Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label woolly cheetah. Show all posts
Showing posts with label woolly cheetah. Show all posts

Wednesday, 3 May 2017

WHITHER THE WOOLLY CHEETAH?


The only known illustration of a woolly cheetah (Public domain)

Nowadays, the once-obscure, elusive king cheetah, a mutant morph of the normal cheetah Acinonyx jubatus famously adorned with an ornate patterning of stripes and blotches very different from the latter species' polka-dotted wild-type counterpart, is enjoying a well-earned scientific renaissance.

In marked contrast, however, a second, equally eyecatching cheetah form seems to have vanished without trace into the mists of scientific anonymity, after only the briefest of spells in the zoological limelight.

A king cheetah, famed for its exquisite and very elaborate markings, produced by a mutant gene allele (© Steve Jurvetson/Wikipedia – CC BY 2.0 licence)

On 19 June 1877, Philip L. Sclater, longstanding secretary of the Zoological Society of London, recorded in its Proceedings (i.e. the PZSL) the acquisition by London Zoo of a most unusual cat - male and apparently not fully grown - which he described as follows:

It presents generally the appearance of a cheetah (Felis jubatus) [the cheetah's old scientific name], but is thicker in the body, and has shorter and stouter limbs, and a much thicker tail. When adult it will probably be considerably larger than the Cheetah, and is larger even now than our three specimens of that animal. The fur is much more woolly and dense than in the Cheetah, as is particularly noticeable on the ears, mane and tail. The whole of the body is of a pale isabelline colour, rather paler on the belly and lower parts, but covered all over, including the belly, with roundish dark fulvous blotches. There are no traces of the black spots which are so conspicuous in all of the varieties of the Cheetah which I have seen, nor of the characteristic black line between the mouth and eye.

Evidently this brown-blotched felid appeared very different from the usual form - to the extent that Sclater stated that it was impossible to associate it with this. Instead, he proposed for it the temporary name of Felis lanea, the woolly cheetah. It had been obtained from Beaufort West, South Africa, and, as Sclater himself remarked: "It is difficult to understand how such a distinct animal can have so long escaped the observations of naturalists".

One other matter is also difficult to understand, and remains a source of confusion concerning this mystery cat. Sclater referred to its markings as 'blotches', but in the illustration that accompanied this report, the creature was depicted with numerous tiny spots!

The PZSL 1877 chromolithograph of the woolly cheetah that accompanied Sclater's report of it (Public domain)

A year later, on 18 June 1878, Sclater noted in the Society's Proceedings that he had received a letter from a Mr E.L. Layard, informing him that a second woolly cheetah was currently preserved in the South African Museum. Like the first, it had been procured from Beaufort West. It had been killed by Arthur V. Jackson who, like Layard himself, assumed that it was an erythristic (abnormally red) variant of the normal cheetah. At the end of this item, in answer to an enquiry by Layard, Sclater recorded that the claws of the London Zoo specimen were non-retractile.

Sharing Sclater's own bewilderment as to how so large and unusual an animal could have evaded scientific detection until then, many zoologists had grave reservations concerning his optimism that the woolly cheetah constituted a totally separate species. In 1881, English biologist Dr St George J. Mivart commented that the noted American zoologist Prof. Daniel G. Elliot regarded this felid simply as a variety of the known cheetah species (curiously, Mivart ascribed the presence of a stripe to one side – but not both sides – of the woolly cheetah's muzzle when describing this feline form in his book The Cat, a feature not mentioned by Sclater, and in any event highly abnormal, thereby confusing the issue even further).

Dramatis personae in the woolly cheetah saga: Philip L. Sclater (public domain), Dr St George J. Mivart (Wellcome Images/Wikipedia – CC BY 4.0 licence), and Prof. Daniel G. Elliot (public domain)

By then, London Zoo's specimen had died, and Elliot's opinion received support from the discovery by eminent mammalogist Oldfield Thomas of the then British Museum (Natural History) – now known as the Natural History Museum – that this cat's skull did not differ from that of any other cheetah.

