Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label reptoids. Show all posts
Showing posts with label reptoids. Show all posts

Saturday, 24 February 2018

'THE SHAPE OF WATER' - A SHUKERNATURE REVIEW


Film still featuring the Amazonian gill man from The Shape of Water (2017 - first screened on 13 February 2018 in the UK) and a publicity poster for it (© Guillermo Del Toro/TSG Entertainment/Double Dare You Productions/Fox Searchlight Pictures – reproduced here on a strictly educational, non-commercial Fair Use basis for review purposes only)

Yesterday afternoon I paid my first visit of 2018 to my local cinema, to see The Shape of Water, and what a memorable, moving, and thoroughly mesmerising movie it was.

A fantasy drama directed by Guillermo del Toro, which earned for him a greatly-deserved BAFTA award for Best Director last Sunday, it is based upon a story co-written by him and Vanessa Taylor, and pays homage to a favourite monster movie from his childhood – the classic b/w 1950s film The Creature From the Black Lagoon. However, it also readily recalls one of his own earlier movies, Pan's Labyrinth (click here to read my mini-review of this equally spellbinding film after watching it last year), which is another dark fantasy by him imbued with the same fundamental message proffered now in The Shape of Water - namely, that love knows no boundaries, that love really can conquer all.

Film still featuring the gill man (played on land by Ben Chapman) and Kay Lawrence (Julie Adams) in The Creature From the Black Lagoon (1954); and photograph of Ricou Browning, the uncredited actor who played the gill man in underwater scenes, with the gill man's head costume (© Jack Arnold/Universal Pictures – reproduced here on a strictly educational, non-commercial Fair Use basis for review purposes only / public domain)

The Shape of Water is a deftly-fused mash-up of the intrinsic themes present in Charles Perrault's timeless fairy tale Beauty and the Beast (self-explanatory) and Victor Hugo's immortal novel The Hunchback of Notre Dame (who is the monster, and who is the man?), and depicts both components brilliantly. For 'creature feature' aficionados and cryptozoologists alike, the film's visual focus is an Amazonian gill man (bearing a notable resemblance, as it does, to certain amphibious humanoid entities allegedly encountered in reality - click here to read a ShukerNature article by me concerning them), who had been worshipped as a living god by the local native tribes before being captured alive by sadistic military man Colonel Richard Strickland (played with tangible malevolence by Michael Shannon) and hauled back by him to a top-secret aerospace research facility in Baltimore, USA. Here he plans for this astonishing being, capable of breathing both on land and underwater, to be vivisected in order to learn how it functions physiologically, as a means of determining how humans could be modified or at least assisted in the future to live in Space, and thereby placing the USA far ahead of competing Russian technology during this early 1960s Cold War-set time period.

Played by Doug Jones in a truly stunning, breathtaking performance, this freshwater bipedal merman is an absolute triumph of seamless acting skill, costume creation, and overlain CGI, who conveys an incredible diversity of emotions, from savage survival to tender love, without speaking a single word. And so too does the heroine, Elisa Esposito, played with BAFTA- and Academy Award-nominated genius by Sally Hawkins, a young woman working as a cleaner at the research facility who for reasons darkly hinted at but never confirmed has been mute since her earliest days, when she was rescued from a river as an abandoned orphan with unexplained scars on her neck, but she can hear normally and is able to communicate far more eloquently than most people who are gifted with speech.

Guillermo del Toro's The Shape of Water: Creating a Fairy Tale for Troubled Times by Gina McIntyre, foreword by Guillermo del Toro – gorgeous large-format book published in December 2017, documenting the making of the film and its associated art (© Gina McIntyre and Guillermo del Toro – reproduced here on a strictly educational, non-commercial Fair Use basis for review purposes only)

It contains one truly gory but mercifully brief scene, in which one of their allies is hideously tortured by the vengeful Strickland after Elisa rescues and flees with the gill man just before it is due to be vivisected, but otherwise this magical, totally captivating film is required, unmissable viewing for lovers of sci-fi, fantasy, cryptozoology, period drama, and yes, romance too.

