Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

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Showing posts with label dragons. Show all posts
Showing posts with label dragons. Show all posts

Thursday, 5 June 2025

MANIFESTING THE MULILO - A RAINBOW-SUMMONED HILL-DRAGON, OR A LOATHSOME BLACK SLUG-SNAKE?

 
Might the mulilo – if it exists – look something like this? (created by Dr Karl Shuker using Dream Lab)

In more than 40 years of cryptozoological researches and writings, I have been proud and privileged to introduce to the cryptozoological community and beyond a considerable number and notable diversity of cryptids whose details had been hitherto consigned to obscure, overlooked periodicals, books, and other passed-over publications. One such mystery beast is the mulilo, whose details I uncovered in a long-since-forgotten Empire Review article, but which I duly documented and discussed in one of my own books, From Flying Toads To Snakes With Wings, first published in 1997, and which was the very first crypto-themed publication to include it.

 
My book From Flying Toads To Snakes With Wings (© Dr Karl Shuker)

Today, conversely, numerous online websites have also documented this creature, but as far as I can tell their coverages are merely paraphrasings  of my book's original version, with no new, additional content  Yet my book is seldom referenced as their source, sadly.

Consequently, coupled with the regrettable fact that certain of these online paraphrased coverages are far from accurate iterations of mine anyway, I've decided to present on ShukerNature my book's original, concise account of the mysterious mulilo – so here it is.

Dream a dream of a mysterious dragon that only appears when a rainbow is resting upon the vivid, viridescent hillsides of Zaire [now the Democratic Republic of Congo] and Zambia – a creature whose reality is widely accepted by many native people in these tropical African countries. One might expect such an Arcadian, picturesque scenario to inspire images of a bright, evanescent entity with sparkling opalescent scales, a proud noble head of classical profile, and sweeping, polychromatic butterfly wings – a golden, glittering creature of Faerie, of heady sunlit reverie.

Yet nothing could be further from the truth, because the image that these people do visualize when contemplating this creature is an evocation of much darker dreams. According to their belief, Central Africa's rainbow-summoned dragon, known as the mulilo, is a gigantic, coal-black, slug-like beast of loathsome form, almost 6 ft in length, over 1 ft in width, and leaving death in its wake – the deadly legacy of its poisonous breath.

 
Could the mulilo be a giant black slug? (created by Dr Karl Shuker using Grok X1)

One could certainly be forgiven for considering the mulilo to be nothing more than a fanciful folktale. Yet as reported in 1940 by W.L. Speight within an Empire Review article on African mystery beasts, a living, corporeal animal is apparently involved, because pieces of blackened flesh said to be from dead mulilos are worn by some natives as fertility charms.

There is no known species of slug that attains the size attributed to the mulilo; in any event, the bodies of slugs are relatively insubstantial, little more than slender gelatinous sacs - hardly the likeliest of materials to remain intact for utilization as charms. Perhaps, therefore, the blackened flesh is really from a slug-like snake, or even a serpentine salamander (like the sirens of North America).

Even so, the thorny question remains as to whether this corporeal creature is truly the mulilo, or whether its flesh is merely used by the natives to vindicate their belief in what is actually a non-existent, wholly mythical beast? If the flesh is from a mulilo (regardless of what species it may belong to), how do the natives obtain it?

 
Another giant black slug-inspired mulilo representation (created by Dr Karl Shuker using Grok X1)

According to Speight, they set a trap – building a secure cage, lined internally with sharp blades, and baited with a living cockerel. Then they simply wait each night, and listen. On the morning that no cock-crow is heard, the natives celebrate and journey joyfully to the cage – for they know that inside it they will find the mulilo, dead, impaled upon the blades during its capture of the cockerel.

Yet despite this apparently successful method of obtaining mulilo remains, the mulilo is as mysterious and unidentified today as it was when documented by Speight over half a century ago [almost a full century ago now]. Moreover, it does not even seem to have been reported again. Perhaps rainbows have been rare in Zaire and Zambia lately?

My view concerning the mulilo that I held back in the late 1990s remains unchanged today, almost 30 years later. Namely, that if it is indeed a real, flesh-and-blood entity, it is most likely to be some form of black-scaled snake, possibly a fairly thick-bodied or sturdy one, perhaps even a melanistic variety of a species already known to science.

