Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label ape-men. Show all posts
Showing posts with label ape-men. Show all posts

Saturday, 17 July 2021

'THE BOY WHO SAW BIGFOOT' - BOOKING MY REDISCOVERY AT LONG LAST OF A CRYPTOZOOLOGY NOVEL LONG LOST!

 
The very evocative front cover of my Weekly Readers Books hardback edition of The Boy Who Saw Bigfoot, a novel written by Marian T. Place and first published in 1979 by Dodd, Mead & Company (© Marian T. Place/Dodd, Mead & Company/Weekly Readers Books – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Friends and colleagues, including loyal ShukerNature readers, will be very familiar with my succession of searches in recent times for various unusual books, magazines, records, and artefacts that I once fleetingly encountered many years previously but inexplicably failed to purchase and which have eluded all of my attempts since then to identify and very belatedly buy them. Happily, however, quite a few of these recent searches by me have finally ended in success, and the cryptozoologically-relevant example documented here is one of them.

It was during the evening of 7 April 2021 when I scored this particular "identified at last after all these years" successes. On that occasion, my search had been the latest one in a lengthy succession spanning a quartet of decades, seeking a very specific bigfoot-themed novel that for so long had seemed no less elusive than its cryptid subject! Here is the back-story to my quest for it.

One Bank Holiday Tuesday during the early 1980s, my family and I visited the Welsh seaside city of Newport for the day, where, while walking around the shops in its central area (by my early 20s, I'd long since lost interest in sitting on a beach!), Mom and I came across a big second-hand bookshop. Needless to say, I swiftly entered it and began a perusal of its wares, especially as this shop was totally new to me.

While doing so, I chanced upon a slender hardback book with a very attractive drawn illustration that wrapped around its entire front cover, spine, and back cover, and which was mainly brown with some green, featuring a bigfoot on the front. I opened it, but when I discovered that it was a children's novel rather than a work of non-fiction, I placed it back on the shelf, and eventually left the bookshop without buying anything – a rare event indeed for me!

 
A typical shopping street in Newport city centre, Wales (© Paula Rogers/Wikipedia – CC BY-SA 2.0licence)

Once back home, however, as so often happens with me, I began to wish that I'd bought the book after all, even if only as a novelty or souvenir, as it wasn't expensive and I'd never seen it before. Unfortunately, Newport was a very considerable distance away from where we lived, so there was no question of travelling all the way back there to buy it. I've only visited Newport once since then, several years later, and although the shop was still there, the bigfoot book had gone.

Regrettably, I hadn't taken notice of either its title or its author while looking at this book's cover, my attention having been focused upon its very striking wraparound illustration instead. Nevertheless, the memory of it has occasionally popped into my head during the subsequent four decades, as it did again on 7 April. However, after having failed on several previous occasions, this time I was determined to track down this long-vanished volume and identify it. And after scouring through untold lists of bigfoot-entitled books that night on ebay, Abebooks, Amazon, etc, I did indeed finally find it!

I did so by entering "bigfoot children's novel 1970s" in Google's Image Search (because I'd seen the book during the early 1980s, I guessed that it had probably been published in the 1970s – any earlier would have been most unlikely because bigfoot wasn't a well-known cryptid prior to the 1968 Patterson-Gimlin film). Sure enough, up popped a picture of the entire cover of a book, front and back, featuring a wraparound illustration that immediately clicked in my memory – that was it, that was the very same cover whose striking image had stayed with me all these years!

The book turned out to be The Boy Who Saw Bigfoot, a 96-page hardback novel aimed at young people, written by American children's authoress and bigfoot seeker Marian T. Place, who has also written various other bigfoot-themed novels for youngsters (as well as one non-fiction book), which was first published in 1979 by New York-based publisher Dodd, Mead & Company. I soon found for sale online a reasonably-priced good-condition copy of the Weekly Readers Books hardback edition featuring that same iconic cover illustration and published that same year, which I purchased straight away. It arrived safely from the States about a fortnight later. So after more than 40 years, I finally own this hitherto nebulous novel, and I now look forward to reading it at last. Finally: here is that very memorable wraparound cover that finally solved for me the longstanding mystery of the missing bigfoot book:

 
The very eyecatching full wraparound cover from my Weekly Readers Books hardback edition of The Boy Who Saw Bigfoot (© Marian T. Place/Dodd, Mead & Company/Weekly Readers Books – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

 

Tuesday, 22 September 2020

A MISSING LINK DOUBLE-BILL - SAME TITLE, TWO VERY DIFFERENT CRYPTOZOOLOGY-LINKED MOVIES!

