Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

IMPORTANT: To view a complete, regularly-updated listing of my ShukerNature blog's articles (each one instantly clickable), please click HERE!

IMPORTANT: To view a complete, regularly-updated listing of my published books (each one instantly clickable), please click HERE!

IMPORTANT: To view a complete, regularly-updated listing of my Eclectarium blog's articles (each one instantly clickable), please click HERE!

IMPORTANT: To view a complete, regularly-updated listing of my Starsteeds blog's poetry and other lyrical writings (each one instantly clickable), please click HERE!

IMPORTANT: To view a complete, regularly-updated listing of my Shuker In MovieLand blog's articles (each one instantly clickable), please click HERE!

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Showing posts with label nunda. Show all posts
Showing posts with label nunda. Show all posts

Monday, 9 September 2024

PUBLISHED TODAY, MY BRAND-NEW 35TH BOOK - 'SHUKERNATURE BOOK 4: TIJUANA'S ZEBRAS, TURKANA'S DANCING WORMS, AND OTHER IMPOSSIBLE BLOG BEASTS'

 
Featuring a vintage, suitably terrifying illustration of Wisconsin's hideous hodag glaring and frimacing at all potential readers, here is the front cover of my latest book, ShukerNature Book 4 (© Dr Karl Shuker/Coachwhip Publications).

Yes indeed – today, 9 Septembe 2024, marks the official publication of my latest, 35th book. The fourth, and final, volume in my tetralogy of anthology volumes compiled from my long-running, award-winning ShukerNature blog, now in its 16th year, it is entitled ShukerNature Book 4: Tijuana's Zebras, Turkana's Dancing Worms, and Other Impossible Blog Beasts. That alone should give you at least a hint of the astonishing animals that you will be encountering within its 400+ pages, but if you'd like more details, read on:

Even when dealing with cryptozoology's variously, (in)famously elusive and illusive subjects, there are certain examples that test the credulity of even the most open-minded, objective of investigators. This is because, based at least upon their descriptions, they appear to be, albeit for many different reasons, simply impossible. Not implausible, not unlikely, not unfeasible, not incongruous, but impossible – or are they?

After all, who could believe in the existence of dragonflies with 6-ft wingspans, or spiders so huge that they can hunt down soldiers in the heart of Louisiana, or an unrealistically-reclusive Vietnamese deer whose antlers inexplicably resemble the horns on a Viking's helmet, or a rapacious Beast (or Beasts) that carried out the wanton slaughter of terrified rural peasants despite the most concerted efforts made to end this very different Reign of Terror in France and still remain unidentified over 300 years later, or all manner of kangaroo-like cryptids keeping researchers on the hop far beyond their Australasian homeland? Yet these have all been soberly reported, by sober observers.

And what are the fascinating stories behind the horrific, hideous, horn-bearing hodag, or Tijuana's delightfully faux 'zebras', or the prehistoric worms that dance beneath a tropical African moon and kill with a single bite, or how I managed to lose a multi-headed chimaera from Greek mythology but encounter the skull of a legendary Cornish sea monster, or the unexpected answers to a veritable herd of quagga-themed queries, or how a magnificent yet hitherto-unrecorded painting of what may conceivably be a murderous mystery cat from Tanzania was discovered wholly by chance in an English charity shop?

 
Close-up of a fascinating but highly mysterious painting documented in my book that depicts an extremely distinctive big cat very closely recalling native descriptions of a exceptionally aggressive Tanzanian feline cryptid known as the nunda or mngwa (photograph © Maxine Pearson; artist's identity still currently unknown despite considerable investigations made by me)

So, it's time to suspend disbelief and suppress doubt – for if you choose to surrender to the secrets and surprises awaiting you inside my newest book, you must prepare instead to encounter the reputedly unaccountable, witness the allegedly unimaginable, and be impressed by the ostensibly impossible!

Packed with lavish full-colour and hitherto-obscure b/w illustrations, containing an exhaustive bibliography, plus a detailed index, as well as updating and expanded many of the original blog articles upon which its chapters are based, this fourth ShukerNature anthology goes far beyond its online blog equivalent to provide its readers with unparalleled coverage of its beastly but breathtaking subjects.