The period settings were superb, especially Elisa's apartment and that of her artist friend Giles (played by Richard Jenkins) down the hall, and so too were the evocative songs from the 1940s (an era beloved by Giles) – including a particular favourite of mine from that bygone age, 'I Know Why (And So Do You)', which served as a recurrent, unofficial theme (click here to view and listen to the version utilised, featuring Paula Kelly & The Modernaires with the Glenn Miller Orchestra, which originally appeared in the 1941 movie Sun Valley Serenade). However, the vibrant magnetism between Elisa and the gill man, communicated wordlessly throughout but with palpable, ever-increasing intensity, is the beating heart of this extraordinary film.

A scene from Pan's Labyrinth, featuring the faun and the young heroine Ofelia (© Guillermo del Toro/Telecinco Cinema/Estudios Picasso/Tequila Gang/Esperanto Filmoj/Sententia Entertainment/Warner Bros - reproduced here on a strictly educational, non-commercial Fair Use basis for review purposes only)

Without giving anything away, the sublime ending of this movie and of Pan's Labyrinth are very similar in theme and execution, but given the nature of their stories there could have been no other option - any other conclusion would have cheated the audience and made a mockery of these films' raison d'être. If you see no other movie on the big screen this year, do go and see The Shape of Water, which is definitely afforded a significant additional dimension by a cinematic presentation. It has justifiably been nominated for no fewer than 13 Academy Awards, and, for a couple of hours, enables us to enter another world, one of fantasy, terror, pathos, and, above all, love - in all of its strange, hypnotic, unfathomable, indefinable, but life-empowering potency and glory. And if after having read my review, you still don't believe me, be sure to click here to view a tempting taster of a trailer for this movie currently accessible on YouTube.

Finally, and on a very personal note, in the last few seconds of the film the artist character Giles, who opened the film with a few words of introduction, ends it now with a few more, this time including a quote from a poem that I wasn't previously familiar with, but whose words, for reasons that those of you who know me and my own story well will fully understand, resonated within not only my heart but also my very soul, so that for several minutes after the film had ended and the credits were rolling by, I just sat there, alone, in the darkness, and remembered...

Unable to perceive the shape of you,
I find you all around me.
Your presence fills my eyes with your love,
It humbles my heart,
For you are everywhere.

   Attributed to Hakim Sanai, a 12th-Century Persian poet


My mother Mary Shuker and I, holding my two models of the gill man from The Creature From the Black Lagoon movie, which was Guillermo del Toro's inspiration for The Shape of Water (© Dr Karl Shuker)


UPDATE: 5 March 2018

I'm delighted to announce that The Shape of Water won 4 Academy Awards at the 90th Academy Awards ceremony, held on 4 March 2018, the most won by any individual film at this year's Academy Awards ceremony. Its awards were for Best Film, Best Director (Guillermo del Toro), Best Original Score (Alexandre Desplat), and Best Production Design (Paul Denham), Many congratulations to all concerned, and very greatly deserved.



Sunday, 30 August 2015

MY LATEST BOOK, A MANIFESTATION OF MONSTERS, IS NOW AVAILABLE TO PRE-ORDER ON AMAZON!


Front cover of my latest book, A Manifestation of Monsters (© Dr Karl Shuker/Michael J. Smith/Anomalist Books)

I'm delighted to announce that my latest book, A Manifestation of Monsters: Examining the (Un)Usual Subjects, published by Anomalist Books and containing a foreword by my good friend and fellow cryptozoologist Ken Gerhard, is now available to pre-order on Amazon.

Please click its title above to access its own dedicated web-page on my website, which includes direct clickable links to its ordering pages on Amazon's American and British sites.

Fellow cryptozoologist and good friend Ken Gerhard, who very kindly wrote the foreword to my new book - thanks, Ken!! (© Ken Gerhard)

And here's a summary of what inspired this 22nd book of mine and what it contains:

During the 30 years in which I have been investigating and documenting mystery creatures, my writings have been guided by countless different inspirations, but what inspired this present book was a spectacular work of art. Namely, the wonderful illustration that now graces its front cover, which was prepared by Michael J. Smith, an immensely talented artist from the USA, and which I first saw in 2012. It depicts no less than 17 cryptids and other controversial creatures, including the Loch Ness monster, bigfoot, coelacanth, mokele-mbembe, Jersey devil, chupacabra, Mongolian death worm, Tasmanian wolf, dogman, giant squid, skunk ape, and dodo.