On 4 November 1884, Sclater recorded in the PZSL a woolly cheetah skin sent to him by the Reverend G. Fisk, again obtained from Beaufort West. In comparison with the zoo specimen, this example was more distinctly spotted, less densely furred, and rather smaller in size. Reverend Fisk believed that these differences were due to the specimen being a female, an explanation accepted by Sclater, who felt that this new skin consolidated his opinion concerning the woolly cheetah's separate status. The rest of the scientific world, conversely, remained unconvinced, so that since then it has been regarded as merely an unusual variant of the typical cheetah species.

A normal, polka-dotted cheetah (public domain)

The woolly cheetah may indeed be nothing more surprising than an atypical colour morph – perhaps a partial albino, as suggested by king cheetah researcher Lena Bottriell and felid geneticist Roy Robinson, or an erythristic version, as opined by Jackson and Layard. At the same time, Sclater's more radical views can also be appreciated, because this cat form differs from the typical cheetah not only in colour and markings but also in fur density and even in relative limb length. Simple colour variants do not generally exhibit such pronounced differences as these from normal individuals of the same species. Its shorter limbs suggest a non-cursorial life - could it possibly have been a forest form?

It is worth noting that a 'lion-like forest cheetah' known as the kitanga was described in the 20th Century's early years to Major G. St J. Orde-Brown by the Embu natives of south-eastern Kenya (as recorded by Kenneth C. Gandar Dower in his book The Spotted Lion, 1937,  chronicling Dower's own searches for another of Africa's mystery cats, the elusive marozi). Moreover, according to correspondent Owen Burnham who lived there for many years, a comparable felid has occasionally been reported from the little-explored forests of Senegal, West Africa, where this region's subspecies of the typical cheetah, A. j. hecki, is extremely rare.

A pair of marozis or spotted lions (© William M. Rebsamen)

The possibility of a cheetah form becoming modified for life in this type of habitat is by no means implausible. On the contrary, even the normal spotted form is not an exclusive denizen of the savannahs. This was well demonstrated in March 1983, when Lise Campbell spied a single cheetah at a height of 2.5 miles in the vicinity of the Sirimon Track in the moorland zone of Mount Kenya. She had a second sighting later that day of what may have been the same animal, even higher, amidst the tufted high-altitude grass, and documented her observations in an East African Natural History Society Bulletin communication (May-June 1983).

As for the woolly cheetah: according to mammalogists Daphne Hills and Dr Reay Smithers in their Arnoldia Zimbabwe paper of 1980 (concerning the king cheetah), this odd form no longer occurs in Beaufort West. Presumably, therefore, it is extinct, and the chance to investigate further its precise taxonomic status similarly lost. Or is it? The Natural History Museum owns the skin of London Zoo's specimen – so now, with the ever-advancing techniques of DNA-based genetic analyses readily available to researchers, perhaps it may be possible to carry out some such tests upon small samples of this skin and finally reveal the precise genetic identity of the mystifying woolly cheetah.


This ShukerNature blog article is excerpted and expanded from my book Mystery Cats of the World.






Wednesday, 19 April 2017

THE FRASERCOT PELTS – A VERITABLE CHINESE PUZZLE SOLVED AT LAST


The Frasercot pelt originally owned (see Epilogue) by Mark Fraser (© Dr Karl Shuker)

In a short Tetrapod Zoology online blog post of 13 August 2007 (click here), English palaeontologist Dr Darren Naish, who also has a longstanding interest in mystery animals, discussed a very eyecatching, enigmatic pelt owned by Big Cats in Britain (BCIB) founder Mark Fraser. As revealed by a colour photograph of it in his post, this most distinctive long-furred pelt sported a beautiful pattern of dark scallop-shaped markings resembling overlapping fish-scales, but which bore no resemblance to the pelage of any known mammal.