Published by Chad Arment at Coachwhip Publications, ShukerNature Book 4 can be purchased instantly and easily here on Amazon UK and here on Amazon USA, and can also be ordered through all good bookstores. So click away if you wish, and prepare as always with my books to be amazed, astonished, and awe-struck by the monstrously fascinating menagerie eagerly awaiting inside its pages to meet you, greet you, and (if only they could break free!) eat you in a trice! Yes indeed, you know it makes sense!

But seriously: from studies of medieval Norse illustrations of bizarre, ostensibly impossible sea monsters, not to mention even earlier Chinese depictions of strange, unfamiliar-looking gibbons, and ancient Middle Eastern ones of long-vanished, long-unidentified equine enigmas, for example (and all documented in my book), it has become abundantly apparent that many major zoological discoveries of the future were actually signposted very clearly in artefacts from the distant past, if only scientists and other scholars had recognized this. So who knows what additional 'impossible' beasts are still to be revealed and verified as real by paying closer attention to pictorial clues hidden in plain sight amid the antiquaries and relics from bygone times?

 
Full cover wrap for my new book, featuring a vintage quagga image on the back cover (© Dr Karl Shuker/Coachwhip Publications)

 

 

 

Tuesday, 23 March 2021

IS THIS MYSTERIOUS PAINTING A PORTRAIT OF THE NUNDA?

Close-up of an extremely distinctive big cat that looks very like native descriptions of a Tanzanian mystery felid known as the nunda or mngwa, as depicted in a mysterious painting recently encountered and purchased by longstanding Facebook friend Maxine Pearson (© Maxine Pearson)

In a previous ShukerNature blog article (click here to access it), I documented one of the most ferocious mystery beasts ever recorded – an East African mystery big cat (morphologically but not necessarily taxonomically) that was reported from coastal Tanzania during the first half of the 20th Century, and known variously as the nunda or mngwa. It was blamed for the bloodthirsty slaughter of several locals during two separate outbreaks of killings, but was never captured. A few fur samples were obtained, but tragically they were not retained for formal scientific examination. According to eyewitness descriptions, however, this rapacious cryptid was described as being a cat the size of a donkey, and leaving behind leopard-like footprints the size of a lion's, but readily delineated from both leopards and lions by virtue of its most unusual pelage. This was said to be grey in colour and brindled in pattern, i.e. marked with streaks and possibly some spotting too, as brindled animals often exhibit spots among the streaks and stripes.

No known species of cat fits this description in toto. The nearest is the grey, sometimes spotted morph of the African golden cat Caracal (=Profelis) aurata, but at only twice the size of a typical domestic cat, this species is far smaller than the nunda, and surely therefore could not inflict the terrible wounds or attack humans with such overwhelming ferocity as described for the nunda. However, veteran cryptozoologist Dr Bernard Heuvelmans speculated that perhaps the nunda constituted a hitherto-undiscovered giant version of this species, which would be a truly belligerent beast to encounter.

 
My three books on mystery cats (© Dr Karl Shuker)

Tellingly, moreover, as I pointed out in my mystery cat books, locals have claimed that despite its huge size, the nunda does not roar like a Panthera big cat (lion, tiger, leopard, jaguar), but actually purrs, like what are collectively known taxonomically as the small cats, and which include the African golden cat among their number. In addition, the African golden cat is so notoriously elusive that it has actually been dubbed by mammalogists as Africa's least known felid (click here for more details), so of all cats native to this continent, it may well possess the greatest potential for unveiling unexpected, unsuspected attributes.

Over the years, a number of artists have sought to depict Tanzania's monstrous mystery cat, of which the following example is probably the best known:

 
Cryptozoological artist William Rebsamen's vivid representation of an attacking nunda (© William M. Rebsamen)

Very recently, moreover, what may be a hitherto-undocumented and truly spectacular painting of a nunda was discovered in the most unexpected of circumstances. Now, by kind permission of its discoverer (and purchaser), longstanding Facebook friend Maxine Pearson, here for your cryptozoological consideration via this ShukerNature world-exclusive is that truly remarkable and extremely beautiful painting, together with the sparse details currently available regarding it. Consequently, Maxine and I very much hope, kind readers, that you will be able to assist us in uncovering further information relating to it.

I first learned of this painting's existence on Sunday 21 March 2021, when I received a short message on Facebook from Maxine, enclosing the close-up of the cat in the painting that opens this present ShukerNature article, plus a close-up of the artist's signature, and the following information:

Jon Downes [of the Centre for Fortean Zoology, based in Devon, UK] said he thinks this may be a mngwa. I just got it from some charity auction. It's in oils. The painter's name [is] below although I don't know him. Any thoughts?

