Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. Author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), In Search of Prehistoric Survivors (1995), and more recently Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), and Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), his many fans have been badgering him to join the blogosphere for years. The CFZ Blog Network is proud to have finally persuaded him to do so.

Dr Karl Shuker's Official Website - http://www.karlshuker.com

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Monday, 14 July 2014


The Turkish Turn-Eyed Twitter – one of my favourite Creepy Creations (© Ken Reid/IPC)

Unless, like me, you were a child or early teenager in Britain during the 1970s, the title of this present ShukerNature blog post will very probably leave you totally bemused – so let me explain what it's all about. One of the many British weekly comics that I used to read during that period was published by IPC and entitled Shiver and Shake – actually two comics in one, with Shake enclosed in the centre of Shiver. Starting with issue #1 (published 10 March 1973), every week the back cover of Shiver showcased a wonderful series of monster artwork known as Creepy Creations, which were mostly drawn by cartoonist Ken Reid.

The One-Eyed Wonk of Wigan – the very first Creepy Creation (© Ken Reid/IPC)

The first few were created specifically by Ken, but then the series became the focus of a long-running competition, whereby readers would be invited to send in sketches of their own monster creations, and the best entry each week as selected by the comic's editor would be redrawn professionally by Ken and then appear on the back cover; the winner would also receive a modest monetary prize - £1 - plus (if memory serves me correctly) Ken's original artwork of their monster.

The Boggle-Eyed Butty-Biter of Sandwich – not just a Creepy Creation but also a jam-devouring relation, perhaps, of the honey-loving Winnie the Pooh? (© Ken Reid/IPC)

In total, 79 winning Creepy Creations entries appeared in the comic itself (as well as a number of runners-up, plus additional examples in the various Shiver and Shake Holiday Specials and Shiver and Shake Annuals), and they were all given titles that were hilariously alliterative and outrageously contrived, thus adding immensely to the fun.

The Trumpington Trumpeter – is this where Rothschild's mystery tusk came from?  :-)  (© Kevin Reid/IPC)

I used to love this series – especially the more cryptozoological examples, naturally - and I still have a few that I cut out way back then and have kept ever since, some of which I've scanned and included in this post. All of which goes to show that it was not only the serious works of Heuevelmans et al. that inspired, encouraged, and nurtured my fascination with monsters and mystery beasts!

Dripula, the Monster from the Swamp – not a cryptozoologically-themed Creepy Creation but still a favourite of mine because I always felt that it would have made a very successful movie monster (© Ken Reid/IPC)

If you'd like to learn a lot more about Creepy Creations, click here for a very informative page concerning them, including illustrations of several of the best examples plus a complete itemised listing; and click here for an extremely comprehensive series of Creepy Creations illustrations, showcasing many if not all of them.

The Long-Haired Luvvaduck From Liverpool – Little Jimmy Osmond was in the pop charts at the time! (© Ken Reid/IPC)

Now, if only some enterprising publisher could issue a compilation edition…

The Hooter-Hiker of Harrogate – weirdly wonderful, or wonderfully weird? (© Ken Reid/IPC)

But to think that Creepy Creations began over 40 years ago – where does the time go?! And how sad that the once-thriving, burgeoning array of British comics - in their heyday when I was young - have long since vanished. Today, just a single example, The Beano, survives, with even its longstanding sidekick The Dandy lately relegated to an online-only presence. Ah well, at least I still have my good memories of them (together with a few yellowing copies and some hardback annuals). Good memories indeed, of happy bygone days.

The Fanatical Fungus-Grower of Frogpool – is there really a place called Frogpool?? (© Ken Reid/IPC)


  1. I thought I might suggest that you correct your copyright notice under the images - it's Ken Reid, not Kevin :)

    1. Whoops! Thanks for pointing that out - duly corrected!