Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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IMPORTANT: To view a complete, regularly-updated listing of my Starsteeds blog's poetry and other lyrical writings (each one instantly clickable), please click HERE!

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Showing posts with label dogman. Show all posts
Showing posts with label dogman. Show all posts

Thursday, 10 December 2020

'WOLFEN' VS 'THE WOLFEN' – COMPARING AND CONTRASTING A CRYPTOZOOLOGICAL MOVIE WITH THE CLASSIC NOVEL THAT INSPIRED IT

Front cover of my copy of Whitley Strieber's fascinating novel The Wolfen, upon which the movie Wolfen was loosely based; this is the 1992 resissue of Coronet Books' 1979 paperback edition (© Whitley Strieber/Coronet Books – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

On 14 July 2020, I finally got around to watching Wolfen, directed by Michael Wadleigh and filmed on location in the South Bronx area of New York City. It is the 1981 movie version of The Wolfen, which is bestselling Communion author Whitley Strieber's fascinating, classic novel from 1978 about a cryptic – and cryptid – species of super-intelligent canid that through convergent evolution has attained a humanoid level of sentience and even certain morphological attributes, such as very dexterous hand-like paws.

Yet it has remained largely unknown to Homo sapiens, except for supposed legends of werewolves and cynocephali that in reality are based upon fleeting and generally fatal (for humans) encounters with wolfen, for whom lost, abandoned, and ill humans are their natural prey. And then, fate steps in, and suddenly a series of grisly human killings in modern-day NYC leads the police to the sensational discovery of this hitherto hidden species of dogman.

The Wolfen is definitely one of my all-time favourite cryptozoology-themed novels, but sadly the movie was for me a distinct disappointment. To begin with, Albert Finney played an increasingly tiresome NYPD cop named Captain Dewey Wilson who was meant to be the dysfunctional anti-social genius character that crops up so regularly in sci-fi movies. Sometimes these work well, other times they are simply irritating – Wilson was definitely drawn from the latter category.

Front cover of the official Wolfen DVD that I own and have now watched (© Michael Wadleigh/Orion Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Also, whereas in the novel the wolfen were categorically cryptozoological – as I noted earlier, even their paws were humanoid – in the movie they are portrayed entirely as morphologically normal wolves, super-intelligent but outwardly indistinguishable from typical black-furred or (in one instance) white-furred wolves, which for me was a major let-down. Conversely, their cunning ability in the movie to lure curious humans within range by imitating a baby crying is conspicuous only by its absence in the novel. There was also a recurrent red herring theme related to shape-shifting and recalling the skinwalkers, which again did not appear in the novel but perhaps featured in the movie in order to distract viewers from the distinct lack of morphological separation here between wolf and wolfen.

A modern CGI-driven remake may well succeed where in my opinion this present almost 40-year-old film has failed in doing justice to the highly original, thought-provoking subject of Strieber's novel. Don't get me wrong, Wolfen is by no means a bad movie, it's just not the movie that I was hoping – expecting – it to be. But everyone has their own opinion – so click here to check out the original theatrical trailer for Wolfen, and make up your own mind.

Also, click here and here to read more on ShukerNature concernng werewolves, wulvers, cynocephali, and other dogmen in traditional legends and lore from around the world.

Dramatic artistic representation of a scene from the movie Wolfen (© Richard Svensson)

 

 

Saturday, 25 July 2020

CYNOCEPHALI AND OTHER DOG-HEADED DENIZENS OF LEGEND AND LORE

A cynocephalus, as depicted on p. 22 of Monstrorum Historia (1642), written by Italian naturalist Ulisse Androvandi (public domain)

In medieval times, scholars firmly believed in the reality of all manner of extraordinary semi-human entities, supposedly inhabiting exotic lands far beyond the well-explored terrain of Europe. Prominent among these tribes of 'half-men' were the cynocephali or dog-headed people, popularly referred to by travellers and chroniclers. Their domain's precise locality, conversely, depended to a large extent upon the opinion of the specific traveller or chronicler in question, as few seemed to share the same view.

CYNOCEPHALI FROM FAR-DISTANT SHORES
Among the many legendary feats romantically attributed to Alexander III of Macedon, better known as Alexander the Great (356-323 BC), was his successful battle against a 40,000-strong army of cannibalistic cynocephali after he had invaded India, sending them fleeing and howling in terror in his wake. Some, however, were not swift enough and therefore fortunate enough to escape Alexander's merciless wrath, and were duly captured by him, their dismal fate being to be walled up alive beyond the mountain peaks at the furthest reach of the world.