Over the years I have documented a number of times with a variety of different examples that in the culture of many indigenous peoples from around the world, aberrant animal specimens, such as melanistic, albinistic, or extra-large individuals, for instance, are often categorised by them as being fundamentally (rather than merely superficially) distinct, wholly separate creatures from normal specimens of the same species, and are even given wholly separate names by them.

 
Is the mulilo based upon an unusual melanistic variety of snake? (created by Dr Karl Shuker using Dream Lab)

So if the mulilo were indeed nothing more than an all-black form of a known snake species but deemed special by the locals on account of its unexpected colouration, this would not be in any way surprising.

In addition, certain snakes, especially large meat-eating constricting species such as the African pythons, are notorious for the foul stench of their breath. So if the mulilo is simply a melanistic version of one such species, this could plausibly explain native testimony (conceivably somewhat exaggerated or embellished if retold to the more ingenuous of Westerners?) relating to its allegedly poisonous exhalations.

 
A large and sturdy melanistic specimen of constricting snake might inspire superstitious fear among local people encountering it (created by Dr Karl Shuker using Magic Studio)

If only further details could be obtained. So if anyone reading this ShukerNature article is aware of any addition information appertaining to the mulili, I'd love to hear from you, so please comment below with your news – many thanks indeed!

Excerpted from my book From Flying Toads To Snakes With Wings (Llewellyn: St Paul, 1997).

 
An intriguing image generated by Dream Lab, combining the serpentine scaly body of a melanistic snake with slug-like cephalic tentacles – the perfect mulilo? (created by Dr Karl Shuker using Dream Lab)

 

Saturday, 22 February 2025

PRESENTING THE PYRALLIS - BORN (AND BORNE) WITHIN THE FIERY FURNACES OF ANCIENT CYPRUS

 
Is this what the fire-sustained pyrallis is said to have looked like in ancient Cyprus? This is #1 of ten original pyrallis representations included by me in this article.

The classical mythology of ancient Greece is plentifully populated by all manner of famous legendary beasts – from centaurs, satyrs, gorgons, and Stymphalian birds to harpies, sirens, the minotaur, and much more. There are also some far less familiar but no less fascinating examples, including the diminutive but thought-provoking fusion of herpetology and entomology presented here now – namely, the pyrallis of ancient Cyprus.

Also known variously as the pyrausta, pyragones, or pyrotocon, the pyrallis derives all of its names from the Greek word 'pyr', which translates as 'fire', because it is intimately associated with this traditional fundamental element. According to traditional classical Greek legend, the pyrallis was a tiny incandescent beast resembling a winged, four-limbed, golden insect but in more recent times it is often represented with a scaly reptilian body and the head of a fire-breathing dragon too.

 
A 16th-Century woodcut engraving of a basic copper-smelting furnace like those in ancient Cyprus (public domain)

Moreover, not only was it born in but also spent its entire life flitting amongst the coruscating flames of copper-smelting furnaces in Cyprus, living amid these blazing domains in great swarms resembling gleaming showers of glowing sparks, borne upon the furnaces' billowing heat and smoke. Should any of these minute insectoids fly beyond the confines of their infernal abode for even a split-second, however, they would instantly turn to ash and die.

In that respect, the pyrallis, although entirely different in form and size, is reminiscent of another creature from Greek fable, the fire-inhabiting salamander, after which real-life salamanders are named (even though they certainly do not inhabit fire!).

 
Image of the fire-inhabiting mythical salamander, created by me using Magic Studio

Needless to say, it was long assumed that such a fanciful animal as the pyrallis was indeed entirely fabulous, with no basis in reality. However, as will now be revealed here, although attracting scant scientific attention even at the time of its original presentation in a published article, and nowadays, 75 years later, having been all but forgotten, there is one compelling line of speculation that seeks to identify this mythical mini-beast with a certain bona fide species, one whose own intimate association with fire may have genuinely inspired the pyrallis legend.

The earliest record relating unequivocally to the pyrallis as described by me above is a brief passage that can be found in Chapter 36 (not 42 as sometimes incorrectly claimed) of Book #11 from Naturalis Historia (The Natural History). This is the  encyclopaedic magnum opus produced by the eminent 1st-Century Roman scholar/naturalist Pliny the Elder (23/24 AD to 79 AD), which consists of 37 books contained within ten volumes.

