Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

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Showing posts with label In Search Of Prehistoric Survivors. Show all posts
Showing posts with label In Search Of Prehistoric Survivors. Show all posts

Sunday, 18 December 2022

AN EXCLUSIVE NEW PORTRAIT OF THE IRISH ELK – A SHUKERNATURE PICTURE OF THE DAY

 
A dramatic, previously-unpublished portrait of an adult male Irish elk aka the giant deer Megaloceros giganteus (© Wayne Patton)

They say that good things come in pairs, so after the very favourable response recently received by my first ShukerNature Picture of the Day posted by me for quite some time (click here to access it), without further ado I am very happy to proffer a second one right now. Namely, the dramatic and exceedingly impressive but previously-unpublished portrait by American scholar/wildlife artist Wayne Patton (kindly forwarded to me earlier this year upon his behalf by his daughter, Alison Fielding) of one of prehistory's most spectacular mammals – the Irish elk, also known very aptly as the giant deer, and scientifically as Megaloceros giganteus.

Famed for the adult male's immense antlers, this awe-inspiring species was traditionally believed to have become extinct throughout its Eurasian distribution range during the Pleistocene epoch, i.e. prior to the onset of the Holocene, approximately 10,600 years ago. However, within my book In Search of Prehistoric Survivors (1995), I presented some intriguing evidence for its possible survival into the early Holocene (including mention of a mysterious, still-unidentified European beast named the schelk or shelk that may allude to Holocene representatives of Megaloceros).

Moreover, some years later, as I duly updated in a ShukerNature article (click here) as well as in my subsequent book Still In Search Of Prehistoric Survivors (2016), conclusive evidence for this species' Holocene survival in two widely separate Eurasian localities – the Isle of Man off the British mainland, and western Siberia in far-eastern Russia – was indeed obtained.

Inspired by my writings as well as those of many others dealing with this magnificent species, together with all manner of artistic representations of it, including cave paintings, and being an accomplished artist himself, Wayne decided to prepare his own entirely original reconstruction of its likely appearance in life, and when it was complete he very kindly offered me the opportunity to reproduce it exclusively on ShukerNature, which I was only too happy to accept. And so, showcased above as a wonderful ShukerNature Picture of the Day, is Wayne's stunning adult male Megaloceros painting, together with his verbatim account below of how he came to prepare it, his influences, and personal thoughts and ideas concerning Megaloceros, presented once again with his kind permission.

[Incidentally, please note that Wayne is using the term 'shelk' in his account merely as a common name for Megaloceros, rather than claiming a direct link between the latter deer and the mysterious still-unidentified beast of that name.]

 
One of Charles R. Knight's classic Irish elk paintings (public domain)

My name is Wayne Patton, I am a botanist and soil scientist by training and experience. I worked a career for the US Forest Service. I also worked in Mexico, Canada, and collaborated with groups from Romania, and Israel. I am a big game hunter and I took game with ancient systems like the bow and arrow and atlatl darts. I also tanned my own hide and made all manner of leather goods like saddle, tack, etc… Art has been a hobby for as long as I can remember. Now I am too old to hunt, so I spend a lot of time painting and selling my work through several galleries. I got very interested in the Megaloceros giganteus (shelk) through both my hunting and art experiences. I decided to paint a bull shelk as exampled above, starting with photos of mounted skeleton in museums in Ireland, Germany, and Scotland. There are even a couple mounted skeletons in the US that were obtained from Ireland. I fleshed out the bones based on my art experience as well as butchering big game animals like the American elk as well as mule deer, goats, sheep, and some African animals like the kudu. This part was easy, however, virtually all paintings of shelks by Charles R. Knight, who did early work for the Chicago Museum of Natural History, as well as the paintings available on the internet, are sourced from the zoo, mostly, red deer and American elk. The artists painted these fat animals that are standing around at half-mast from eating the wrong diet and being trapped, and then showing them with the giant horns of the giant shelk. Perhaps the best artwork is by the current great Dutch painter Rien Poortvliet [but] he copied the colors of the red deer and missed key anatomical features like the Adams apple and shoulder hump of the real shelk. What about the color? All paintings seem to be copies of the red deer and American or Mongolian elk – is this correct?