Alexander the Great fighting cynocephali, painted by an unknown Flemish artist and dating from the late 15th Century (public domain)

A century earlier, the ancient Greek historian Herodotus (c.484-c.425 BC) had claimed that a race of Ethiopian dog-heads termed the kynokephaloi not only barked instead of speaking, but also could spew forth flames of fire from their mouths! Another Greek historian from this same time period, Ctesias, claimed that cynocephali existed in India.

According to the Roman naturalist and scholar Pliny the Elder (23-79 AD), the mysterious country of Ethiopia, which he mistakenly assumed was one and the same as India, was home both to the cynocephali and to the similarly dog-headed cynamolgi. Numbering 120,000 in total, the cynamolgi wore the skins of wild animals, conversed only via canine barks and yelps, and obtained milk, of which they were very fond, not from cows but by milking female dogs.

Cynocephali from the Andaman Islands, in a 15th-Century Book of Wonders (public domain)

Later authors also often stated that India and/or certain Asian island groups were populated by cynocephali. The 13th-Century Venetian traveller Marco Polo, who could never be accused of letting a good story slip by unpublicised, soberly announced that the Andaman Islands off Burma (now Myanmar) were home to a race of milk-drinking, fruit-eating (and occasionally human-devouring) dog-heads who engaged in peaceful trade with India.

During the early 15th Century,, a travelling Italian missionary monk named Friar Odoric of Pordenone, writing in his Itinerarium (produced c.1410-1412),  relocated these entities to the nearby Nicobar Islands. In the previous century, conversely, the writings of Catalonian Dominican missionary/explorer Friar Jordanus had deposited them rather unkindly in the ocean between Africa and India.

Cynocephali of the Nicobar Islands, in the Itinerarium of Odoric of Pordenone (public domain)

Cynocephali living in India itself were also reported by 17th-Century English theologian and geographer Peter Heylyn. He travelled widely and write extensively during the reign of Charles I, the Interregnum, and the Restoration of Charles II.

Nor should we forget Sir John Mandeville, even though his (in)famous supposed journeys to incredible faraway lands in Africa and Asia during the 14th Century owe considerably more to imagination than to peregrination. In his tome Travels, he averred that a tribe of hound-headed people inhabited a mysterious island of undetermined location called Macumeran. Here, curiously, they venerated an ox, and were ruled by a mighty but pious king, who was identified by a huge ruby around his neck and also wore a string of 300 precious oriental pearls.

Cynocephalus in Mandeville's tome The Travels of Sir John Mandeville (public domain)

There are even reports of cynocephali being seen, and shown, in Europe. For example, according to an entry and picture in the Tractatus de Signis, Prodigiis et Portentis Antiquis et Novis, Cod. 4417, folio 9v (1503), which was an illustrated script dealing with signs and miracles reported up to 1503, and produced by Austrian historian Jakob Mennel (c.1460-c.1525), a living captured cynocephalus had been brought before Louis the Pious (778-840 AD), King of the Franks and co-emperor with his father Charlemagne.

In addition, the Kiev or Spiridon Psalter, a very famous East Slavic illuminated manuscript produced in 1397 by Archdeacon Spiridon in Kiev, included among its more than 300 miniature illustrations a very striking, brightly-coloured depiction on folio 28r of two pairs of aggressive-looking cynocephali armed with spears and swords flanking at the centre of the picture a haloed human figure (Jesus?). This illustration can be seen at the end of the present ShukerNature blog article. Although Spiridon definitely wrote the text of the Kiev Psalter, at least some of its miniatures may have been added by others at later dates.

Louis the Pious witnessing the living cynocephalus brought before him, as pictured in Jakob Mennel's Tractatus de Signis, Prodigiis et Portentis Antiquis et Novis (public domain)

CYNOCEPHALI OF THE CELTIC KIND
Less well known than the above-mentioned examples is the fact that dog-headed entities also feature in Celtic lore and mythology. As pointed out by Professor David Gordon White in his definitive book, Myths of the Dog-Man (1991), Irish legends tell of several cynocephalic people.

Perhaps the most notable of these legends concerns a great invasion of Ireland from across the western sea by a race of dog-headed marauders known as the Coinceann or Conchind, who were ultimately vanquished by the demi-god warrior Cúchulainn. Moreover, a tribe of dog-heads opposed King Arthur, and were duly fought by him (or by Sir Kay in some versions of this tale).