 
Portrait engraving of Pliny The Elder (public domain)

In the 1855 English translation of Naturalis Historia prepared by Dr John Bostock, the relevant passage reads as follows:

That element [fire], also, which is so destructive to matter, produces certain animals; for in the copper-smelting furnaces of Cyprus, in the very midst of the fire, there is to be seen flying about a four-footed animal with wings, the size of a large fly: this creature is called the "pyrallis," and by some the "pyrausta." So long as it remains in the fire it will live, but if it comes out and flies a little distance from it, it will instantly die.

 
Pyrallis #2

True, it was not the first pyrallis mention. In his comprehensive work History of Animals, celebrated Greek scholar Aristotle (384-322 BC) stated that the turtle dove was at war with the pyrallis. However, he seemingly considered the latter creature to be merely some form of unspectacular bird, as this mention was contained within a paragraph devoted entirely to warfare between different types of familiar bird, such as the owl, crow, raven, kite, green woodpecker, gull, tern, and buzzard. Consequently, it would appear to have no relevance to the fire-sustaining insect-dragon under investigation by me here. (Indeed, various Aristotlean researchers have identified this avian pyrallis as a type of pigeon, the pygmy dove.)

Conversely, and also confusingly, elsewhere in his same work Aristotle described in some detail a creature that he did not name but which is evidently one and the same as the pyrallis that would be named and documented by Pliny three centuries later.

 
Aristotle bust, a marble, Roman copy after a Greek bronze original by Lysippos from 330 BC (public domain)

Here is Aristotle's account of his unnamed version:

Living animals are found in substances that are usually supposed to be incapable of putrefaction…In Cyprus, in places where copper-ore is smelted, with heaps of the ore piled on day after day, an animal is engendered in the fire, somewhat larger than a blue bottle fly, furnished with wings, which can hop or crawl through the fire. And…perish when you keep the one away from the fire…Now the salamander is a clear case in point, to show us that animals do actually exist that fire cannot destroy; for this creature, so the story goes, not only walks through the fire but puts it out in doing so…Such is the mode of generation of the insects above enumerated.

 
Pyrallis #3

It is clear that this passage by Aristotle describing an unnamed blue bottle-sized fire-inhabiting creature was the primary source utilized by Pliny for his own version, in which said creature was referred to by him by name, as the pyrallis (or pyrocausta), and also that Aristotle deemed it to be some type of insect. Less clear, meanwhile, is why Aristotle applied that very same name, pyrallis, to an entirely different, wholly unrelated creature, a kind of bird. All very strange, and bewildering!

Anyway, one subsequent early work also documented the pyrallis, albeit not by that name. This work was Book 2 of De Natura Animalium, a 17-book collection of brief accounts and anecdotes concerning natural history, written by Roman author Aelian, aka Claudius Aelianus (c175-c235 AD), with a particular emphasis upon extraordinary or fabulous cases.

 
A vintage claimed likeness of Aelian (public domain)

Here is the short passage that he wrote about creatures that he termed fire-flies but which obviously referred to the pyrallis:

That living creatures should be born upon the mountains, in the air, and in the sea, is no great marvel [I'd beg to differ regarding creatures being born in the air!], since matter, food, and nature are the cause. But that there should spring from fire winged creatures which men call 'Fire-flies,' and that these should live and flourish in it, flying to and fro about it, is a startling fact. And what is more extraordinary, when these creatures stray outside the range of the heat to which they are accustomed and take in cold air, they at once perish. And why they should be born in the fire and die in the air others must explain.

 
Pyrallis #4

Notwithstanding Aelian's naming of them as fire-flies, these mythical entities' fire-generated, fire-inhabiting lifestyle sets them wholly apart from the real-life insects known to us today as fire-flies, which are bioluminescent lampyrid beetles, and also include the familiar glow-worms. For their only connection to fire is the fiery light that they emit. Perhaps, therefore, Alien had somehow conflated the legendary pyrallis with the genuine fire-flies and glow-worms.

Whatever the explanation for his nomenclatural confusion, however, Aelian certainly seemed to believe in the authenticity of the pyrallis, so might there be a real-life insect known to him that gave rise to this legendary mini-monster? Such a fascinating notion was put forward as a very plausible possibility in 1950 by Emile Janssens, via a fascinating yet little-known paper published in French by the scientific journal Latomus, in turn published by the Société d'Études Latines de Bruxelles, in Belgium.