Ever since seeing it, my notion of preparing a book inspired directly by this painting and the eclectic company of entities that it portrays has always stayed with me, but the fundamental problem that I faced if I were to do so was how to categorise them collectively.

What single term could be used that would effectively embrace, encompass, and enumerate this exceptionally diverse array of forms, as well as the range of additional creatures that would also be included in the book? 'Cryptid' was not sufficiently comprehensive, nor was 'mystery creature' or 'unknown animal', because some of the depicted beasts seem to exist far beyond the perimeters - and parameters - of what is traditionally deemed to be the confines of cryptozoology. Consequently, I eventually concluded that there was only one such term that could satisfy all of those requirements – indeed, it was tailor-made for such a purpose. The term? What else could it be? 'Monster'!

UPDATE: 2 September 2015 Look what manifested through the post today! (© Dr Karl Shuker)
 
Derived from the Latin noun 'monstrum' and the Old French 'monstre', 'monster' has many different modern-day definitions - a very strange, frightening, possibly evil (and/or ugly) mythical creature; something huge and/or threatening; a malformed, mutant, or abnormal animal specimen; and even something extraordinary, astonishing, incredible, unnatural, inexplicable. These definitions collectively cover all of this book's subjects – and so too, therefore, does the single word 'monster' from which the definitions derive.

Thus it was that this became a book of monsters, but not just a book – a veritable manifestation of monsters. That is, a unique exhibition, a singular gathering, an exceptional congregation of some of the strangest, most mystifying, and sometimes truly terrifying creatures ever reported - still-unidentified, still-uncaptured, still-contentious. Even 'mainstream' species like the dodo and coelacanth, whose reality and zoological identity are fully confirmed, still succeed in eliciting controversies, and are veritable monsters - the dodo having been referred to by various researchers as a monstrous dove, and the coelacanth as a resurrected prehistoric monster.

So, if you're looking for monsters, you've certainly come to the right place, and will certainly be purchasing the right book. Just pray that once you open it and encounter the incredible creatures lurking inside, you don't live to regret your bravery – or foolishness - in having done so. In fact, just pray that you do live...

Hoping that you enjoy encountering my manifestation of monsters!!

Michael J. Smith's spectacular original artwork, 'Cryptids', which inspired my book and which now appears on its front cover – thanks, Michael!! (© Michael J. Smith)







Tuesday, 2 June 2015

COMING TO A SWAMP NEAR YOU... LIZARD MEN, FROG MEN, AND REPTOIDS – OH MY!


My official model of the 'Creature from the Black Lagoon' (© Dr Karl Shuker)

The term ‘reptoid’ is most closely associated with the reptilian category of extraterrestrial aliens, but it also has a much wider yet less familiar usage, having been applied to a number of extraordinary humanoid reptilian entities reported from modern-day North America and elsewhere, as will be seen here.


LEAPING LIZARD MEN! ESCAPE FROM SCAPE ORE SWAMP

When a shaking, petrified 17-year old youth called Christopher Davis arrived home in a hysterical state with his car’s roof bearing several long deep scratches, his father was naturally shocked, but was even more so when his son, after finally calming down sufficiently to speak, told him a truly incredible tale of what he claimed had happened earlier that night.

According to Christopher, at 2 am on 29 June 1988, he had pulled up near to Scape Ore Swamp, just outside the South Carolina backwater village of Bishopville in Lee County, in order to change a tyre. But as he was replacing the jack in his car’s boot afterwards, he saw something very tall, approximately 7 ft in height, racing towards him at speed across a field. As it drew nearer, Christopher was amazed and horrified to discover that it resembled a huge bipedal lizard, with humanoid form but covered in green wet scaly skin, sporting just three fingers on each hand and three toes on each foot, every one tipped with a 4-in-long black claw, and glaring at him with slanted glowing red eyes!

Artist's impression of Lizard Man (© Richard Svensson)

Terrified, Christopher jumped into his car at once, but as he tried to slam the door shut, the creature – soon to be dubbed Lizard Man by the media – grabbed its mirror in an attempt to wrench the door open. Moreover, even though Christopher accelerated and drove off, his saurian attacker was not left behind. Instead, it hurled itself onto the car roof, and tried to hold on to it as the panic-stricken teenager drove madly through the swamplands, swerving wildly at speeds of up to 40 miles/hr in a desperate attempt to dislodge it from his roof. Happily for him, however, the creature quite literally outreached itself when it stretched its arm down to grab at the windscreen, because it lost its grip on the roof and fell off the car, to be left far behind as Christopher sped on to his home.