Publicity poster for Missing Link (1988) and front cover of official DVD for Missing Link (2019) (© David and Carol Hughes/Universal Pictures; (© Chris Butler/Annapurna Pictures/Laika/Universal Artists/AGC – both images are reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Today, ShukerNature reviews two cryptozoology-themed movies with the same title – Missing Link – but dramatically different formats and approaches, as will be seen.


MISSING LINK (1988)

The full cover for the official VHS videocassette of Missing Link, the live-action movie released in 1988 (© David and Carol Hughes/Universal Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Directed and written by David and Carol Hughes, Missing Link is produced in the style of a wildlife documentary with a voiceover narration by actor Michael Gambon. It is set in Africa one million years ago, and follows a voyage of discovery across this continent by a lone adult male 'man-ape' belonging to the early hominin species Australopithecus robustus. He is seeking others of his own species after having fled from the direct ancestors of ours, Homo sapiens, when his entire family was viciously slaughtered by them, leaving him as the only remaining representative of his species in that area.

This very unusual movie is more than a little reminiscent of another one that I watched and reviewed here on ShukerNature not long ago, Jonathan Livingston Seagull, in that although there is not a great deal of plot, the cinematography (again the work of the Hugheses) is absolutely spectacular. Missing Link was filmed on location in various Namibian national parks filled with iconic African fauna such as lions, elephants, giraffes, gazelles, zebras, mongooses, wildebeests, and those veritable avian locusts the red-billed queleas, whose immense flocks swarm and swirl through the sky like living composite super-organisms.

The unnamed australopithecine is played by Peter Elliott, and the fur suit as well as the constructed head and face that transform him into the man-ape are very impressive indeed. Viewing this movie constantly reminded me of the much later TV documentary series Walking With Cavemen (first screened in 2003, it was a successor to the highly successful, ground-breaking Walking With Dinosaurs and Walking with Beasts series).

This memorable movie's unnamed, unconventional star – a lone surviving australopithecine ape-man (© David and Carol Hughes/Universal Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Certainly, Missing Link was indeed far ahead of its time, but its lack of any major storyline or dialogue (other than Gambon's occasional words) probably explained why it was not a commercial success when released, and why it is seemingly not available on DVD. (Following its cinema debut, it was released in VHS videocassette format, examples of which are occasionally listed for sale online, but these are usually quite pricey.)

This is a great shame, because Missing Link is very deserving of being seen, as a tragic testament to how our ancestors almost certainly contributed to these distant relatives' eventual extinction - unless the mysterious agogwe, séhité, kakundakari, and certain other diminutive hairy man-beasts reported across Africa in modern times are relict survivors?

Offering a taster of the dramatic wildlife vistas and compelling content of Missing Link, here is an official trailer for this very different but definitely must-watch movie.

  
MISSING LINK (2019)

Photographic still for Missing Link, the animated feature film released in 2019, with Dora the Yeti Elder seen at far right (© Chris Butler/Annapurna Pictures/Laika/Universal Artists/AGC – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Directed by Chris Butler, Missing Link is a delightfully droll animated crypto-classic originally released in early 2019, and tells the story of what is supposedly the very last sasquatch (a restrained but all the more hilarious vocal tour de force by Zach Galifianakis). Namely, a very sensitive male bigfoot named Susan (don't ask!), who hires adventurer Sir Lionel Frost (voiced with great aplomb by Hugh Jackman) to end his loneliness by transporting him to the Himalayas where he can be united with his nearest kin, the yetis. (Cryptozoological purists be warned: the yetis here are portrayed as having white fur, a traditional if mistaken representation, as according to local eyewitness reports these mystery man-beasts are actually brown- or red-furred.)

