deep cave, he suddenly heard an eerie yowling sound up ahead, like the miaowing of a large cat, but when he fearfully shone his torch in its direction, Philip and fellow team members were astonished to discover that the creature giving voice to these loud cries was not a cat at all – instead, it was a snake!

Coiled up on the cave floor, this miaowing serpent proved to be a Bornean cave racer Orthriophis taeniurus grabowskyi - a slender, blue-scaled, non-venomous elapid whose vocal prowess had never previously been witnessed or even suspected by scientists. But what purpose did it serve? Inside this lightless cave, these snakes prey upon fast-flying cave swiftlets, and possess an unerring ability to snatch them while they are actually in flight, but as they cannot see them, how do the snakes detect these small birds with such accuracy? The swiftlets navigate like bats, by listening to the echoes of their own shrill cries bouncing off the cave walls, so it is possible that the snakes emit their own cries either to mimic and thence lure the swiftlets within reach, or to disrupt their vital echo-location and thus disorient them.

Cave racer (© Tristan Savatier/www.loupiote.com)

Over the years, many reports of other snakes giving voice to shrieks, screams, and an assortment of bleats, chirps, and even bell-like chiming have also been documented, though these have yet to be scientifically confirmed. Nevertheless, there are already sufficient precedents that have been verified to render the alleged crowing abilities of the crowing crested cobra and kin far less implausible zoologically speaking than one might otherwise suppose. So could such an extravagantly-adorned, vocally-adept snake truly exist in Africa, with a more diminutive relative (once) native to the West Indies? Sadly, we may never know. Several opportunities to present tangible, physical remains from such creatures have been lost, and no fresh material appears to have been procured for some considerable time.

An alternative artistic representation of the crowing crested cobra's head (© Marcus Bühler)

Consequently, if the very curious case of the crowing crested cobra is ever to be solved, perhaps science's best hope is for an intrepid herpetologist to pay a respectful visit to the domicile of the shaman from one of the many African tribes for whom such a snake remains a fully-fledged reality, and tactfully take note of whether his collection of ritualistic fetishes and other magical paraphernalia include the preserved remains of an ophidian coxcomb and some dried facial wattles. A veritable cockatrice might yet be revived amid the shadows of superstition and folklore – though whether that is such a good thing may be another matter entirely!

Engraving by Bohemian etcher Wenceslaus Hollar (1607-1677) depicting a cockatrice being attacked by a weasel wrapped in rue - its only mortal enemies, according to traditional folklore

For the most extensive documentation of the crowing crested cobra and other unexpectedly vocal snakes ever published, be sure to check out my book Extraordinary Animals Revisited (2007). And for more information concerning basilisks and cockatrices as well as the crowing crested cobra, be equally sure to check out my latest book, Dragons in Zoology, Cryptozoology, and Culture (2013).