I thought not, so I did a bunch of research to find out if any information exists and I stumbled on to a fabulous book called The Nature of Paleolithic Art by Dr R. Dale Guthrie, who was a professor at the University of Alaska. He visited caves in France, Northern Spain and Italy, as well as museums containing engravings of animals on rocks, bones, and ivory from sites in Europe. This formed a basis for his reconstruction of the bull and cow shelks. He also did a lot of work comparing Pleistocene cave art with animals that survived the Pleistocene extinctions like the Chamois, the Reindeer and the Muskox and found this art to be very accurate and can be relied upon to help make decisions about color and animal appearance. The early people lived with the animals and were keen observers and used their knowledge to hunt them, maybe hastened extinction in some cases. So, I used my firsthand knowledge of using skeletal remains to flesh out realistic animal anatomy, and I used most of Dr R. Dale Guthrie’s conclusions from his experience looking at Pleistocene art to get the best color information. My try at a painting of the Bull Shelk is enclosed. 

Give me feedback of what you all think!

Also, use Amazon on the internet to track down copies of the book I used for reference (The Nature of Paleolithic Art).

Also, have a look at Rien Poortvliet in his book A Journey to The Ice Age (mammoths and other animals of the wild).

Now, back to some ideas of why many shelk remains and those of perhaps of red deer or European elk (American Moose) have holes knocked in the top of their skulls. These animals were herded in to marl pits and peat bogs where they became mired and trapped after which early people, especially in Ireland, went out and killed them where they were. Then they butchered out the best cuts of meat including the heart, liver, and tongues. Along with the brains, all of which were considered delicacies as I have on occasion. Use the 'Meat Eater' series on Netflix as a reference. The main use for brains, however, was not eating even though they are good! The primary reason for use is stabilizing and tanning leather, as I have done also. Leather has been used since the Pleistocene to make all kinds of clothing, gear and weapons. Use of brains or urine can be a smelly operation. 

 
Life-sized statue of an adult male Megaloceros on display at Crystal Palace, London, originally created by Benjamin Waterhouse Hawkins during the 1850s (© Dr Karl Shuker)

Wayne has raised some very interesting points here. In particdular, it is certainly true that observing cave paintings can offer various visual clues to the physical appearance of prehistoric beasts that cannot be procured from fossils alone. Perhaps the most famous example of this is the apparent presence of striped markings on the body of the cave lion, as depicted in cave paintings of this extinct felid. So it is very significant that Wayne's Megaloceros painting has incorporated information encapsulated in these early firsthand eyewitness artworks.

Additionally, Wayne's information concerning the use of brains for tanning leather does indeed offer at least a partial explanation for the skull holes observed in Megaloceros remains that I documented in my first Prehistoric Survivors book and subsequently reiterated in my second one as well as my ShukerNature article. And as it was entirely new to me, this information is very welcome.

In short, I am delighted to be able to share with you Wayne's extremely striking, wholly original interpretation of what the adult male Megaloceros may have looked like in life, and his input to what is known about the use by human hunters of the brains extracted from the skulls of  butchered deer that may well have applied to this prehistoric species.

Once again, I thank Wayne most sincerely for permitting me to share all of this here on ShukerNature, and also his daughter Alison for kindly making contact with me in order to bring Wayne's work to my attention.

For an extensive coverage of possible and definite examples of Megaloceros post-Pleistocene survival, be sure to check out my book Still In Search Of Prehistoric Survivors.



Saturday, 16 September 2017

MY INTERVIEW FOR 'THE X FACTOR' - NO, NOT 'THAT' ONE!