Along the way, they meet up with a former significant other of Sir Lionel, the feisty Adelina Fortnight (Zoe Saldana), and are pursued tenaciously by the evil henchmen of Frost's nemesis, the repressive, insane Lord Piggot-Dunceby (Stephen Fry). His obsessive goal is to prevent Frost's discovery of both Susan the bigfoot and the yetis of Shangri-La from ever becoming known to the world at large.

Speaking of which: my favourite character is the etiolated, secretive, and deliciously paranoid Yeti Elder, Dora, voiced with acerbic zeal by Emma Thompson. Also worth listening out for are Little Britain stars David Walliams as Lemuel Lint, Sir Lionel's former assistant, who barely escapes with his life from his ever-perilous role, and Matt Lucas as Mr Collick, the no-less neurotic assistant of Lord Piggot-Dunceby.

Publicity poster for Missing Link with the Loch Ness monster (© Chris Butler/Annapurna Pictures/Laika/Universal Artists/AGC – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only) 

Full of the dry, quip-driven humour that always appeals to me, but with a hefty dollop of good old-fashioned visual slapstick thrown in too, Missing Link also includes many spectacularly eyecatching scenes (one of which features fellow cryptid Nessie, the Loch Ness monster!), but none more so than the splendorous ice palaces and hidden valley of the yetis. Watching this charming movie is without a doubt a very enjoyable and highly entertaining way to pass a birthday evening, so that is precisely what I did on my most recent birthday.

To prove my assertion, here is a very funny official trailer for Missing Link – and here is another one!

A version of this double-bill review of cryptozoology-linked movies can also be accessed here on my Shuker In MovieLand blog.




Wednesday, 21 February 2018

WHEN BIGFOOT CELEBRATED THANKSGIVING WITH THE PILGRIM FATHERS? A SHUKERNATURE PICTURE OF THE DAY


Painting of a Pilgrim Fathers Thanksgiving feast seemingly attended by a sasquatch! (Public domain image digitally photo-manipulated by person/s unknown to me)

It's been a while since I posted a ShukerNature Picture of the Day, but I recently saw online an eyecatching illustration that seemed ready-made for this purpose, so here it is, presented above.

Moreover, this nothing-if-not-memorable image has lately been reposted far and wide on social media sites and beyond, and has attracted much speculation as to whether it and the extraordinary event depicted by it might actually be real – so naturally I had to find out, and this is what I found.

As can be seen, it appears to be a painting of a very early American Thanksgiving celebration, featuring Pilgrim Father figures with their families, friends, and some visiting Native American representatives…plus one highly unexpected, additional attendee. Occupying centre stage, right at the heart of all of the activities and, judging from its expression, taking a keen, intelligent interest in everything, is a bigfoot (sasquatch), albeit one with somewhat orangutan-hued fur.

Needless to say, if this painting were genuine, dated back to some far-gone period in American history, and depicted a real incident, it would constitute an astonishing piece of evidence in support of the bigfoot's reality. However, being only too aware from my investigations of numerous previous examples of supposed visual proof for cryptid existence of how readily images can be digitally photo-manipulated using Photoshop and other such programs, I had little (if any) doubt that this was yet another such case, with the bigfoot image having been digitally added to some genuine pre-existing artwork. But to confirm my suspicions, I needed to uncover that artwork.

Happily, this task took very little time to accomplish, thanks to a successful Google Image-driven online search duly conducted by me. Consequently, I was soon gazing on my computer screen at that original, unmodified, and conspicuously bigfoot-lacking painting – and here it is:

'The First Thanksgiving 1621', painted by Jean Leon Gerome Ferris, sometime between c.1912 and c.1915 (public domain)

As captioned above, the painting in question is entitled 'The First Thanksgiving 1621', and had been produced sometime between c.1912 and c.1915 by Philadelphia-born American painter Jean Leon Gerome Ferris (1863-1930), who was best known for his series of 78 paintings depicting scenes from American history entitled 'The Pageant of a Nation'.