Myths of the Dog-Man, by Prof. David Gordon White (© Prof. David Gordon White/University of Chicago Press - reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Irish legends also claim that St Christopher, a Canaanite who became the patron saint of travellers, was originally a giant cynocephalus, standing 5 cubits (7.5 ft) tall, who could only bark and howl, but prayed to God to grant him the power of speech so that he could defend Christians and spread the Christian word. God answered his prayer, and St Christopher later carried the infant Jesus safely across a swiftly-flowing river, possibly his most famous deed.

Interestingly, certain Byzantine iconography also depicts St Christopher as a cynocephalus. However, in his book Medieval Art: A Topical Dictionary (1996), Leslie Ross speculated that this perhaps resulted from confusion between the Latin words 'cananeus' (meaning 'Canaanite') and 'canineus' (meaning 'canine').

17th-Century depiction of St Christopher as a cynocephalus, at Kermira (Germir), in Cappadocia, Turkey (public domain)

Shetland folklore tells of a supernatural entity known as the wulver, which has the body of a man but is covered in short brown hair and has the head of a wolf. According to tradition, this semi-human being lives in a cave dug out of a steep mound halfway up a hill, and enjoys fishing in deep water. Despite its frightening appearance, however, the wulver is harmless if left alone, and will sometimes even leave a few fishes on the windowsill of poor folk. A similar wolf-man entity is also said to exist in Exmoor's famous Valley of the Doones. Click here for further information on ShukerNature concerning British dogmen.

DOG-HEADED DEITIES AND RULERS
Cynocephalic deities are not infrequent in mythology, but the most familiar example must surely be Anubis – ancient Egypt's traditionally jackal-headed god of the dead, but now needing a taxonomic makeover, as the Egyptian jackal has lately been revealed to be a species of wolf, not a jackal at all. Originally, Anubis was the much-dreaded god of putrefaction, but in later tellings he became transformed into a guardian deity, protecting the dead against robbers, and overseeing the embalming process. His head's form was derived from the canine scavengers in Egyptian burial graves during the far-distant age preceding the pyramids when graves were shallow and hence readily opened.

Statue of Anubis (© Dr Karl Shuker)

The Furies or Erinnyes – the terrifying trio of avenging goddesses from Greek mythology – were the three hideous daughters of the Greek sky god Uranus and Gaia (Mother Earth), consisting of Alecto, Megaera, and Tisiphone. Although they are more commonly depicted wholly as women, in early traditions they were described as possessing canine heads, as well as leathery bat-wings, fiery bloodshot eyes, foul breath, and hair composed of living serpents (like the trio of gorgons). Their allotted task was to harangue and punish evil-doers, especially parent-killers and oath-breakers, but eventually they were transformed into the kinder Eumenides.

Another figure in Greek mythology who underwent a canine transformation, although this time in reverse, was Lycaon. This wicked, foolhardy king of Arcadia served up the roasted flesh of his own son, Nyctimus, to Zeus, in order to test whether the supreme Greek deity would recognise it. Needless to say, Zeus did, and as a punishment he changed Lycaon into a wolf. Interestingly, however, Lycaon is often portrayed not as a complete wolf, but rather as a wolf-headed man.

16th-Century engraving of Lycaon depicted as a cynocephalus (public domain)

REAL-LIFE CYNOCEPHALI
Zoologists seeking to nominate real animals as the inspiration for the legends of cynocephali generally offer two principal candidates. The first of these is the baboon, of which there are several species. The heads of these large monkeys are certainly dog-like.

Indeed, the yellow baboon is actually known scientifically as Papio cynocephalus. Moreover, the sacred baboon P. hamadryas is native to Ethiopia – source of the earliest cynocephalus myths. An alternative name for a third species, the olive baboon, is the anubis baboon, and it has the taxonomic name P. anubis.

A beautiful 19th-Century engraving depicting the olive or anubis baboon (public domain)

The second candidate is the indri Indri indri [once Indri brevicaudatus] – one of the largest modern-day species of lemur, and indigenous to Madagascar. Measuring over 3 ft, but only possessing a very short, inconspicuous tail (hence brevicaudatus), and often spied sitting upright in trees, this highly distinctive creature does look remarkably like a short dog-headed human.

The indri did not formally become known to science until 1768, when French naturalist Pierre Sonnerat arrived in Madagascar. Even so, when other, earlier travellers visiting this exotic island returned home to Europe and regaled their listeners with much-embellished accounts of their journeys, these may well have included exaggerated tales about the indri.