 
A smoke fly, Microsania sp., greatly enlarged (public domain)

As Janssens noted in his paper, pyrophilic or pyrophilous (fire-loving) insects are far from unknown. Take, for example, the aptly-dubbed smoke flies of the genus Microsania, belonging to the taxonomic family Platypezidae, the flat-footed flies. Just a few millimeters long at most, typically hump-backed in appearance, and of global distribution, these diminutive dipterans seem to appear from nowhere wherever there is a fire and smoke, and swarm amidst the fire like motes of black ash, then vanish as swiftly as they appeared once the fire dies and the smoke dissipates.

Their attraction to fire was first scientifically recorded by Belgian entomologist G. Severin via a 1921 paper, in which he revealed how, after having sought in vain for any Microsania specimens for 20 years within a particular area of Belgium, he unexpectedly observed numerous individuals dancing in swarms amidst the smoke generated by a heath fire in that very same locality, but that was not all. Not one specimen could be found more than a few feet (1 m) beyond the perimeter of the fire and its smoke; and once the fire had ceased and its embers had cooled, every last fly disappeared, not a single one remaining in the area.

 
The common blue bottle fly Calliphora vomitoria (© Shiv's fotografia/Wikipedia – CC BY-SA 4.0 licence)

This scenario bears much more than a passing resemblance to that of the pyrallis legend, as Janssens commented in his paper. Nevertheless, he dismissed these flies as the likely identity for the latter entity on account of how tiny they are, in stark contrast to the classical writers quoted by me earlier here all stating that the pyrallis was the size of a large blue bottle fly, i.e. Calliphora vomitoria, a very familiar species of blow fly, which measures 1-1.5 cm long and is therefore considerably bigger than a Microsania fly.

Although far from unknown as noted earlier, out of the more than 1 million insect species currently described by science (and with countless more still awaiting description) only around 50-60 of them are pyrophilic. Of these, moreover, the vast majority are beetles, plus ten dipterans (true flies), eight hemipteran bugs, one wasp, and one moth. Two of the best-known pyrophilic beetles are a pair of European carabid (ground beetle) species – Sericoda quadripunctata (attracted to severe burning outbreaks) and Pterostichus quadrifoleolatus (to weak burnings).

 
Sericoda quadripunctata, a European species of pyrophilic carabid (ground beetle) (©Yves Bousquet/Wikipedia – CC BY 3.0 licence)

By far the most famous and best-studied pyrophilic beetle species, however, and which was favoured above all other real-life creatures by Janssens as the identity of (or at least the inspiration for) the pyrallis, is a certain European species of buprestid wood-boring beetle. Despite its sombre black colouration, Melanophila acuminata is colloquially known as the fire beetle or fire bug, due to its decidedly fiery lifestyle, in every sense.

For just like the smoke flies, this insect species is irresistibly drawn to fire (hence yet another name for it, the fire-chaser beetle) – so much so that whenever there is a forest fire and all other creatures are fleeing away from it, these beetles are seen fleeing towards it! Indeed, rural fire fighters are often greatly hindered by large swarms of them while trying to extinguish such blazes, to the extent that they often have to wear special beekeeper attire in order to prevent these beetles from penetrating their clothes and biting them!

 
An adult fire beetle Melanophila acuminata (© AG Prof. Schmitz/Wikipedia – CC BY-SA 2.5 licence)

Several studies of this bizarre beetle, which is approximately 1 cm long, the size of a blue bottle fly, have uncovered the reason for its obsession with fire and the various anatomical accessories that it has evolved to assist it in locating conflagrations. As is so often true in so many disparate walks of life, it all has its basis in sex!

The fire beetle has evolved to copulate specifically upon the still-burning wood of newly-scorched trees, especially conifers, and to lay its eggs beneath the charred bark of such trees, which then serves as food for this beetle's white maggot-like larvae once hatched. Even its feet have evolved an asbestos-like resistance to high temperatures that enables it to scuttle around unharmed on smoldering wood and sizzling embers too hot for a human hand to dare touch.