When I looked at the close-up photograph of the cat, I was certainly very intrigued, and could readily see why Jon thought that it might be a mngwa (aka nunda – I prefer the latter name, as it's easier to say!), and I replied to Maxine stating this. I asked if she could provide me with any additional details regarding the painting and any further photographs of it, which she very kindly did. I'm incorporating the most significant of those photos (which she snapped using her Samsung mobile phone) throughout this article, and here are the additional details:

Maxine lives in London, but the auction at which she won this painting was held next to the garrison at Eastbeach, Shoeburyness, in southeast Essex, England, by a Southend-based animal charity named Charlie Boys Angels (see details concerning it given at the end of this ShukerNature article), of which she is a member. Charlie Boys Angels helps homeless people with dogs, and as one of its means of raising funds for this very deserving cause it holds an auction every month. After winning the painting with a bid for £15, Maxine received it from Charlie Boys Angels about a week ago, and was quite surprised to discover how large it was, measuring approximately 4 ft across by just under 3 ft tall. The identity of the person who donated this painting to the auction is currently unknown, but Maxine has promised to ask the charity if they know, so I may be able to add this detail here at a later date.

 
Close-up of the artist's signature, visible at the bottom right-hand corner of the painting - click photo to enlarge it for viewing purposes (© Maxine Pearson)

Also currently unknown is the identity of the artist who painted it. As seen in the above close-up photograph of the artist's signature, his/her surname may be 'Peters', and the "'05" inscription next to it indicates that it was painted in 2005. However, Maxine is not totally certain that Peters is indeed what the signature reads as, and even if it is, Peters is a very common name, meaning that without additional information it would be exceedingly difficult to track the artist down. I have tried both a Google Image search and a Tineye Reverse Image search in the hope of discovering this painting online, but without success.

Interestingly, as seen here, when the painting is photographed in its entirety the colouration of the cat varies depending upon the painting's location. When Maxine photographed it by a window, the light from the window shining upon it rendered the cat very dark, so that it almost resembled a black panther (i.e. melanistic leopard), with its markings not particularly distinct. When the painting was placed on the floor, however, away from the direct light shining through the window, the cat was much lighter, with grey fur and very distinctive markings, and Maxine informed me that this latter appearance is the painting's normal one.

 
Maxine's painting when photographed by a window (© Maxine Pearson)

 
Maxine's painting when photographed on the floor (© Maxine Pearson)

So what could Maxine's mystifying cat be? Its build and face are those of a big cat, by which I mean a species belonging to the genus Panthera, and most closely resemble a leopard's or jaguar's. Its coat colouration and pattern, conversely, are fundamentally different from those of a leopard or jaguar. Instead of sporting the leopard and jaguar pelage's typical golden background colouration, Maxine's cat is uniformly grey. And instead of displaying the leopard's familiar rosette markings (also exhibited by the jaguar, but which additionally sports a central spot within each rosette that is lacking in the leopard's coat pattern), the pelage of Maxine's cat consists of a heavy mottling of single polka dots, not arranged into rosettes, but which in places merge together to yield streaks and short stripes, especially on the limbs and dorsal region.

Close-up of the painted cat's limbs, revealing merged spots (© Maxine Pearson)

I noted earlier here that the only known African cat that possesses a pelage similar to that of Maxine's mystery cat is the spotted grey morph of the African golden cat – a polymorphic species that exists in a range of different coat colours and patterns, including unspotted red, gold, grey, and black, plus spotted red, gold, and grey. Although most common and widely distributed in West Africa, it is now known to exist in Central and East Africa too.

For morphological comparison purposes, here are two African golden cat skins, the left-hand one representing its spotted grey morph, the right-hand one its spotted golden morph.

 
The skin of a spotted grey specimen of African golden cat (left) and the skin of a spotted golden specimen of African golden cat (right) (public domain)

And here is a close-up of the fur patterning of Maxine's mystery cat as depicted in the painting:

Close-up of the depicted mystery cat's fur patterning (© Maxine Pearson)

As you can see, there is certainly a resemblance.

To see what a spotted grey specimen of the African golden cat looks like in life, click here to view a photograph of one such animal that was snapped using a trail cam during a study of this elusive species' ecology and conservation by Laila Bahaa-el-din as part of her 2015 PhD in the School of Life Sciences at the University of KwaZulu-Natal in Durban, South Africa. And click here to download the entire paper containing this photo. You will see straight away, however, that whereas their coat colour and patterning are similar, the golden cat's head is very different in both shape and markings to that of Maxine's cat, which, as already noted here, is leopardine or jaguarine.