This is currently the largest series of American historical paintings produced by an artist working alone, rather than with assistants or as part of a collaborative artist group. The above painting is part of that series, and as confirmed by its title it portrays the very first Thanksgiving celebration to have taken place in North America, which occurred in 1621. This was a major three-day event that was held during the end of September or early October, and in the painting Ferris depicted the Pilgrim Fathers and their families sharing their feast with (un?)invited members from the Native American Wampanoag nation.

However, this famous artwork has attracted various criticisms concerning inaccuracies of depiction in it by Ferris relating to both the Pilgrim Father colonists and the Wampanoag figures. Apparently, the black costumes worn by the colonists in this painting are incorrect, inasmuch as back in 1621 the colonists would have been wearing brightly-coloured costumes, but without buckles, because those accoutrements did not come into fashion until much later during that century.

Equally, the Wampanoag did not wear elaborate feathered head-dresses like those that they are portrayed wearing here by Ferris, nor would they have sat on the ground, and there would have been more of them present at the feast than colonists, because they are known to have outnumbered the colonists 2:1.

Perhaps it is just as well, therefore, that the bigfoot's presence in this painting as seen in the version of it circulating online and investigated here on ShukerNature is due entirely to photo-manipulated fraudulence (and by person/s unknown) rather than in any way to Ferris – otherwise, painting purists may well have suffered a serious bout of collective, convulsive apoplexy!

Now you see it, now you don't – comparing the photo-manipulated, bigfoot-incorporating faked version of Ferris's painting (top) with the unmodified, bigfoot-lacking original version (bottom) (public domain)



Thursday, 2 November 2017

MORE PICTURES OF MONKEY BUSINESS? - DOES AT LEAST ONE OF THE 'LOST' AMERANTHROPOIDES LOYSI PHOTOGRAPHS EXIST?


Could there be a 'lost' Ameranthropoides loysi photograph out there somewhere, awaiting rediscovery and looking something like this? (original photograph © Attilio Gatti, utilised here on a strictly non-commercial, educational Fair Use basis only; photo-manipulation © Dr Karl Shuker)

Earlier this year, I posted here on ShukerNature an extensive two-part article of mine concerning Ameranthropoides loysi, the supposed bipedal, tailless ape encountered and shot dead in the Venezuelan jungle in 1920 by a team of geologists led by Dr François de Loys, but whose carcase was subsequently propped upright on a crate in a sitting position and photographed – the resulting picture becoming one of the most iconic but contentious images in the entire annals of cryptozoology, and which was finally, conclusively exposed as a blatant hoax earlier this present century. To read my article on ShukerNature, please click here for Part 1 and here for Part 2.

One of the many curious aspects of this case that had already raised suspicions among its more sceptical investigators several decades before the true nature of the creature in the photograph was finally exposed, however, was why only a single photograph existed of such an ostensibly momentous zoological discovery as a South American ape. In particular, critics queried why no photos had been snapped of the creature's back view, in order to confirm that it was naturally (not artificially) tailless, as claimed by de Loys, and as seen in all Old World apes.

In response, as noted in my earlier article, de Loys had explained away this anomalous situation by alleging that there had indeed been more photographs but that only the famous one known today had survived a subsequent capsizing of the boat that had been carrying them and its crew down a river – the other photos had all been lost. How convenient.

The familiar background-cropped version of the only known photograph of de Loys's supposed 'ape' – in reality nothing more than the deftly-posed body of his pet marimonda spider monkey that had died recently at the team's camp and whose tail had earlier been amputated after it had become infected (public domain)

In view of how de Loys had hoaxed the world for so long with that single photograph, it is not surprising that today few people believe that any other photos had ever even been taken, let alone lost. Yet if some additional pictures had genuinely existed and had actually survived, especially any that portrayed some of de Loys's party standing alongside the carcase, that would have provided a much clearer guide to the creature's size. True, it would still have been only a marimonda spider monkey, but who knows, it might have been an unusually large specimen and therefore worthy of note in its own right.