Publicity photograph of me with cast of a fossil dinosaur footprint, as featured in my X Factor interview (© Dr Karl Shuker)

Several years before a certain music talent show of the same name first appeared on British television (in 2004, to be exact) and subsequently elsewhere around the world, a superb full-colour partwork magazine published by Marshall Cavendish Limited and devoted to mysteries of many kinds (but particularly strong on cryptozoology) was appearing each fortnight in shops throughout the UK and beyond. Eventually running to 96 issues, this excellent magazine's title was The X Factor.

During its run, The X Factor published a number of cryptozoology-themed articles written by me, and also some interviews that I conducted with various fellow cryptozoologists and forteans. One of those interviews was with veteran British mystery cat investigator Trevor Beer (click here to read a transcript of it), another one was with mokele-mbembe seeker Prof. Roy Mackal (click here for a transcript). And in an enjoyable role-reversal, I was also interviewed myself for The X Factor, by CFZ founder Jonathan Downes, this interview subsequently appearing in issue #67.

Back-cover X Factor advertisement for issue #67, which contained CFZ founder Jonathan Downes's interview with me - click picture to enlarge it for reading purposes (© Marshall Cavendish Limited – reproduced here on a strictly educational, non-commercial Fair Use basis for review purposes only)

The X Factor was a singularly authoritative, fact-filled publication, in many ways the natural successor to an equally significant, earlier partwork, The Unexplained, which was originally published during the early 1980s. Yet whereas the latter has been republished many times and in a number of different formats, The X Factor has never reappeared, tragically, in spite of its considerable popularity, so its contents are nowadays not as readily obtainable. As a result, I have been contacted on numerous occasions down through the years by correspondents and other readers lacking the X Factor issue in question (or the entire series), asking whether there was any possibility of reading Jon's interview with me that featured in issue #67, way back in 1999.

So now, finally, in answer to those many requests, I have scanned the full interview and am presenting the relevant three pages herewith – please click each one to expand it for reading purposes. NB – these pages are © Marshall Cavendish Limited/Jonathan Downes/Dr Karl Shuker, and are reproduced here on a strictly educational, non-commercial Fair Use basis for review purposes only.



My three-page interview in issue #67 of The X Factor ( © Marshall Cavendish Limited/Jonathan Downes/Dr Karl Shuker, and are reproduced here on a strictly educational, non-commercial Fair Use basis for review purposes only)

Finally: Caveat lector – this interview was conducted back in 1999, since when I have read very extensively on the subject of the bigfoot in the USA, and have corresponded with many US bigfoot investigators and alleged observers, as a result of which I am nowadays far less sceptical than I previously was concerning this cryptid's reality there.

Holding the cast of a bigfoot print discovered in Washington State, USA, during the early 1980s, and sent to me by veteran bigfoot researcher Prof. Grover Krantz (© Dr Karl Shuker)




Friday, 25 November 2016

STILL IN SEARCH OF PREHISTORIC SURVIVORS - AFTER 21 YEARS, THE WAIT IS FINALLY OVER!



It has been 21 years since the original publication back in 1995 of In Search of Prehistoric Survivors, considered by many to be my finest cryptozoological volume. Not surprisingly, then, in subsequent years there has been a growing, persistent clamour among its numerous fans worldwide for me to prepare a new, updated edition. Now, at last, fulfilling a longstanding promise, I have done so - and what an update it is!

At over 600 pages long, with a word count of almost 260,000, more than 300 colour and b/w illustrations (including many stunning renditions plus spectacular cover artwork by acclaimed crypto-artist William M. Rebsamen), and a brand-new foreword penned by fellow crypto-chronicler Michael Newton, this is both a massively-expanded new edition of the original volume and a valid stand-alone book in its own right, because it contains many entirely new cryptids as well as updates for all of those previously included here. The result is the most comprehensive documentation and analysis ever published of those diverse mystery beasts that at one time or another have been postulated to be bona fide prehistoric survivors.