Indri illustration by Pierre Sonnerat, in Johann von Schreber's series of tomes Die Saugthiere in Abbildungen nach der Natur mit Beschreibungen (1775-92) (public domain)

Certainly, it would not take a sizeable stretch of the imagination to convert a dog-headed lemur into a fully-fledged cynocephalus – thus breathing life into a being that never existed in reality, yet which would be faithfully chronicled by a succession of relatively uncritical scholars for many centuries.Of such, indeed, are legends all too often born.

This ShukerNature blog article is expanded and updated from my book The Beasts That Hide From Man.

Cynocephali depicted in a miniature illustration on folio 28r of the Kiev Psalter, a medieval illuminated manuscript dating from 1397  - in close-up on left, in situ on right (public domain)




Sunday, 30 August 2015

MY LATEST BOOK, A MANIFESTATION OF MONSTERS, IS NOW AVAILABLE TO PRE-ORDER ON AMAZON!


Front cover of my latest book, A Manifestation of Monsters (© Dr Karl Shuker/Michael J. Smith/Anomalist Books)

I'm delighted to announce that my latest book, A Manifestation of Monsters: Examining the (Un)Usual Subjects, published by Anomalist Books and containing a foreword by my good friend and fellow cryptozoologist Ken Gerhard, is now available to pre-order on Amazon.

Please click its title above to access its own dedicated web-page on my website, which includes direct clickable links to its ordering pages on Amazon's American and British sites.

Fellow cryptozoologist and good friend Ken Gerhard, who very kindly wrote the foreword to my new book - thanks, Ken!! (© Ken Gerhard)

And here's a summary of what inspired this 22nd book of mine and what it contains:

During the 30 years in which I have been investigating and documenting mystery creatures, my writings have been guided by countless different inspirations, but what inspired this present book was a spectacular work of art. Namely, the wonderful illustration that now graces its front cover, which was prepared by Michael J. Smith, an immensely talented artist from the USA, and which I first saw in 2012. It depicts no less than 17 cryptids and other controversial creatures, including the Loch Ness monster, bigfoot, coelacanth, mokele-mbembe, Jersey devil, chupacabra, Mongolian death worm, Tasmanian wolf, dogman, giant squid, skunk ape, and dodo.

Ever since seeing it, my notion of preparing a book inspired directly by this painting and the eclectic company of entities that it portrays has always stayed with me, but the fundamental problem that I faced if I were to do so was how to categorise them collectively.

What single term could be used that would effectively embrace, encompass, and enumerate this exceptionally diverse array of forms, as well as the range of additional creatures that would also be included in the book? 'Cryptid' was not sufficiently comprehensive, nor was 'mystery creature' or 'unknown animal', because some of the depicted beasts seem to exist far beyond the perimeters - and parameters - of what is traditionally deemed to be the confines of cryptozoology. Consequently, I eventually concluded that there was only one such term that could satisfy all of those requirements – indeed, it was tailor-made for such a purpose. The term? What else could it be? 'Monster'!

UPDATE: 2 September 2015 Look what manifested through the post today! (© Dr Karl Shuker)
 
Derived from the Latin noun 'monstrum' and the Old French 'monstre', 'monster' has many different modern-day definitions - a very strange, frightening, possibly evil (and/or ugly) mythical creature; something huge and/or threatening; a malformed, mutant, or abnormal animal specimen; and even something extraordinary, astonishing, incredible, unnatural, inexplicable. These definitions collectively cover all of this book's subjects – and so too, therefore, does the single word 'monster' from which the definitions derive.

Thus it was that this became a book of monsters, but not just a book – a veritable manifestation of monsters. That is, a unique exhibition, a singular gathering, an exceptional congregation of some of the strangest, most mystifying, and sometimes truly terrifying creatures ever reported - still-unidentified, still-uncaptured, still-contentious. Even 'mainstream' species like the dodo and coelacanth, whose reality and zoological identity are fully confirmed, still succeed in eliciting controversies, and are veritable monsters - the dodo having been referred to by various researchers as a monstrous dove, and the coelacanth as a resurrected prehistoric monster.

So, if you're looking for monsters, you've certainly come to the right place, and will certainly be purchasing the right book. Just pray that once you open it and encounter the incredible creatures lurking inside, you don't live to regret your bravery – or foolishness - in having done so. In fact, just pray that you do live...

Hoping that you enjoy encountering my manifestation of monsters!!

Michael J. Smith's spectacular original artwork, 'Cryptids', which inspired my book and which now appears on its front cover – thanks, Michael!! (© Michael J. Smith)