And indeed, as I discovered to my great surprise while researching the complicated case of Ameranthropoides, and in flagrant disregard of de Loys's claim to the contrary, at least one such photo might truly have existed, and survived. Not only that, in a fascinating scenario readily recalling the equally tantalising case of the supposedly missing thunderbird photograph (click here to read all about this), it may even have been published - judging from the fact that I have on file the testimonies of several wholly independent but highly qualified eyewitnesses who all claim to have seen it! First made public by me in a series of accounts published variously in Strange Magazine and Fortean Times, read them all here now, and then judge for yourself.

Back in the late 1990s, Dr Susan M. Ford was an Associate Professor and Director of Graduate Studies at Southern Illinois University's Department of Anthropology. During correspondence in November 1997 concerning Ameranthropoides, Dr Ford informed me that sometime in the early 1980s a student had shown her a popular-format wildlife book that included a spread containing an Ameranthropoides photograph - but not the famous one reproduced by me in this present article in both cropped and uncropped form, and which, as already noted here, is the only such photo presently known to cryptozoologists. According to her recollection of the photo, it was:

…a black and white photo of the animal (looking a lot like a big spider monkey), dead, propped between two native males who were standing. They appeared to be adult but of possibly short stature; I recall no scale in the picture or reference in the text to the height of the humans. It was a chapter specifically dealing with this animal, in a book about unusual animal discoveries. I seem to recall it being hard bound with a dark cover, and not a large or thick book. It was small [in a separate communication she suggested that it was possibly 100 pages long, probably had an 8" x 6" format, and was a rather old book], the size perhaps of an average journal today. I recall neither title nor author of the book...I can visualize the picture quite clearly, however, and there were two males on either side of the dead monkey.

The native men were presumably two of the geological expedition's local Indian helpers. As for the student who showed Dr Ford the book, she could no longer remember who this was.

A marimonda spider monkey, the true identity of Loy's 'ape' (© Ewa-Flickr/Wikipedia – CC BY 2.0 licence)

Moving from one side of the Atlantic to the other, I also learned in 1997 from Scottish-born zoo keeper Alan Pringle that one of his colleagues, education officer Jon Flynn at Cricket St Thomas Wildlife Park in Somerset, England, was convinced that several years previously, he too had seen a photograph of de Loys's ape that included some men standing on either side of it. Unfortunately, however, he could not recall any details of the publication containing this picture.

Furthermore, in a letter to me of 15 January 1998, Steven Shipp, then proprietor of the mail-order book service Midnight Books, based in Sidmouth, Devon, England, wrote:

I am certain that I too have seen a picture of this monkey flanked by two people! My first thought when I saw the photograph [the familiar cropped version] (before reading the text) was why has it been cropped, leaving out the people either side? Then I read the article and realised it was a different photograph! I believe that I saw the picture in one of those mysteries anthologies covering all aspects of the unexplained - probably during the time I would have been buying books for the catalogue [Steven's own mail-order catalogue of books for sale] - so that pins it down to the last nine years! It may have been in an older book as Susan Ford says but I am sure it was in a big format, well illustrated book. Of course I cannot remember which. But I will certainly keep an eye out for it again and let you know immediately if I locate it. I don't believe this is a case of my memory deceiving me as I can clearly see the image in my mind's eye.

Several months after receiving Steven Shipp's communication, I received a letter on this same subject from Lawrence Brennan, hailing from Liverpool, England, which (curiously) was dated 31 June 1998! (I am assuming that he meant 30 June.) Anyway: in his letter, Lawrence was adamant that he too had seen such a photograph - so much so that until reading my account on this subject, he had no idea that there was any mystery surrounding it. According to his testimony, he saw it in a book when he was aged around 13-15; and as he was 30 at the time of his letter to me, this means that the book had been published no later than the early 1980s.

The photo depicted de Loys's 'ape' sitting upright on a crate, flanked by at least two humans - who were also sitting, one on either side of it, and likewise presumably on crates, as they seemed to be of comparable height to the ape. At least one of the humans may have been dressed in what Lawrence referred to as "full 'Great White Hunter' garb", with a rifle resting in his hands, but he was not absolutely certain of this because, as he pointed out: "The ape is obviously the thing you tend to concentrate on and remember!". He went on to say that there were possibly other persons, probably natives, standing behind, and he reiterated that the creature was of similar size to the humans.

