Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label St George and the Pterodactyl. Show all posts
Showing posts with label St George and the Pterodactyl. Show all posts

Thursday, 30 December 2021

ST GEORGE AND THE PTERODACTYL – A SHUKERNATURE 'PICTURE OF THE DAY'

 
'St George and the Pterodactyl', a painting by Benjamin Waterhouse Hawkins, 4 December 1873 (public domain)

It's been a while since I posted a 'Picture of the Day' on ShukerNature, so here is a particularly intriguing picture that has attracted a lot of interest among friends and readers ever since I first brought it to their attention in a Facebook post on 20 June 2017.

A small ink-and-wash drawing, presently housed in the Academy of Natural Sciences in Philadelphia, it was apparently completed on 4 December 1873 by English painter/sculptor Benjamin Waterhouse Hawkins (1807-1894). He is of course most famous for his gigantic, scientifically groundbreaking sculptures of dinosaurs and other prehistoric creatures that he created during the early 1850s to accompany the erection of the spectacular Crystal Palace in what became Crystal Palace Park, following this huge glass edifice's removal from its previous, original site in London's Hyde Park, where it had stood during the Great Exhibition of 1851.

For full details of these stupendous exhibits, which, unlike the palace itself, still survive today, please click here, here, and here, to read my comprehensive three-part ShukerNature article documenting their history and also that of their subsequent, ill-fated American counterparts, again created by Hawkins.

(Incidentally, the earlier date of 4 December 1868 also given by Hawkins for the drawing under consideration here, as written by him beneath its bottom edge alongside 4 December 1873, suggests that it may have begun as a design for a sculpture to be created as part of that never-completed American collection, but following the latter's tragic end was transformed by him into this drawing and seemingly completed in December 1873, as noted earlier.)

In addition to those monumental mega-sculptures, Hawkins also produced a sizeable body of natural history paintings and drawings, some of which again depicted prehistoric species, whereas others portrayed modern-day animals. Most of these were serious studies, but now and again he'd produce a rather more tongue-in-cheek illustration, of which 'St George and the Pterodactyl' is a particular case in point.

 
Crystal Palace Park's iconic dinosaur sculptures by Hawkins, depicted in Matthew Digby Wyatt's book Views of the Crystal Palace and Park, Sydenham, 1854 (public domain)

For instead of the titular saint battling the traditional reptilian dragon of mythology, in this very distinctive drawing Hawkins provided him with an erstwhile reptilian foe from antiquity. Moreover, it is one with which Hawkins was particularly familiar, given that he had created two pairs in life-sized sculptured form for the Crystal Palace Park, under the supervision of no less a palaeontological authority than Prof. Sir Richard Owen.

Namely, a pterodactyl – but no ordinary one, given its great size; as can be seen, it is virtually as big as St George's horse! As for its precise taxonomic identity: its toothy jaws have inspired attempts to categorise this depicted pterosaur as a species belonging to the genus Ornithocheirus, but I have not seen any unequivocal acceptance of this classification.

Speaking of St George's horse, this poor beast has problems of its own – keeping its hooves free from the flailing, grasping tentacles of a not-inconsiderable octopus lurking at the water's edge. As for the drawing's setting – this is believed to be Fingal's Cave, a large sea cavern on the uninhabited island of Staffa, in Scotland's Inner Hebrides group, as evidenced by the readily-visible columns of basalt of which Fingal's Cave is wholly composed.

For more details concerning this unusual painting by Hawkins, I recommend clicking here to access a fascinating article by historian Lydia Pyne, which examines its possible inspirations and symbolic interpretations.

Finally, as further evidence of Hawkins's occasional flights of artistic fantasy, here is another example. Signed by him with his initials, and dated December 1864, it consists of a very (melo)dramatic drawing (pen and black ink and wash) that depicts a group of equestrian prehistoric men doing battle with a veritable phalanx of pterosaurs! Truly a flight of fancy in every sense! (Incidentally, if anyone has additional details concerning this extraordinary drawing, or a better reproduction of it, I'd very much like to receive them – many thanks in advance.)

 
Hawkins's extraordinary drawing of some horse-riding early men battling a flock of pterosaurs, dated December 1864 (public domain)