When the story broke, Lee County’s sheriff, Liston Truesdale, interviewed Christopher and also researched his background history, subsequently confirming that he accepted his story and had found him to be a very clean-living boy never linked to drugs or drinking. Moreover, in the weeks that followed, many other sightings of Lizard Man were reported in the same area, and by people again claimed by Truesdale to be of reputable status.

Lizard Man investigator Lyle Blackburn in Scape Ore Swamp (© Lyle Blackburn)

Nevertheless, apart from some very large three-toed footprints of dubious origin turning up in the swamp and soon dismissed by police, no physical evidence for Lizard Man’s existence was forthcoming. Eventually, therefore, especially after certain more recent reports were exposed as definite hoaxes, Lizard Man faded from the headlines and into local folklore, but remains one of the most bizarre unidentified entities ever documented - a thoroughly surreal mystery that today is still resolutely unresolved. Or is it?

The most extensive modern-day investigation of the Bishopville Lizard Man is that of American cryptid researcher and author Lyle Blackburn. Lyle and his partner Cindy Lee not only visited the precise sighting locations, and interviewed those eyewitnesses still living, but also examined (and were even permitted to photograph) official eyewitness testimony records plus police documents of this extraordinary case, and thoroughly reviewed a comprehensive range of theories in their bid to provide a satisfactory explanation.

Lyle Blackburn's excellent book, Lizard Man (© Lyle Blackburn/Anomalist Books)

But what did they discover, and what were their conclusions? The answers can be found in Lyle's fascinating book, Lizard Man: The True Story of the Bishopville Monster (2013), which I thoroughly recommend to everyone wishing to examine the full history of this truly bizarre being.

Lyle Blackburn with his other cryptozoological bestseller, The Beast of Boggy Creek (© Lyle Blackburn)

Incidentally, in an example not so much of art imitating nature as body art imitating unnatural history, one of today's most memorable (and certainly most eyecatching) of freak show performers is Eric Sprague.

Aka 'The Lizardman', he sports a full-body tattoo of green lizard-like scales, a modified bifurcate tongue, sharpened teeth, and subdermal implants, thereby converting his appearance to that of a veritable reptoid.

Life-sized replica of Eric Sprague, The Lizardman, currently on display at the Ripley's Believe It Or Not! Odditorium in London, England (© Dr Karl Shuker)


THE REAL CREATURES FROM THE BLACK LAGOON?

One of the most famous of all movie monsters is the scaly amphibious entity that appears in the cult American sci-fi/horror flick ‘Creature from the Black Lagoon’. Directed by Jack Arnold and produced by Universal Studios, it was originally released in 1954, and went on to spawn two sequels as well as all manner of derivative films in the years to come. Yet whereas its eponymous bipedal gill-man of Devonian descent and a penchant for abducting buxom brunettes was thankfully confined to the swamplands of the silver screen, there are a number of modern-day claims on file concerning real-life encounters with mysterious amphibious beings that bear much more than a passing (not to mention alarming) resemblance to it.

Still from 'Creature from the Black Lagoon' (© Universal Studios)

Undoubtedly the most frightening of these took place on the evening of 8 November 1958, and featured Charles Wetzel, who was driving his Buick along the road bordering the Santa Ana River near Riverside, California, when someone – or something – suddenly leapt in front of his car and stood there, staring directly at him. Wetzel was astonished and terrified – for good reason. According to his subsequent testimony to the police and other investigators, the entity was bipedal and at least 7 ft tall, sported a round pumpkin-like head lacking a nose and ears but possessing a projecting beak-like mouth and a pair of bright fluorescent eyes, waved its extremely long arms so animatedly that its entire body rocked from side to side, stood on a pair of legs that splayed out from the sides of its torso like those of a reptile (rather than emerging from beneath its torso like a human’s do), and was covered in leaf-like scales.