As for the book that contained this photo: Lawrence claimed that his father had obtained it for him from the local library, and that its subject was man-beasts from around the world. He believed that the book was entitled something like "Giants Walk the Earth", or "There are Giants Among Us", and was certain that the word 'Giants' featured in it somewhere.

There are Giants in the Earth, by Michael Grumley (© Michael Grumley/Panther Books – reproduced here on a strictly non-commercial, educational Fair Use basis only)

Needless to say, as soon as I read this, I immediately thought of the book by Michael Grumley entitled There are Giants in the Earth, first published in 1975, which is indeed a book surveying man-beasts worldwide, including de Loys's 'ape'. I lost no time in seizing my own copy of this volume from my cryptozoology bookshelves, and painstakingly going through it - how ironic (and embarrassing!) it would be if the 'missing' photo proved to be in a book that I actually owned!

Consequently, it was with somewhat mixed feelings that I ascertained that it was not present in the book. True, the familiar photo of Ameranthropoides was included, but far from showing anyone standing alongside the ape, it had been so extensively cropped for publication in this particular book that the creature's hands, feet, and even the top of its head had been cut off! Another dead end.

Rough mock-up of what a photograph snapped at the same time as the familiar one but featuring a western 'big game' hunter and some smaller, native hunters alongside Loys's 'ape' sitting upright on a crate might look like (original photograph © Attilio Gatti, utilised here on a strictly non-commercial, educational Fair Use basis only; photo-manipulation © Dr Karl Shuker)

In October 1998, I received a letter from Robert Hill of Cardiff, Wales, who claimed to have seen a photograph of de Loys's ape with two persons alongside it when he was younger than twelve, i.e. before November 1976. He was sure of this because he remembered seeing it while he was on one of his childhood holidays in Porthcawl, South Wales. He looked at it while inside a newsagent's shop or bookstore, and, interestingly, he went on to say: "It sticks in my mind because I had just bought (or had bought for me) a copy of There are Giants in the Earth by Michael Grumley (which I still have!)".

Robert's statement is important, demonstrating independently of my own search through it that Grumley's book and the book containing the mystery photograph are indeed different, notwithstanding Lawrence Brennan's thoughts regarding the latter's title. It also pinpoints Robert's sighting of the mystery photo to the years 1975-76 (1975 being the publication date of Grumley's book, which he had received before seeing the mystery book; and 1976 being the last year in which, until November, he was still less than 12 years old).

Robert believed that the publication in which he saw it was a wildlife book of some sort. Moreover, since seeing it he had always assumed (until reading one of my afore-mentioned magazine accounts) that the familiar photograph depicting the ape by itself was simply a cropped version of the picture that he had seen in the mysterious wildlife book encountered by him all those years ago in Wales.

Echoing comments by Steven Shipp and Robert Hill, when I first began investigating the mystery of the 'lost' Ameranthropoides photograph(s) I too had initially speculated that perhaps the explanation was simply that the familiar Ameranthropoides photo was indeed a cropped image, which had originally contained people standing on either side of the animal, i.e. that the 'lost' photo was merely the original, uncropped version of the familiar one.

However, I subsequently recalled having seen a copy of the familiar picture in its rarely reproduced, uncropped form – it appeared in the 1995 reprint of Heuvelmans's book On the Track of Unknown Animals, which contains several pictures not present in the original edition from 1958. It is also reproduced below – and as can readily be seen, there are no people in it.

The uncropped version of de Loys's famous Ameranthropoides loysi photograph (public domain)

In view of the above-quoted testimonies, I feel that there really could be a second 'missing' Ameranthropoides photograph somewhere out there, inconspicuously residing amid the vast worldwide library of wildlife literature - and also, I would assume, held (apparently without knowledge of its cryptozoological value) in one or two picture libraries. Who knows - there may even have been others too, judging at least from the differing numbers and descriptions of persons reportedly seen in the mystery Ameranthropoides photos alluded to by the above eyewitnesses (plus an additional one included by me in an update of 20 November 2017 below) in their testimonies presented here.