This interesting post swiftly attracted numerous responses from readers, most of whom favoured various feline identities, including king cheetah, aberrant leopard, and woolly cheetah (a freak cheetah form reported from South Africa during the late 1800s and represented by a living specimen exhibited at London Zoo during that same period), although viverrid and hyaena identities were also mooted. Alternatively, could it be a fake – but, if so, how was it done? After all, surely it would take great skill to paint a pelt so meticulously with such a detailed pattern...wouldn't it?

A chromolithograph from 1877 of the woolly cheetah briefly exhibited at London Zoo at that time (public domain)

In his blog post, Darren dubbed this mystifying pelt a Frasercot, in honour of its owner. He also noted that another pelt of this same type had been doing the rounds of antique fairs in Britain.

Moreover, in October 2009 Darren was in Libya, conducting some palaeontological fieldwork, and while visiting a market in Tripoli he was surprised to see a Frasercot pelt for sale there, hanging down on one of the stalls. It was too expensive for him to purchase, and in any case he was naturally concerned as to whether he would be permitted to bring such an item through customs, so he had to content himself with photographing it (a photo of it duly appeared in a Tetrapod Zoology blog article by Darren uploaded on 16 November 2009 – click here to see the photo).

Greatly intrigued by these pelts, in February 2012 I conducted some internet research concerning them. While doing so, I discovered a couple of photos of a smaller but otherwise identical pelt (alongside what looked like a second, larger one, but which was partly concealed from view by other furs) among the wares on the hand-cart of a fur vendor in Xiamen (aka Amoy), which is a major city in Fujian, southeastern China (these photos are viewable online here). The photos had been snapped on 31 October 2006 by a professional writer (name unknown to me) hailing from Mendocino in California, USA, but based in Xiamen during that time. Under her Flickr username 'Room With A View', she had later uploaded them into one of her online Flickr albums.

Further investigations revealed that such pelts were actually from domestic dogs but had been skilfully imbued in some way with the distinctive Frasercot-style scalloping in order for the traders to pass them off as exotic big cat pelts and sell them for lucrative amounts to unsuspecting Western tourists. When I contacted Darren concerning my findings, he confirmed that he had made the same discovery in relation to the Libyan pelt. Indeed, on 15 December 2010, one of his blog's readers, with the username NaturePunk, had provided the following highly illuminating response to Darren's post regarding the Tripoli pelt, verifying my own independent findings:

This is a dog skin that has been dyed to look like a cat skin. Common thing for vendors to do in Asian countries where dogs are killed for fur. I used to see this a lot when I lived there, and they would sell the dyed pelts along with pelts which were left un-altered. They see this sort of thing all the time at the Wildlife Forensics Center in Ashland [Oregon] where I live now.

Here are some links to photos of vendors selling dog pelts on the streets, trying to convince people that they're either wolf or big cat skins, a few of which are dyed with the EXACT same patterns as the pelt pictured above [i.e. the Tripoli pelt].

One of the links provided was the same as the one that I'd also discovered (and which I've given earlier here), to the photo of the Xiamen fur vendor with the pelts. A second one was to a photo that had been snapped and uploaded onto Flickr by Tennessee-born teacher Bill Benson, now living in Tianjin, northern China. It depicted another Chinese fur vendor, this time in Dalian (a big city and seaport in northeastern China's Liaoning Province), whose hand-cart bore a fully laid-out Frasercot pelt. Unfortunately, that particular photo is no longer accessible online (but I have a copy of it on file). Apparently, the vendor had tried to pass it off to Benson as a leopard skin (which it certainly wasn't – no leopard possesses the Frasercot scalloping pattern), but Benson affirmed that it was a dyed dog skin.

Close-up of Mark's Frasercot pelt, showing its distinctive scalloping pattern (© Dr Karl Shuker)

Even so, I was still unclear as to the manner in which such an intricate pattern was applied to the pelts, although I wondered whether it may involve a stencil or something similar in order to produce such a precise effect.