Where it all began, 21 years ago - the original edition, In Search Of Prehistoric Survivors, published in 1995 (© Dr Karl Shuker)

But if these elusive beasts do indeed exist, could they really be creatures that time forgot? From sea serpents and lake monsters to living non-avian dinosaurs and surviving pterodactyls, from bunyips and behemoths to Nandi bears, devil-pigs, thunderbirds, thylacoleonids, and many many more, read the meticulous, objective, and always scrupulously scientific assessments of each and every cryptozoological case presented in this fascinating book, and judge for yourself.

An ideal Christmas present for every cryptozoological enthusiast, Still In Search Of Prehistoric Survivors can now be ordered on Amazon and elsewhere online – click here to visit its dedicated page on my website, which contains direct clickable links to its purchasing pages on Amazon USA and Amazon UK respectively. And if you order it here on Amazon USA between now and November 28 (up to 02:59 am EST) 2016, using the promo code HOLIDAYBOOK at checkout under the "Gift cards & promotional codes" section, you will save a sizeable $10 off its selling price!!







Sunday, 8 November 2015

SHOOTING DOWN A PTERODACTYLIAN THUNDERBIRD – OR AT LEAST A SUPPOSED PHOTOGRAPH OF ONE!


Sourced at last – this oft-posted online photograph of a supposed pterodactylian thunderbird shot by hunters (© Chris Smith, all rights reserved by him; NB – this picture is reproduced here on a strictly Fair Use non-commercial educational basis only)

The missing thunderbird photograph is among the most famous of all cryptozoological mysteries, and one that I have already documented in detail on ShukerNature (click here). As a result of its fame, over the years it has inspired the creation of many hoax photos purporting to be the real thing, and also many non-hoax pastiches of it – but unfortunately, when such photos appear online and become widely circulated there, it is not always apparent which is which, especially as all too many websites post such photos with credulous claims that they depict real creatures, thereby blurring further an already nebulous situation.

One supposed thunderbird photograph that has been circulated on numerous sites is the very striking illustration opening this present ShukerNature blog article, and which has intrigued me for some time. Looking at the pterosaur in it, it was evident to me that it was a model of a Pteranodon (but based upon a fruit bat's wings instead of a pterosaur's, hence the difference in finger count) that had been added via some form of photo-manipulation process to a possibly genuine, vintage photograph of hunters, thereby creating the oft-described scene that the real missing thunderbird photo allegedly depicts (always assuming, of course, that such a photo itself ever existed!).

Tracing this pterodactylian thunderbird photo from one website to another, the earliest appearances that I've been able to find for it online are from 2012 – but tonight, following yet another online search, inspired by having been alerted by a correspondent to its appearance in the newly-published December 2015 issue of the monthly magazine True West, I finally discovered both its origin and its creator!

A model of Pteranodon in flight (© Dr Karl Shuker)

It turns out that the photo is not a hoax but rather an affectionate homage in pastiche form to the original missing thunderbird photograph, and once you know where to look online it is openly identified as having been created by highly-acclaimed digital illustration artist Chris Smith from Croydon in London, England, who has also created an equally wonderful digital image of a pair of mokele-mbembes encountered by some pygmies in the Congolese swamplands. Click here to view both of these excellent artworks, which were posted on the Vividvisuals website's blog by Chris on 15 April 2013, and where I discovered them tonight.

Also, an enlargement of his pterodactylian thunderbird photo can be viewed here on Chris's own Flickr page, which reveals that he created this spectacular image on 27 October 2010. I strongly recommend all fans of fantasy and science-fiction art to visit Chris's Flickr page (click here), because it contains some of the most spectacular digital artwork from these genres that I have ever seen, and even includes some awesome front-cover illustrations that he has prepared for Fortean Times.

Another cryptozoological case solved and closed!
 