De Loys's own, now-discredited account of encountering the creature and its mate first appeared as an article in the Illustrated London News on 15 June 1929, with the famous photograph as its illustration. One plausible scenario that comes to mind is that when de Loys sent in his article to the ILN, he submitted with it not just one but a selection of photos from which the magazine's picture editor could select the most eyecatching example with which to illustrate it - a common enough occurrence in publishing. Judging from Dr Ford's account, the second, 'lost' photo, depicting the creature's dead carcase supported between two men, would be less dramatic, and certainly less photogenic, than the famous photo, depicting the creature by itself, deftly propped upright in quite an arresting, life-like pose by the long slender pole.

Consequently, if both of these images were indeed submitted (and perhaps others, too, maybe even depicting the geologists alongside it in similar poses to those adopted by the native men, and also showing the creature from the back as well as the front?), it can be readily appreciated why the now-famous photograph would have been the one selected for reproduction. The other(s) would normally have been returned to de Loys, but what if they were mislaid somehow, going astray, and were therefore never returned? Where might they be now?

There is, of course, another, decidedly different interpretation of this tantalising case, one with which devotees of the long-running saga of the missing thunderbird photograph will be only too familiar. For, just as with that latter 'lost' crypto-image, sceptics will no doubt claim that such a photo never existed - that it is merely a figment of the imagination, or is a half-remembered, distorted memory of some superficially similar picture.

Might some early photograph such as this one, from 1912, depicting two native hunters holding upright a very large dead chimpanzee (now known to be one of the elusive Bili apes), have elicited false memories of a comparable but non-existent photo featuring Ameranthropoides loysi? (public domain)

Certainly, just as there are many early pictures in existence of large birds with their wings outstretched that mirror the alleged thunderbird photograph, so too are there numerous early pictures of hunters standing alongside carcases or stuffed specimens of gorillas and other large primates that might conceivably be capable of generating false memories of Ameranthropoides images with some eyewitnesses.

Moreover, in a letter to me of 12 January 1998, Alan Gardiner of West Sussex, England, even nominated, as a possible false-memory trigger, a famous hoax photograph consisting of a photomontage that depicts a supposed alien bipedal entity flanked by two government agents (in reality, this picture was part of a satirical section making fun of UFO/aliens hysteria that was published by the German photo-magazine Neue Illustrierte in its 1 April 1950 issue).

The above-mentioned hoax 'alien' photograph published on 1 April 1950 by Neue IllustrierteNeue Illustrierte – reproduced here on a strictly non-commercial, educational Fair Use basis only)

Could a distant, confused or mis-remembered memory of one such photograph explain why my correspondents believe that they have seen a currently unknown photo (or even photos) of Ameranthropoides? An intriguing variation on this theme was proffered by Argentinian biologist Mariano Moldes in a letter to me of 2 February 1998. Discounting the false memory scenario, he suggested that what may have happened is as follows:

The book alluded to by them [the eyewitnesses of the missing photograph] probably existed and had a chapter on Ameranthropoides loysi - illustrated with a wrong photograph. It's quite common that laypeople in charge of editorial technical tasks mistake similar illustrations on a subject, and the frequency of such an event increases with decreasing general quality of the publication. Dr Ford says that it was a "rather old" book with forgettable author and title. It's true that the witnesses couldn't have mistaken an allusion to a well-known simian...But what if they saw a bad photograph of, say, a bonobo chimp (Pan paniscus) or a siamang (genus Symphalangus) surrounded by misleading text?

All of the above-proposed explanations undeniably have merit, but in this particular instance I consider them unsatisfactory. After all, the eyewitnesses of the missing photograph(s) whose vocations are known to me include a wildlife education officer, a highly-qualified university anthropologist, and a dealer in cryptozoology books - hardly the kinds of eyewitness likely to suffer problems in distinguishing (or subsequently remembering) photos of gorillas and other extremely familiar primates from that of a highly distinctive, wholly unfamiliar beast resembling an exceptionally large ape-like spider monkey.