At much the same time, I learnt from British naturalist and taxidermist Jonathan McGowan that he had included on his website (www.thenaturalstuff.co.uk) a photo of the Frasercot pelt that had been doing the rounds of the antique fairs - he saw it at one in Lincolnshire. Of particular interest, however, was that Jonathan was convinced that this particular pelt on which the scalloping had been applied was not from a dog but from a large cat, probably a unicoloured species such as a puma. Memorably, the stall-holder claimed that it was from a rare species that she called a fishscale leopard! On 5 March 2012, Jonathan kindly provided me with the following additional details:

The pelt I found was at the RAF Swinderby antique fair in Lincolnshire about three years ago. I at first thought it was a painted dog pelt and asked the lady if I could have a look. On doing so I noticed the short legs with typical cat like short bristly fur on the ankles. The feet were cut off unfortunately but the head was on and it had typical cat shape with leopard like ears and big long whiskers, although few in number but not like small dog whiskers. The woman said that it came from South Africa and mentioned that even the dark scales have the skin underneath also black which proves that it is real! I replied that this does indeed suggest that it is a fake as dark pigmented skin does not correspond with dark hairs. It had nothing to do with it, but looking closely at it, only a few of the scallops had dark pigment under them anyway! And when I held the fur up to the light, I could see that each individual hair was black tipped correctly with lighter underneath. If it were a fake, I wondered just why some very skilled person went to the trouble of painting every individual hair just to produce this! However I am well aware of the Chinese ingenuity in regards to faking all kinds of things. Just maybe a mutant leopard did have such scalloping fish scale spots! I don't know but it is unlikely and I would rather see it as a hoax as a genuine thing. She wanted £200 for it and I had already spent my quota for the day.

Messaging Mark Fraser online via Facebook also on 5 March concerning his Frasercot specimen, I learnt that its head was distinctly dog-like in appearance rather than cat-like, and that he had purchased it from Coventry-based taxidermy enthusiast Martin Cotterill, who in turn informed me that he had bought it several years ago from a dealer at Swinderby Antiques Fair! In other words, exactly the same fair where Jonathan subsequently saw the one that he photographed.

As Mark's pelt is dog-headed whereas the one seen by Jonathan was cat-headed, they are evidently not the same specimen, but it seems reasonable to assume that they were from the same dealer – otherwise it is a truly formidable coincidence that two such similar yet extremely unusual pelts should come up for sale at the very same antique fair. If so, does this mean that the dealer had a regular supply of them, or had merely bought the two together as a one-off purchase? Whatever the answer, the very fact that a dog-headed pelt and a cat-headed pelt exhibited precisely the same highly-unusual scalloping pattern provided, I felt, conclusive evidence that the pattern was indeed applied artificially rather than being natural.

Three photos of Mark's Frasercot pelt, showing its pelt, head, and a paw (© Mark Fraser)

Mark uploaded some photos of his pelt's head and feet onto Facebook, and these were certainly canine rather than feline in shape. On 10 March 2012, moreover, I was able to confirm this directly, as well as ascertaining its total length (55 in from nose-tip to tail-tip) when Mark very kindly sent the pelt to me on loan in order for me to examine it. I was also able to see for myself that the artistic workmanship of the applied scalloping pattern was of an extremely high standard – but the biggest surprise, and revelation, was still to come.

I showed it to my mother, Mary Shuker, who had always been very knowledgeable regarding clothes and fashion in general, and she told me straight away that she'd seen real and artificial (faux) fur coats with this same pattern in the past, and also with other exotic-looking patterns. She then took out of one of her wardrobes a faux fur jacket with an extraordinary pattern on it, totally unlike that of any real species but which, when I examined it, could be seen to have been applied in precisely the same way as the pattern on Mark's Frasercot pelt – i.e. with the pattern visible on the upper surface of the hairs but not on the undersurface.