UPDATE: 8 April 2021
A colourised version of this photograph, the colourisation having been carried out by Western author and illustrator Lorin Morgan-Richards, can be found here on his Instagram page, which contains many vintage Wild West photos beautifully colourised by him. From the accompanying description of it, however, Morgan-Richards seems unaware that the original b/w version of this particular photo is not a vintage picture but is instead a modern-day photo that was specially created by Chris Smith, and therefore is not the original thunderbird photo... Many thanks indeed to longstanding friend and fellow cryptozoological enthusiast Mike Playfair for kindly alerting me to this colourised version today.

Further details concerning thunderbirds and the missing thunderbird photograph will appear in Still In Search Of Prehistoric Survivors - the greatly-expanded, massively-updated edition of my 1995 book In Search of Prehistoric Survivors…coming soon.





Saturday, 31 October 2015

MEET THE MONSTROUS MAKALALA - A TANZANIAN TERROR BIRD?


Reconstruction of the makalala's possible appearance in life (© Markus Bühler)

Here's something suitable for Hallowe'en from the cryptozoological chronicles – a monster bird with a taste for flesh...human flesh.

No one doubts that the tallest species of bird alive today is Struthio camelus, the ostrich - no-one, that is, except for the Wasequa people (most probably an alternative, kiSwahili name for the Zigua - see Pat the Plant's very informative comments posted at the end of this ShukerNature blog article - thanks Pat!), who inhabit an unspecified interior region of mainland Tanzania 8-9 days' journey from the coast of Zanzibar (the Zigua do live directly inland from Zanzibar).

According to a report by a Count Marschall (Bulletin de la Société Philomatique, 1878-9), as recently as the 1870s these people averred that their territory harboured a monstrous bird even taller than the 8-ft-high ostrich, equipped with very long legs, the head and beak of a bird of prey (which it puts to good use when feeding on carrion from animal carcases), and the ability to take to the air in sustained, powerful flight. Also, each of its wingtips bears hard plates composed of a horny, compact substance, and when it strikes its wings together they produce a very loud noise, earning this bird its local name - makalala ('noisy').

Marschall claimed that the makalala is said by the Wasequas to be very fierce, but can be killed if the correct strategy is employed. Engaging upon an extremely hazardous version of 'playing possum', the would-be assassin has to lie on the ground and feign death, until the makalala approaches close enough to seize the supposed human carcase - whereupon the latter must reanimate himself instantly and deliver the fatal blow before the makalala can rectify its mistake!

A second reconstruction of the makalala's possible appearance in life (© Tim Morris)

So far, this could all be discounted as fanciful native folklore - but physical remains of the makalala may have been recorded too. Marschall mentioned a Dr Fischer, who saw in Zanzibar an object that he identified unhesitatingly as a rib from some form of gigantic bird. Narrowing from one end to the other, this alleged rib had a width of 8 in at its widest end, and was just under 1 in at its narrowest end. Unfortunately, Marschall did not record whether Fischer sent it to a scientific institution for conclusive identification and retention.

However, Marschall did record another possible source of makalala remains - because he noted that native chiefs placed makalala skulls on their heads, using them as helmets! Could any of these bizarre examples of protective headgear still be owned today by Wasequa tribesmen?

Thanks to my afore-mentioned correspondent Pat, I now have a copy of a second makalala document from the same time period - namely, the published account by the Dr Fischer alluded to by Marschall in his own report. He was Dr Gustav A. Fischer, and his account of the makalala was part of a much longer report co-authored in German with Dr A. Reichenow, which was published in 1878 within the Journal für Ornithologie. Interestingly, in his own account Fischer described the makalala as being very shy (rather than very fierce as claimed for him by Marschall in his report), and stated that he was reluctant to believe that the rib-like structure came from a bird (whereas Marschall claimed that Fischer readily identified it as such), but otherwise the two descriptions correspond well with one another.

Assuming, against all the odds, that the makalala is real - that the frightening scenario of a carnivorous bird taller than the ostrich surviving into historical times somewhere in mainland Tanzania's interior is not a grotesque fantasy but a sober fact - what could it be? Several interesting, albeit mutually-exclusive lines of speculation compete for attention.