 
Close-up of the leopard-like or jaguar-like face of the mottled mystery cat depicted in Maxine's enigmatic painting (© Maxine Pearson)

Equally, it is its unique combination of leopard/jaguar-like head and grey mottled pelage that distinguishes this portrayed cat from any felid on record from anywhere outside Africa too.

So how do we explain this painting? Is it an attempt by someone with cryptozoological knowledge to depict the likely appearance in life of the nunda? Or might it portray some exceedingly rare, freak version of the leopard or jaguar, both of which are well known for the great variation of their coat colour and patterning? Yet I have never seen an example of either in which the rosettes have broken up into single or merged spots (although I have seen in both species the opposite extreme, where the rosettes have merged to yield an extraordinarily beautiful, striking pelage adorned with stripes and swirls greatly resembling that of the cheetah's rare king cheetah variant). Another option is that it constitutes some exotic big cat hybrid, of which a wide range have been bred in captivity. I know of a female jaglion (jaguar x lioness hybrid) named Jahzara, born at Bear Creek Wildlife Sanctuary in Ontario, Canada, on 9 April 2006, whose pure-bred jaguar father Diablo was melanistic and she has inherited his dark coat, but her markings are still rosettes, not polka dots (click here for full details). Or is it simply a portrayal of a fantasy felid, not based upon any real specimen but originating entirely from the artist's own imagination? At this stage, we simply do not know, but it is certainly most intriguing that the cat that it depicts should so closely recall a documented mystery cat from the same continent.

If anyone reading this ShukerNature article has any knowledge concerning this painting's origin and/or artist, or any thoughts that they would like to offer regarding the possible identity of the cat depicted in it, please post them below this article – Maxine and I would be very interested to read them!

My sincere thanks indeed to Maxine Pearson for so very kindly sharing her wonderful discovery and photographs of it with me, and for permitting me to document it here.

 
A close-up of the flank markings of Maxine's mystery cat as depicted in the painting (© Maxine Pearson)

 

CHARLIE BOYS ANGELS: Here is a description of what this very worthy charity is all about, quoted from their official Facebook page (click here to visit it):

Charlie Boys Angels support homeless and vulnerable individuals with their animals in the Southend and surrounding areas of Essex by providing essential items, access to free veterinary treatment and support to find pet friendly accommodation.

This page was set up to help us get our name out there and the fantastic work that we do and is dedicated in memory of a beautiful white staffie called Charlie Boy, let us tell you his story...

Charlie Boy and his owner were sadly made homeless back in November 2016 and it was around this time that this group was founded to help him with a skin complaint. Tragically in January 2017, they were both attacked on the street – Charlie Boy jumped up to protect his owner and was fatally stabbed, he died a short time later.

After his death, our group and the local community was filled with heartfelt memorials for this brave boy who had sacrificed his life for his human so it was then that it was decided that we would continue our work in his memory to help others just like them who are homeless and vulnerable with their animals and also those without.

We provide:

- Animal items such as food, blankets, treats, collars, leads, coats, toys, flea & worm treatment etc.

- Clothing items such as Jackets, Jumpers, Hats & Scarves, Gloves etc.

- Help to find pet friendly accommodation

- Help towards the cost of vet treatment

- Foster Care in Emergency Situations

We want to prevent this tragic incident from ever happening to anyone else in the future and so far we have achieved this, making sure that everyone we work with are safe and have everything they need to look after their companions.

4 years into our work, we have now joined in partnership with the Aspirations Program whose mission is to empower individuals on their journey of recovery from the harmful effects of active addiction – working together to make a difference to people’s lives.

We do not receive any government grants and rely solely on support from the public and fundraising to help us continue the work that we do and keep our vet treatment free and accessible to those who need it the most. We have our current Facebook pages including our fundraising page.

We will add link into the comments below for ease.

We also have our wish lists on Amazon, again we will place a link below. Please share this post as it’s extremely difficult to arrange fundraising at this time due to current restrictions.

If you wish to kindly make a donation towards the work we do, you can do so by Bank Transfer directly to the below details as unfortunately we no longer have access to a PayPal account – all donations are so greatly appreciated.