 
Melanophila acuminata larva on Pinus sylvestris, the Scots pine (© Gilles San Martin/Wikipedia – CC BY-SA 2.0 licence)

But how do fire beetles sense the presence of a fire? Examinations of their micro-anatomy have revealed that just like certain heat-sensing snakes such as pit vipers and rattlesnakes, these beetles possess a pair of thermal infra-red receptors, resembling tiny pits. These sensory organs are present on their thorax's undersurface, each containing a small water droplet that expands when heat is detected, triggering a nervous system response to follow the heat source.

They are extraordinarily sensitive to heat, enabling the beetles to home in on a fire from very considerable distances. In fact, one study whose results were published in 2012 estimated via the use of modeling that this particular species could detect a fire from as far away as 80 miles (roughly 130 km)!

 
Pyrallis #5

In addition, there are olfactory organs on the antennae of this species that some researchers believe may detect smoke and thereby further assist it in its fire-sensing needs. No doubt such organs explain instances in which these insects have been known to swarm en masse at American football stadiums during a game, lured there by the thick haze of tobacco smoke resulting from the game's numerous smoking spectators.

Bearing in mind, however, as I've revealed earlier here, that the fire beetle is not the only known European species of pyrophilic beetle, why did Janssens favour it above all of the others as a possible explanation for the pyrallis legend?

 
Pyrallis #6

After referring briefly to one of those others, here is what he stated in his paper:

But there is better. We know, thanks to the English entomologist W[illiam]. E. Sharp, the extraordinary habits of a Buprestid beetle which flies with the vivacity of a fly and which has the size required by the indications of ancient authors. It is Melanophila acuminata.

 
Pyrallis #7

He then quoted a very pertinent excerpt concerning Sharp that had appeared in a 1934 scientific account written by fellow entomologist A. Collart and published in the Société Entomologiquede Belgique's Bulletin. Knowing that this species could be found on charred pine tree trunks, Sharp had set about seeking specimens of it in a Berkshire pine forest where a fire had recently broken out. As documented by Collart:

It was only after a long search that a single specimen of Melanophila was caught on a charred stump of Pine; this was a meagre harvest, when, guided by a distant smoke, Mr. Sharp and the friend who accompanied him arrived at a place where the fire was still active. Immediately several specimens of Melanophila were captured; some were running on ground too hot for the hand to be able to rest on it. Others were installed, often in copula on burning pine stumps or, under a bright August sun, flew through puffs of acrid smoke released by the burning peat; and, grilled by the peaty materials on fire, blinded by a suffocating smoke, the two researchers made a painful but very fruitful hunt for the Melanophila!

 
Pyrallis #8

As Janssens judiciously pointed out, the above description certainly parallels that of Aelian (as well as Pliny's and Aristotle's) for the pyrallis. Moreover, it is reasonable to assume that the fuel used in the copper ore furnaces of Cyprus long ago consisted mainly of resinous pine wood.

And whereas fire beetles do not actually die when they eventually depart from the fire and smoke that initially attracted them, they do disappear back into their rural surroundings with extraordinary rapidity, plus their dark colouration makes them difficult to observe when no longer illuminated by the bright glow of a fire. So again it is not unreasonable to assume that ancient Cypriot observers assumed that they had simply turned to ash and died.

 
Pyrallis #9

Consequently, I certainly feel that Janssens's proposal that the pyrallis myth was inspired by sightings of fire beetles swarming and flying amidst the burning, smoking pine wood fuel in copper ore furnaces to be a tenable one, and it is a great shame that it did not receive the scientific attention and further investigation that it so richly deserved.

NB – All pyrallis illustrations included here were created by me using Magic Studio, and represent this legendary beast in a variety of different forms, including insect-headed, dragon-headed, four-limbed, and six-limbed, all of which are descriptions that have been attributed to it by various authors down through the ages.

 
Pyrallis #10

 

Thursday, 30 December 2021

ST GEORGE AND THE PTERODACTYL – A SHUKERNATURE 'PICTURE OF THE DAY'

 
'St George and the Pterodactyl', a painting by Benjamin Waterhouse Hawkins, 4 December 1873 (public domain)

It's been a while since I posted a 'Picture of the Day' on ShukerNature, so here is a particularly intriguing picture that has attracted a lot of interest among friends and readers ever since I first brought it to their attention in a Facebook post on 20 June 2017.