The first of these to be discussed here was kindly brought to my attention by German cryptozoologist Markus Bühler. Breeding throughout much of sub-Saharan Africa, sporting an immense wingspan of up to 10.5 ft (even greater spans have been claimed but presently not verified), standing up to 5 ft tall, and weighing as much as 20 lb, the well known marabou stork Leptoptilos crumenifer (syn. crumeniferus) is certainly an extremely impressive, potentially formidable bird. Indeed, when specimens are scavenging from a carcase, they will sometimes even ward off vultures once the latter birds of prey have torn chunks of flesh from the carcase with their hooked beaks (which marabous lack). Even so, it seems unlikely that such a familiar species could have somehow been converted by local myth and superstition into a mystery bird.

The marabou stork (© DickDaniels/Wikipedia CC BY-SA 3.0 licence)

However, as Markus pointed out, during the Pliocene, Africa was also home to an even bigger species of marabou stork, L. falconeri, Falconer's marabou. Like L. crumenifer, it was widespread across northern and eastern Africa but stood around 6.5 ft tall (taller than an adult human of average height) and weighed up to 44 lb (as heavy as a small child). In comparison to L. crumenifer, Falconer's marabou exhibited a slight reduction in wing size, therefore possibly being more terrestrial than its modern-day relative, but it was still fully able to fly. As birds often look much bigger than they actually are, due to their plumage and pneumatic internal system adding substantial volume to their forms, this already-huge species would have been truly monstrous in appearance, added to which its possibly greater terrestrial lifestyle means that it may possibly have been able to kill and eat bigger creatures than L. crumenifer.

Based upon fossil evidence, Falconer's marabou stork had become extinct by the end of the Pliocene 2.5 million years ago, but if it had somehow survived into historical times (with what would be its more recent fossils not having been uncovered so far), there is no doubt that it could have been a thought-provoking makalala candidate (albeit one lacking the raptorial beak claimed by the Wasequas for the makalala). Even the latter's supposed wing-clapping sounds might in reality have been a confused memory of the beak-clapping sounds often produced by storks, and which would have been very loud if made by Falconer's marabou. However, there is currently no scientific evidence that the latter species did survive into historical times.

Another very large and intriguing species of bird that once inhabited Africa is Eremopezus eocaenus, which, as its name indicates, lived during the Eocene (specifically the late Eocene, between 36 and 33 million years ago). Its fossil remains, which have been obtained from Jebel Qatrani Formation deposits around the Qasr el Sagha escarpment, north of the Birket Qarun lake near Faiyum in Egypt, indicate that this was a very large, flightless, and quite possibly predatory bird, probably as tall as a small emu or large rhea but bulkier in form. Its taxonomic position has incited much debate, and it has yet to be confidently allied with any existing avian lineage, but the enigmatic Eremopezus does possess certain interesting and quite specific anatomical similarities with the secretary bird – a highly distinctive African species that will feature a little later in this discussion of potential makalala identities.

Could Eremopezus itself, however, be linked to the latter mystery bird? It seems implausible that this species could have lingered on into the present day or given rise to modern-day descendants without some geographically intervening remains have been found somewhere between Egypt and Tanzania's portion of East Africa. Then again, the fossil record is famously incomplete.

Height comparison of Homo sapiens alongside a selection of terror bird species (from left to right) Kelenken guillermoi, Phorusrhacos longissimus, and Titanis walleri, plus the diatrymid Gastornis parisiensis (public domain)

With flagrant disregard for zoogeographical dictates, the makalala readily recalls the phorusrhacids or terror birds. These were an aptly-named taxonomic group of huge flesh-eating birds known predominantly (but not exclusively) from the New World, and which attained their awesome zenith with a truly gigantic, spectacular species from Argentina's Patagonia region called Kelenken guillermoi.