Account Name: Charlie Boys Angels

Sort Code: 20-19-97

Account Number: 90007625

Reference: Donation

 Thank you most sincerely for reading this – Karl.

 

Thursday, 22 October 2020

HERE'S 'MYSTERY CATS OF THE WORLD REVISITED' - AFTER 31 YEARS, MY VERY FIRST BOOK IS BACK, EVEN BIGGER AND BETTER THAN BEFORE!

Mystery Cats of the World Revisited (© Dr Karl Shuker/Anomalist Books/William M. Rebsamen (cover artwork))

Published in 1989, Mystery Cats of the World was my very first book, but it swiftly became a classic addition to the cryptozoological literature, lauded by cryptozoologists and mainstream zoologists alike – not to mention a Nobel Prize-winning authoress by the name of Dame Doris Lessing – for what has been described as my scrupulously scientific, objective analysis of the numerous cases documented by me. Even today, it remains not only the undisputed definitive work on mystery cats but also the only one to survey the subject globally. Having been out of print for many years, this book has also become extremely sought-after and highly collectable – but now, three decades since its historic debut, Mystery Cats of the World has finally been republished, as an updated, greatly-expanded new edition aptly retitled Mystery Cats of the World Revisited.

For it not only investigates many new mystery cats but also revisits those previously featured in its 1989 version that in my opinion remain cryptozoological today. Conversely, those that I no longer consider pertinent to the subject have been deleted or dramatically reduced in coverage in order to make way for the dazzling diversity of present-day feline enigmas requiring examination and discussion. Moreover, it also contains many new, rare illustrations, and a substantially enlarged bibliography, plus the truly spectacular front-cover artwork created by esteemed cryptozoological artist and longstanding friend Bill Rebsamen – thanks Bill!

From blue tigers, water leopards, rainbow jaguars, king cheetahs, Transcaucasian daemon cats, and Sumatra's cigau, to spotted lions, black cougars, Mexico's onza, Madagascar's fitoaty, surviving sabre-tooths, feline mega-marsupials, and so much more – the book that set the standard for a whole new generation of cryptozoological writing is back!

Mystery Cats of the World – the iconic book that launched my lifelong career as an author and cryptozoological researcher (© Dr Karl Shuker/Robert Hale Limited)

Yet how swiftly the intervening years and life itself have flown by. It seems like only yesterday that my little box of six complimentary copies of Mystery Cats of the World, sent to me by its publisher, Robert Hale Limited (now no longer in existence), arrived through the post one sunny morning in June 1989, and how excited my mother Mary Shuker and I were to see them, hold them, browse through them, and later see copies in the shops – my very first book!

How proud once again she would be now to know that it has risen like a veritable feline phoenix 31 years later – my 32nd book in 32 years – and that it will, I hope, be enjoyed by a whole new generation of readers, not to mention my loyal, ever-expanding, ever-faithful following, some of whom date back with me right to the early 1980s and my debut within the cryptozoological community. God bless you, Mom, how I wish that you were still here to share this day, and all days, with me.

Mystery Cats of the World Revisited can be purchased from Amazon.co.uk in the UK, from Amazon.com in the USA, as well as from numerous other online bookstores and directly from its publisher Anomalist Books. It can also be ordered at all good high street bookstores. Finally, please click here for more details concerning this latest book of mine on its dedicated page on my website.

The full cover for Mystery Cats of the World Revisited, whose alternate yellow and white front-cover text pays faithful homage to the elegant front-cover style of its illustrious predecessor (© Dr Karl Shuker/Anomalist Books/William M. Rebsamen (cover artwork))

 

 

Wednesday, 6 September 2017

DREAMCHILD AND VAMPIRES AND HOBBITS, OH MY! [an Eclectarium of Doctor Shuker crosspost]


'Kong: Skull Island' publicity poster and film still (© Jordan Vogt-Roberts/Legendary Pictures/Tencent Pictures/Warner Bros. Pictures)

I've viewed quite a number of fantasy-themed movies lately, some new, some vintage, some exceedingly obscure, but most of them offering various degrees of cryptozoological/zoomythological content and relevance. So be sure to click the link below to read my mini-reviews of these films, first published on my Facebook wall but now preserved together in my Eclectarium:

The Eclectarium of Doctor Shuker: DREAMCHILD AND VAMPIRES AND HOBBITS, OH MY!