And as if this stationary vision of horror was not enough, the reptoid then opened its beak, emitted a high-pitched gurgling scream, and raced directly towards Wetzel’s car, its long arms reaching across the bonnet and clawing madly at the windscreen as it violently strove to reach Wetzel! The petrified driver was armed with a rifle but did not dare shoot at the reptoid with it as the bullets would have destroyed the windscreen – the only barrier separating him from his frenzied saurian aggressor. Instead, he swiftly accelerated his car and ran the reptoid down, feeling its substantial body scraping the undercarriage as he drove over it and away with all speed.

A scaly green 'Creature from the Black Lagoon'-type reptoid (© Richard Svensson)

Laboratory tests later confirmed that something had indeed scraped off the grease from the undercarriage of Wetzel’s car, and several very prominent claw-marks sweeping across the windscreen were readily visible. Although a police search armed with bloodhounds failed to locate the reptoid’s body, and despite suggestions that what he really ran over was simply an uprooted tree, Wetzel never recanted or changed his story.

Almost 20 years later, in 1977, Alfred Hulstruck, a highly respected New York State Conservation naturalist made a startling announcement concerning a hitherto-unreported but highly distinctive alleged inhabitant of the Southern Tier region of New York State, stating: "A scaled, man-like creature...appears at dusk from the red, algae-ridden waters to forage among the fern and moss-covered uplands".

'Creature from the Black Lagoon' advertising poster (public domain)
 
Outside North America, humanoid lizard men have been reported as recently as 2003 from Italy’s River Po and River Pijava, with plaster casts of their alleged hand and footprints having been made by chemist Sebastiano di Djenaro. And similar entities have also been reported from large ponds or lakes in Poland.


THE MONSTER OF THETIS LAKE – THE TRUTH AT LAST?

The most famous case featuring a Creature of the Black Lagoon lookalike, however, has recently become the most infamous, due to a shocking yet surprisingly little-publicised revelation. It all began on 19 August 1972, at Thetis Lake, near Victoria, the capital of British Columbia, Canada. This is where two teenage youths, Gordon Pile and Robin Flewellyn, claimed to have seen emerging from the lake a bipedal reptoid covered in silver scales and bearing six razor-sharp spines comprising a central longitudinal ridge running along the top of its head. Moreover, upon seeing the youths, the reptoid lost no time in chasing after them, approaching so closely that it supposedly cut the hand of one of the youths with its head’s spines.

Four days later, during the afternoon of 23 August, a similar scenario was reported from the opposite shore of the same lake by two more teenage youths, Russell Van Nice and Michael Gold, who were able to watch the reptoid emerge but without being chased by it this time, because it simply re-entered the water a short time later and vanished. Afterwards, they provided a detailed description of it, which corroborated and added to that of the previous youths. Using this description, a sketch published the following day by a local newspaper depicted the scaly entity with a powerful muscular chest, two three-pronged flippers for feet, clawed humanoid hands, six spines on top of its head, a huge pair of pointed ears, a very large pair of flat fish-like eyes, and an equally piscean mouth.

Artist's impression of the Thetis Lake monster (© Richard Svensson)

Apart from a bizarre attempt by the area’s police to ‘identify’ this entity as nothing more startling than an escaped 1-m-long South American tegu lizard – a species notable for NOT walking bipedally, for NOT possessing ears, a spiny crest on its head, or flippers for feet, but for possessing a striped body and a very long tail (features conspicuous only by their absence from the eyewitness accounts of the Thetis Lake reptoid!) – nothing more was seen or heard of this lake-dwelling nightmare...until 2009, that is.

This was when Canadian writer-illustrator Daniel Loxton, who edits the Junior Skeptic insert section of the highly-acclaimed quarterly science-education magazine Skeptic, decided to reopen this mystifying case. What spurred him on was his discovery that the very weekend before the first alleged reptoid sighting at Thetis Lake back in August 1972, ‘Monster from the Surf’ (aka 'The Beach Girls and the Monster'), a low-budget sci-fi film distributed by U.S. Films, originally released in 1965, and featuring a scaly ‘Creature from the Black Lagoon’ type of monster, had been screened not once but twice on local television in this same area of British Columbia. Furthermore, the monster in it perfectly matched the descriptions of the Thetis Lake reptoid that had been given by the teenagers claiming to have encountered it.