Sporting a massive 28-inch-skull armed with an enormous hooked beak, this 10-12-ft-tall horror died out approximately 15 million years ago during the mid-Miocene, whereas Titanis walleri (originally thought to have been 10-12 ft tall too until further finds led it to be downsized to a still-daunting 5-6 ft) not only reached North America but lived there in Texas and Florida until as least as recently as 2.5 million years ago, making it the youngest terror bird species currently known. However, these fearful birds were flightless, as their wings were vestigial. Moreover, although confirmed terror bird fossils have been discovered in the Americas and also Antarctica, the only known fossil evidence for their erstwhile existence in Africa is a single femur from an individual that had lived during the early or early-to-mid-Eocene (i.e. between 52 million years and 46 million years ago) in what is today southwestern Algeria. In 2011, this mysterious species was named Lavocatavis africana.

Red-legged seriema Cariama cristata (© Dr Karl Shuker)

Even so, could the makalala be an undiscovered modern-day species? There is one notable precedent for such speculation, because some zoologists consider it plausible that a living, flying species of phorusrhacid-related bird is already known from Africa – namely, that strange, stork-like bird of prey called the secretary bird Sagittarius serpentarius. Although it is commonly classed as an aberrant accipitrid based upon molecular analyses, egg albumen comparisons have suggested in the past a closer taxonomic allegiance between this species and a pair of South American birds known as seriemas - which constitute the last surviving members of a phorusrhacid-allied taxonomic family.

The secretary bird (© Brian Ralphs/Wikipedia CC BY 2.0 licence; photo cropped)

In any event, the secretary bird affords a compelling correspondence to the makalala's morphology (albeit on a rather more modest scale). Standing up to 4.5 ft tall on notably long, crane-like legs, and endowed with strong wings that support a powerful, soaring flight, plus the head and hooked beak of a bird of prey, the secretary bird constitutes a very acceptable makalala in miniature. Furthermore, when attacking snakes (an important part of its diet) it frequently shields itself from potentially fatal strikes with its outstretched wings, which are equipped with horny tips - i.e. claws on the tips of its 'finger bones' (phalanges), instantly recalling those of the makalala.

This last-mentioned correspondence is particularly telling, because there are very few species of bird alive today that are equipped with these wingtip claws. Indeed, other than the secretary bird, the only ones presently known are the three species of crane-allied birds called finfoots or sun-grebes, plus three vaguely grouse-like relative of waterfowl known as screamers, native to South America, and including the black-necked screamer Chauna chavaria, the cross-sectional shape of whose wing spurs is such that they are particularly noisy when clapped together. In addition, a strange pheasant-like bird known as the hoatzin Opisthocomus hoazin, again from South America, produces curiously reptile-like offspring able to crawl along tree branches by virtue of two large, mobile claws on each wing, but these are lost as the chicks mature. Over the years, the hoatzin has been classified with numerous different avian groups, including the galliforms, cuckoos, touracos, mousebirds, waders, sand-grouses, and many others, but it is currently deemed to represent the oldest living avian lineage, discrete from all others alive today.

Illustration of the black-necked screamer, by Joseph Wolf, 1864 (public domain)

Certain other birds, like the jacanas or lily-trotters, the spur-winged goose Plectropterus gambensis, the spur-winged plover Vanellus spinosus, and a pair of Antarctic endemics called sheathbills, possess horny spurs on their wings, used in combat - but these are variously sited on the 'wrist bones' (carpals) or 'hand bones' (metacarpals), not upon the finger tips.

Out of all of these species, moreover, only one - the secretary bird - is predominantly carnivorous. Could the makalala, therefore, be some form of extra-large secretary bird - not necessarily as tall as the Wasequas state (their fear of it could certainly have inflated their estimate of its height), but much bigger than today's single known species? If so, a suitable scientific name for it, based upon its morphological description given above, would be Megasagittarius clamosus - 'the noisy, giant secretary bird'.