Mom's faux fur jacket exhibiting artificial patterning (© Dr Karl Shuker)

Moreover, when I asked her how such a pattern could have been applied, she told me that she knew how – because the person from whom she'd bought this jacket had told her, informing her that it was applied by a machine that physically stamps the pattern onto the faux pelt using a form of heated inked plate bearing the pattern. And so, with that all-important disclosure, my mother duly solved the mystery of the Frasercot pelts!

My mother, Mary Shuker (© Dr Karl Shuker)

Meanwhile, for absolute confirmation of its taxonomic identity, Mark had kindly given me permission to snip some sample hairs from his pelt and submit them for formal trichological examination and identification. This I did, sending them to Danish zoologist Lars Thomas, based at the Zoological Museum of the University of Copenhagen, who has considerable experience in hair analysis. And to ensure absolute objectivity during their examination, I did not provide him with any information whatsoever as to the source of the hair samples.

However, when Lars provided me with his findings, and which here on ShukerNature are now revealed for the very first time online, I was extremely surprised. This was because his initial, provisional examination of them had indicated to him that they were definitely not felid, but likely not canid either, seeming instead to be most probably of mustelid origin, and, more specifically, from the genus Mustela (containing weasels, stoats, ferrets, and polecats). Yet he was far from happy about this, because the hairs had also presented him with various anomalous features that he had not anticipated finding.

In particular, their pigment granules looked very strange, and Lars wondered if they had received chemical treatment, because a lot of the colour in outlying regions of the hairs seemed unnatural, and therefore had possibly been dyed. Moreover, he mentioned to me that chemical treatment can make pigment granules split, thus making canid or felid hairs look like mustelid hairs, because pigment granules in the latter are clearly separate, whereas they are not in canid and felid hairs.

I then provided Lars with full details of the hair samples' origin, knowing that he had heard of (but never examined) the Frasercot pelts, and I also sent him some photographs of Mark's specimen. After receiving my news and pictures, Lars then conducted a more detailed examination of the hair samples, which included sectioning one of the hairs – whereupon he discovered that it was round in cross-section. Crucially, this eliminated mustelids, because their hairs are oval or elliptical in cross-section. He also discovered that some of the hairs showed signs of heat damage and of being compressed, some of them being completely flat in very specific areas, as if they had been under pressure.

Needless to say, this would be the case if the edge of a heated stamping device had been applied to them – which in turn is exactly what my mother had described concerning the artificial application of the Frasercot patterning on fur coats that she had seen. In addition, when Lars rubbed some of the darkest hairs with ethanol and various other solvents on a Q-tip, he was actually able to rub off some of the colouring. Consequently, he informed me that he now had no doubt that the hairs had indeed been somehow artificially treated and dyed.

The scalloped markings of Mark's Frasercot pelt (© Dr Karl Shuker)

An independent confirmation of his findings came unexpectedly when, while subsequently browsing online in the hope of finding further photos of Frasercot pelts, I revisited Bill Benson's Flickr albums and discovered that although his earlier-mentioned missing Frasercot pelt photo had not reappeared there, a second one was present in a different album by him. He had snapped it on 26 September 2006, and it shows an extremely large Frasercot pelt being held up by its street vendor, somewhere in eastern China (it is viewable here). However, whereas all previous Frasercot pelts seen by me have exhibited a pristine pattern, in this one the pattern is very patchy in appearance, with certain portions faded or even entirely worn off, clearly demonstrating that it had been artificially applied. Benson affirmed again that these pelts are indeed dyed dog furs, and he also noted that poor vendors from western China come to eastern China in the hope of selling their wares.

Just as the riddle of the Frasercot pelts finally seemed solved, however, a further mystery arose concerning them. Prior to receiving the results of Lars's examination of the hair samples from Mark's specimen, I had discovered online a photograph of yet another Frasercot-patterned pelt – but crucially, unlike all previous ones encountered by me, this was not a detached pelt. Instead, it was a live dog, yet whose fur bore the characteristic fish-scale scalloping of the Frasercot pattern!