Advertising poster for 'The Beach Girls and the Monster' (© U.S. Films)

Determined by now to solve this case once and for all, Loxton succeeded in contacting one of the original eyewitnesses, Russell Van Nice (the first time that any investigator had ever done this), who swiftly confessed that their story was a hoax, that they had indeed watched the film on television and had then simply pretended to have seen its monster in real life. True, the testimony of the earlier pair of teenagers has not been exposed as a hoax, but as their description of the Thetis Lake reptoid also corresponds perfectly with that of the monster in the film, it is evident that this reptoid case can no longer be taken seriously.

Yet even without the backing of its most widely-publicised case, the mystery of amphibious reptoids reported across North America remains - thanks not only to those other cases documented here but also to a number of additional ones on file. Prominent among these is an extraordinary case reported from Loveland, Ohio.


HAS THE FROG MAN OF LOVELAND HOPPED OFF?

Bearing in mind that its two separate eyewitnesses were both police officers, the so-called Loveland frog man has attracted more than a little curiosity down through the years. At 1 am on 3 March 1972, as policeman Ray Schocke drove along Riverside Road towards the Ohio town of Loveland, his car’s headlights illuminated what he initially thought was a dog – until the creature stood up on its hind legs, revealing itself to be a grotesque 4-ft-tall entity with textured leathery skin, a frog-like or lizard-like face, and weighing about 60 lb. After briefly staring at him, the creature leapt away over a guard rail, and moved down an embankment into the Little Miami River. As soon as Schocke reached his station and revealed what he had encountered, fellow officer Mark Matthews drove back with him to look for evidence, but all that they found were some scrape marks leading to the river.

Artist's impression of the Loveland frog man (© Richard Svensson)

On or around 17 March, however, while driving alongside this same river just outside Loveland, Matthews himself saw something. Lying on the road ahead was what seemed to be a dead animal, but when Matthews got out of his car to pick it up and put it in the boot, the ‘carcase’ raised itself into a crouching position. Then, without taking its eyes off Matthews, it moved to the guard rail, lifted its legs over it, and vanished. Matthews attempted to shoot the creature with his gun, but missed.

Because there had been reports of weird frog-like entities here in the past, some researchers have suggested that the officers had been subconsciously influenced by these when observing whatever it was that they had seen. Also, in later years Matthews claimed that the media had distorted his account, and that he felt sure that what he had seen was merely a large lizard, possibly an escaped pet. Of course, it may be that the creature he had seen was a totally different one from the entity spied by Schocke. In any event, nothing resembling a frog man has been reported here in recent years, so whether it really was just a case of mistaken identity after all, or, alternatively, Loveland’s most mystifying visitor has simply hopped off to somewhere else, is still unknown.


AN ENDURING ENIGMA

Suggestions that have been proffered down through the years as to what these reptoids might be are as varied and certainly as exotic as the entities themselves – everything, in fact, from extraterrestrial or interdimensional reptilians that have either been secretly residing on planet Earth since ancient times or have reached here from the far-distant future, or Hollow Earth inhabitants that occasionally come to the surface, to evolved post-Cretaceous dinosaurian descendants, or reclusive native life-forms of undetermined taxonomic status but perhaps allied to the equally elusive merfolk and possibly even the bloodthirsty chupacabra.

Lyle Blackburn with Sheriff Liston Truesdale (© Lyle Blackburn)

Far beyond the fringes of accepted cryptozoology, these bipedal reptile-men remain an inscrutable enigma, defying all attempts at explanation or classification. Yet their very existence, if genuine, remains a highly disturbing, disconcerting thought – as eloquently summarised by veteran American cryptozoologist Loren Coleman:

"Are these beasts future time travelers lost in some time/space warp? Or infrequent visitors? Or do you feel more comfortable with the idea there is a breeding population of scaly, manlike, upright creatures lingering along the edges of some of America’s swamps? Something is out there. That’s for sure."

Amen to that!

I am extremely grateful to Richard Svensson for permitting me to utilise his wonderful artwork, and to Lyle Blackburn for permitting me to include his excellent photographs - thanks guys!

And to read about some very different humanoid reptilians - namely, Jake the Alligator Man and the mummified crocodile boy of Topkapi - be sure to click here!

Taking turns with my mother, Mary Shuker, to display another of my 'Creature from the Black Lagoon' models - click to enlarge (© Dr Karl Shuker)