Mariano Moldes's suggestion has more merit - I am certainly aware of many instances, especially in older wildlife books, in which photos have been wrongly identified, or a section of text concerning a particular species has been accompanied by a photo of the wrong species. Even so, I still consider it unlikely that those eyewitnesses with zoology-related expertise would fail to spot such a mistake.

Consequently, I am currently willing to believe that one or even more additional Ameranthropoides photos may indeed exist, concealed somewhere amid the world's vast archives of wildlife literature. Perhaps there is someone reading this present ShukerNature blog article of mine who has seen a 'lost' Ameranthropoides photo, or knows where such an image has been published. If so, I would greatly welcome any information that you may wish to send to me – many thanks indeed! Clearly, even though the history of Ameranthropoides loysi is nowadays totally discredited as a hoax, it may still be capable of offering up some genuine surprises.

Finally: When deciding to prepare and now included as this present ShukerNature article's opening illustration (and reproduced a second time halfway through this same article of mine) the mock-up photograph of Ameranthropoides posed alongside people, and knowing all too well how effectively the internet works when it comes to disseminating fake news, it occurred to me that my mock-up may subsequently be reproduced on other websites and be erroneously claimed on at least some of them to be a genuine, hitherto-lost de Loys photograph of Ameranthropoides! Consequently, in order to defeat any such claims, not only have I painstakingly captioned it here with full details of its nature and origin, but also, when creating it, I deliberately sabotaged any chance of it being deemed genuine by using as my original image a photograph that featured recognisably African native hunters (two Congolese pygmies) rather than South American ones, plus a readily-identifiable western hunter (Italian explorer Commander Attilio Gatti), who, moreover, had no links whatsoever to South America. So please bear all of that in mind if you should indeed see this mock-up photo turning up elsewhere online, which no doubt it will, sooner or later...
 
And sure enough, here is one especially preposterous use of it, in a YouTube video whose creator ludicrously claims that it depicts a British(!) explorer posing alongside some pygmies and a "hominid" in wait for it New Guinea! Is it any wonder that cryptozoology nowadays receives such short shrift from many mainstream zoologists when this kind of wholly inaccurate reporting fills the internet?

A different time, a different outlook: the original vintage photograph – featuring Commander Attilio Gatti, two Congolese pygmies, and a hunting-trophy gorilla – that I photo-manipulated to create the mock-up photo of Ameranthropoides loysi with people alongside it (original photograph © Commander Attilio Gatti, utilised here on a strictly non-commercial, educational Fair Use basis only; photo-manipulation © Dr Karl Shuker)


UPDATE - 20 November 2017

Today, I received the following very interesting email from American correspondent Glen McClelland, who has most kindly permitted me to include it here - many thanks indeed, Glen! It constitutes a hitherto-unpublished and therefore very valuable first-hand sighting by him of what he believes may have been a second Ameranthropoides loysi photograph:

I have debated with myself about emailing you about the Ameranthropoides loysi photo discussed in your blog of November 2nd, but have decided to do it.

I saw the photo of Ameranthropoides loysi with an individual standing next to the animal while I was attending the University of Nevada, Las Vegas between 1974 and 1979. I don’t remember the exact year. The photo was in a book in the university library. I wish I could remember the title, but it escapes me. I do remember there were other topics concerning cryptozoology but I don’t remember if the entire book was dedicated to the subject. I do remember that the book appeared to be fairly new and probably a recent publication. Also in the book was the un-cropped photo of Ameranthropoides on the wooden box. This was one of the very few times I have seen that photo. I have never seen the photo with the person in it again. The fact that both photos were in the book really stood out. I do remember thinking that with a person standing next to the animal it showed that it was large and not a small spider monkey.

I have a degree in chemistry and supervise a quality control lab. In that environment the work is scientifically based. I mention this because I do not believe this is case of false memory inspired by reading about the photo.  Hopefully I am more analytical about things I see and read.