A small ink-and-wash drawing, presently housed in the Academy of Natural Sciences in Philadelphia, it was apparently completed on 4 December 1873 by English painter/sculptor Benjamin Waterhouse Hawkins (1807-1894). He is of course most famous for his gigantic, scientifically groundbreaking sculptures of dinosaurs and other prehistoric creatures that he created during the early 1850s to accompany the erection of the spectacular Crystal Palace in what became Crystal Palace Park, following this huge glass edifice's removal from its previous, original site in London's Hyde Park, where it had stood during the Great Exhibition of 1851.

For full details of these stupendous exhibits, which, unlike the palace itself, still survive today, please click here, here, and here, to read my comprehensive three-part ShukerNature article documenting their history and also that of their subsequent, ill-fated American counterparts, again created by Hawkins.

(Incidentally, the earlier date of 4 December 1868 also given by Hawkins for the drawing under consideration here, as written by him beneath its bottom edge alongside 4 December 1873, suggests that it may have begun as a design for a sculpture to be created as part of that never-completed American collection, but following the latter's tragic end was transformed by him into this drawing and seemingly completed in December 1873, as noted earlier.)

In addition to those monumental mega-sculptures, Hawkins also produced a sizeable body of natural history paintings and drawings, some of which again depicted prehistoric species, whereas others portrayed modern-day animals. Most of these were serious studies, but now and again he'd produce a rather more tongue-in-cheek illustration, of which 'St George and the Pterodactyl' is a particular case in point.

 
Crystal Palace Park's iconic dinosaur sculptures by Hawkins, depicted in Matthew Digby Wyatt's book Views of the Crystal Palace and Park, Sydenham, 1854 (public domain)

For instead of the titular saint battling the traditional reptilian dragon of mythology, in this very distinctive drawing Hawkins provided him with an erstwhile reptilian foe from antiquity. Moreover, it is one with which Hawkins was particularly familiar, given that he had created two pairs in life-sized sculptured form for the Crystal Palace Park, under the supervision of no less a palaeontological authority than Prof. Sir Richard Owen.

Namely, a pterodactyl – but no ordinary one, given its great size; as can be seen, it is virtually as big as St George's horse! As for its precise taxonomic identity: its toothy jaws have inspired attempts to categorise this depicted pterosaur as a species belonging to the genus Ornithocheirus, but I have not seen any unequivocal acceptance of this classification.

Speaking of St George's horse, this poor beast has problems of its own – keeping its hooves free from the flailing, grasping tentacles of a not-inconsiderable octopus lurking at the water's edge. As for the drawing's setting – this is believed to be Fingal's Cave, a large sea cavern on the uninhabited island of Staffa, in Scotland's Inner Hebrides group, as evidenced by the readily-visible columns of basalt of which Fingal's Cave is wholly composed.

For more details concerning this unusual painting by Hawkins, I recommend clicking here to access a fascinating article by historian Lydia Pyne, which examines its possible inspirations and symbolic interpretations.

Finally, as further evidence of Hawkins's occasional flights of artistic fantasy, here is another example. Signed by him with his initials, and dated December 1864, it consists of a very (melo)dramatic drawing (pen and black ink and wash) that depicts a group of equestrian prehistoric men doing battle with a veritable phalanx of pterosaurs! Truly a flight of fancy in every sense! (Incidentally, if anyone has additional details concerning this extraordinary drawing, or a better reproduction of it, I'd very much like to receive them – many thanks in advance.)

 
Hawkins's extraordinary drawing of some horse-riding early men battling a flock of pterosaurs, dated December 1864 (public domain)

 

Thursday, 18 February 2021

THE GIANT STONE TORTOISES OF KARAKORUM – A MONUMENTAL MYSTERY FROM MONGOLIA

 
Giant stone tortoise at Karakorum, Mongolia (© Frithjof Spangenberg/Wikipedia – CC BY-SA 2.5 licence)

In the Russian republic of Buryatia (in southcentral Siberia), the Russian Far East, the Korean Peninsula, and, particularly, Mongolia (which, incidentally, contains no known present-day chelonians of any kind), a number of very large stone statues of tortoises can be found – but these are no ordinary tortoises, as documented by chelonian expert and palaeobiologist Prof. Viacheslav Mikhailovich Chkhikvadze, from the Georgian Academy of Sciences in Tbilisi.

In a Priroda article from 1988, Prof. Chkhikvadze focused much of his attention upon three such statues in Mongolia, still standing amid the palace ruins at Karakorum, which was once the Mongol Empire's capital city. The biggest of these statues dates back to the 13th Century, and measures 92 ft long, 34.5 ft wide, and 41 ft high. The Mongolian name for it sounds like 'jastmel'chij'.