Staying with the secretary bird line of speculation, is it conceivable, alternatively, that the makalala was a false secretary bird, i.e. some other raptorial species, possibly another accipitrid (the eagles, hawks, and Old World vultures), that had assumed via convergent evolution a form outwardly comparable to Sagittarius? Although this is just another suggestion with no tangible evidence to support it directly, there is actually an interesting confirmed precedent for such an ostensibly unlikely premise.

In 1989, Drs Alan Feduccia and Michael R. Voorhies formally described a remarkable new species of North American fossil accipitrid from the late Miocene whose tarsometatarsal structure was nearly identical morphologically to that of the secretary bird. Indeed, the convergence was so striking that they christened this species Apatosagittarius terrenus, which translates as 'terrestrial false secretary bird', because they considered it likely that just like the true secretary bird, it had exhibited a predominantly terrestrial hunting lifestyle. In fact, it was only because the tarsometatarsus bore some attached phalanges whose structure was very different from those of the secretary bird that Feduccia and Voorhies were able to confirm that Apatosagittarius was not a true secretary bird, but was merely an anatomical impersonator.

The shoebill - close-up of its head revealing its immense hooked beak, and a beautiful shoebill illustration from 1901 (© Dr Karl Shuker/public domain)

Finally, a sizeable bird native to western Tanzania but possibly venturing eastward occasionally into the region supposedly inhabited by the makalala is the shoebill Balaeniceps rex. Once deemed to be an aberrant stork but nowadays considered to be more closely related to pelicans, this highly distinctive species stands up to 5 ft tall, sports a very impressive 8.5-ft wingspan, is famed for its enormous hooked beak, and has such a positively prehistoric appearance when seen in flight that it has been proposed by some zoologists as the identity of supposed living pterosaurs spasmodically reported from various regions of East and Central Africa - click here for a ShukerNature blog article on this subject.

However, the shoebill's wings do not possess horny tips, so it could not make the loud wing-claps characterising the makalala. In addition, being principally piscivorous it doesn't scavenge carcases, it is shy of humans, and as its overall appearance is so singular that it seems unlikely the Wasequa would confuse such an unmistakeable species with anything else or convert it into a much larger, quite different mystery bird, this would seem to rule out the shoebill from further consideration concerning the makalala - unless, of course, there is a still-undiscovered species of giant shoebill out there...?

With a life-sized model of the North American terror bird Titanis walleri (© Dr Karl Shuker)

All of the lines of speculation discussed above – with identity contenders ranging from marabou storks, shoebills, and terror birds to secretary birds, false secretary birds, and even the anomalous Eremopezus – are certainly absorbing and thought-provoking, but even if any of them is valid, it is scarcely likely to yield a living makalala, sadly. After all, a bird as large and as visually distinctive as this one would surely be hard-pressed indeed to remain undiscovered by science for long, regardless of the geographical locality involved - yet there do not appear to be any post-19th-Century reports of its existence.

Consequently, even if the makalala was a reality in the 1870s, presumably it no longer survives - but that does not mean that its former existence cannot be verified. As noted earlier, among the valued possessions and relics of present-day Wasequas there may still be one or more of the revered helmets worn by long-departed chiefs. Should one of these tribal heirlooms pass into the hands of an ornithologist, the lucky recipient could well find himself holding a bona fide makalala skull!

The above ShukerNature blog article is excerpted from my long-awaited updated edition of In Search of Prehistoric Survivors – coming soon…

And staying with monstrous birds, be sure to click here to read my ShukerNature article about the seriously scary giant marabou 'stork of doom' pictured below that was still alive in southeast Asia as recently as the late Pleistocene, approximately 18,000 years ago.

Leptoptilos robustus, the spectacular if flightless giant marabou stork of Flores, and one of the diminutive real-life hobbits (Flores Man Homo floresiensis) that lived in its formidable shadow (© Hodari Nundu)


For a comprehensive coverage of the terror birds' evolution and fossil history, check out my book The Menagerie of Marvels, which features on its front and back covers a spectacular pair of terror birds depicted by acclaimed artist Anthony Wallis – thanks Ant!