The only information accompanying this remarkable, currently unique example was that the photograph had allegedly been snapped by a Mr Richard Brooks on the Indonesian island of Bali. I have spent considerable time trying to trace Mr Brooks, but all to no avail. And so, due to its great significance to the subject in hand, I'm including a small, low-resolution version of his photo here on a strictly Fair Use, educational, non-commercial basis only, acknowledging fully that Mr Brooks is its copyright holder.

Live dog allegedly on Bali exhibiting Frasercot fur pattern (© Richard Brooks – reproduced here in low-resolution format on a strictly non-commercial, educational, Fair Use basis only; despite considerable attempts, I have so far been unable to trace Mr Brooks)

Of course, in this age of readily-available photo-manipulation techniques, it needs to be stressed here that the worrying possibility of this photograph actually being the result of one such process cannot be ruled out, especially as its supposed originator has so far resisted all attempts to be traced and his name may therefore be fictitious, just a pseudonym.

What makes this living Frasercot-patterned canine specimen so fascinating if indeed genuine, however, is that clearly its pattern could not have been applied to it by a mechanical, heat-stamping device. So as the Frasercot pattern is of artificial, man-made design, it must have been applied to the dog's fur by being painstakingly painted upon it, and surely with the dog fully anaesthetised while this very delicate process was being performed (having said that, the spots on this live dog are rather bigger than those on all Frasercot pelts currently recorded, so it would have been less difficult to apply them to it).

The obvious question to be asked here is why anyone should wish to perform such an elaborate form of decoration upon a live dog anyway. But perhaps its Frasercot-adorned coat made it valuable or much sought-after as a pet, or even for sale as an exotic 'rare breed' to some unsuspecting tourist, and it is certainly not the first time that I have seen domestic animals with intricately-embellished coats.

Dog with fake spots in Kalimpong, West Bengal, India (© Sukanto Debnath/Wikipedia – CC BY 2.0 licence)

For instance, there are photos of many different examples online involving dogs, including tiger-striped, leopard-spotted, and even black-and-white giant-panda-rendered versions (utilising chows - click here for photos). Also, while visiting Tijuana, Mexico, in 2004 I saw one of the famous 'Tijuana zebras' – in reality, donkeys that have been painted with stripes in order to look like zebras – being used for photo sessions with tourists.

One of Tijuana's famous 'zebras' – in reality a donkey with painted-on stripes (public domain)

So it would seem that after perplexing cryptozoologists and mainstream zoologists alike for many years, the mystifying Frasercot pelts are finally a (Chinese) puzzle no longer.

My sincere thanks to Mark Fraser, Lars Thomas, Dr Darren Naish, Jonathan McGowan, Martin Cotterill, and above all my late mother Mary Shuker for their greatly valued contributions to my Frasercot investigations; and additionally to Mark for so kindly loaning to me his Frasercot pelt for examination.


EPILOGUE – 19 April 2017

Today I discovered here that Mark's Frasercot pelt was sold on the internet auction site Ebay UK on 28 June 2014, but at present I have no further details concerning this transaction or its new owner/whereabouts.

Photographed alongside me for scale purposes (I stand 5'10" tall) while on loan to me during March 2012, the Frasercot pelt then-owned by Mark Fraser (© Dr Karl Shuker)


2ND UPDATE: 30 November 2018

Earlier tonight, German cryptozoological researcher Markus Bühler drew my attention to the following photograph featuring a Frasercot pelt, a photo (and pelt specimen) previously unfamiliar to me. The photo is currently doing the rounds online within at least two reports dating from mid-November 2018, concerning China's controversial interest in the trade and use of bones from endangered rhinoceroses and tigers, which have traditionally been used in Chinese folk medicines. These reports can be accessed here and here.

Frasercot pelt (far right) that was on sale somewhere in China during 2006 (© holder currently unknown to me despite searches made by me, reproduced here on a strictly non-commercial Fair Use basis for review/educational purposes only)

My investigations of this photograph have revealed that it was snapped somewhere in China and is an archive image dating back to 2006. My thanks to Markus for kindly alerting me to this important image.