 
A second giant stone tortoise at Karakorum, Mongolia (© Methos31/Wikipedia – CC BY-SA 3.0 licence)

They all portray a type of huge long-shelled tortoise with a giant head on a thick neck, protruding eyes, and – incongruously for a tortoise - a pair of short, closely-pressed ears. Equally odd are the sharp teeth that project from the upper jaw (chelonians are normally toothless), and all four feet have five long claws. One of the statues incorporates an inset seat for visitors to sit upon.

A particularly old example of these statues, dating from the 8th Century, was found in Mongolia's northern province, and has subsequently become the subject of much study at the archaeological department of the Academic History Institute in Ulan Bator. Moreover, there were further examples at each gate on the four sides of the city wall at Karakorum. Steles (pillars) were present on the backs of these tortoises, which were crowned with beacons for travellers in the steppe.

 
The giant stone tortoise originally on the grave mound of Asikui, now at Khabarovsk Museum (© Glucke/Wikipedia – CC BY-SA 3.0 licence)

Perhaps the most famous of the giant stone tortoise monuments outside Mongolia is the example discovered by early Russian settlers in 1868, on the grave mound of the Jurchen general Asikui, where it had been installed in c.1193. Originally sited near the village of Nikolskoye (today the city of Ussuriysk) in what is now the Russian Far East, in 1895 it was transported to the I.N. Grodekov Khabarovsk Territorial Museum of Regional Studies. It dates from the Jin Dynasty (1115-1234).

What made them so intriguing to Prof. Chkhikvadze is that in his view, their basic tortoise form that is revealed once its stylised non-chelonian features – ears, teeth – are stripped away bears a remarkable similarity to the American snapping turtle Chelydra serpentina. In prehistoric times, its taxonomic family, Chelydridae, was distributed widely in Europe, Asia, and the New World, but today it is confined exclusively to the Americas (except of course for snapping turtle escapees/releases from captivity, several of which have been found living in British and other European ponds and lakes during recent years – click here to read about some sizeable, highly-publicised examples that were found some years ago very near to my home in the West Midlands, England).

 
American snapping turtle, 1842 engraving from John Edwards Holbrook's book North American Herpetology (public domain)

Consequently, as noted by Chkhikvadze, it remains a riddle how Central Asiatic sculptors in the Middle Ages knew a type of tortoise that in the Old World had been considered extinct for the past two million years. There is a remote possibility that these sculptors had seen fossilised remains of prehistoric Asian chelydrids. Unusual or eyecatching fossils have inspired a number of medieval representations in a wide range of localities globally, so such a situation would hardly be unique. Also remote, but again not impossible, is that a species of large Asian chelydrid survived into much more recent times than is currently known from the fossil record, and either directly or via generations of verbally-transmitted descriptions inspired the sculptors responsible for the statues.

Incidentally, such explanations as these may also account for another anomalous portrayal, but this time at Marcahausi, which is a plateau 13,000 ft above sea level, and situated some 50 miles northeast of Lima, in Peru. It was here that in 1952 Dr Daniel Ruzo discovered a series of fascinating megalithic sculptures. Not only did they include some enormous human figures carved from the rocks but also a wide range of animals, including lions, camels, elephants – and one that in Ruzo's opinion seemed to represent an amphichelydian – i.e. belonging to a taxonomic group of prehistoric chelonians characterised by their non-retractable neck.

 
Modern-day statue of a Chinese bixi (© Dr Karl Shuker)

Interestingly, the carving of giant stone tortoises in the Far East underwent an evolution of its own down through the ages, witnessing as already noted the popular addition of a stele to the tortoise's back, so that it became a symbol of heavy loads and burden. And in more modern times, especially in China where dragons have always played such a significant and diverse role in this country's mythology, the giant tortoise has itself acquired the head of a dragon - yielding a ferocious-looking hybrid monster known as a bixi. (NB – this name is also applied more generally to all giant tortoise sculptures by some researchers, including those from Mongolia documented by me here.)

This ShukerNature blog article is excerpted from my book Mirabilis: A Carnival of Cryptozoology and Unnatural History.

 
My little feng shui bixi (© Dr Karl Shuker)