An adult female graphorn with her calf - from 'Fantastic Beasts and Where to Find Them' (© David Yates/Heyday Films/Warner Bros. Pictures)





Monday, 28 July 2014

THE MPISIMBI – A NOW-EXTINCT KING CHEETAH STRAIN IN EAST AFRICA?

Painting of the king cheetah's type specimen as imagined in life, from PZSL, 1927 (public domain)


How tragic it is that such wonderful creatures have no concept, no awareness, of just how beautiful and magical they are.
Then again, perhaps they do - after all, they are cats...

Karl Shuker - Re king cheetahs, posted on his Facebook wall, 31 July 2010


Many mysterious African animals once thought to be legendary or wholly imaginary monsters solely confined to the realms of native folklore and superstition have ultimately been found to be real (albeit elusive) creatures that have successfully eluded formal scientific recognition until modern times. The mountain gorilla, okapi, giant forest hog, and pygmy hippopotamus were all dismissed as myths by Western science until the 20th Century. So too was another bizarre beast - the leopard-hyaena or nsui-fisi...until 1926.


UNMASKING THE NSUI-FISI

This was when a short letter penned by Major A.C. Cooper from Salisbury (now Harare) in Rhodesia (now Zimbabwe) was published by The Field, alongside his photograph of an extraordinary cat skin. Cooper believed the skin to be from a crossbreed of leopard and cheetah, which had been trapped at Macheke, about 62 miles southeast of Salisbury, but he was astonished by the exceptionally ornate markings adorning its golden-yellow coat, which were unlike those of any cat previously recorded by science. Upon its flanks and upper limbs they consisted of graceful curved stripes and abstract blotches, whereas a series of longitudinal stripes ran from its neck and shoulders along the entire length of its back to the upper portion of its tail, and a succession of thick black stripes encircled the remainder of its tail. Also of note were its non-retractile claws (a cheetah characteristic), and a mane-like ruff round its neck.

Back view of a king cheetah, revealing its very eyecatching longitudinal dorsal stripes (© Steve Jurvetson-Wikipedia-Flickr)

This wonderful creature matched traditional tribal descriptions of a strange monster termed the nsui-fisi (‘leopard-hyaena’), which was fervently claimed by Rhodesian natives to be the rare, exotic progeny of liaisons between leopards and hyaenas, as it was said by them to be as lithe, swift, and cunning as a leopard but boldly barred like the striped hyaena Hyaena hyaena. Such an identity was zoologically impossible, of course, but the fact remained that Cooper's mysterious big cat was still unexplained.

Not surprisingly, it soon attracted the attention of felid specialist Reginald Pocock, from the British Museum (Natural History), who identified it from Cooper's photograph as an aberrant leopard. (Interestingly, during the early years of the 20th Century, cats just like it had apparently been well known to locals in the Mazoe area of Rhodesia's northern region, where they were referred to as Mazoe leopards.) Once he was able to examine the skin itself, however, he swiftly changed his mind, recognising it to be from a cheetah - albeit one with dramatically different coat markings from the familiar polka-dot pelage of the normal cheetah Acinonyx jubatus. In 1927, Pocock announced that the skin represented a new species, which, due to its regal appearance and vaguely leonine mane, he dubbed Acinonyx rex - the king cheetah.

King cheetah (© Steve Jurvetson-Wikipedia-Flickr)

During the next few years, several other king cheetah skins were obtained - all from a triangle of terrain enclosing eastern and southern Zimbabwe, northern South Africa, and eastern Botswana - but as the number of skins increased, it became evident that some of these were intermediate in appearance between normal cheetahs and the first king cheetah, documented by Major Cooper. In other words, there was no longer a clear morphological demarcation line between spotted cheetahs and the striped king cheetah. This could mean only one thing - the king cheetah was not a distinct species in its own right after all. Instead, it was merely a freak mutant variety of the normal cheetah - which Pocock conceded in 1939.

As a result, interest in the king cheetah waned, and after a time reports of such specimens rarely emerged. Indeed, by the 1970s some zoologists had begun to fear that this handsome striped strain had died out, but during the 1970s a king was filmed living with normal cheetahs in the Kruger National Park.

The 1970s Kruger-inhabiting king cheetah individual, as featured on the front cover of leading king cheetah researcher Lena Bottriell's definitive book, King Cheetah (1987)

Today, there is no doubt that the king cheetah is indeed alive and well, with several specimens having been born within litters of normal spotted cheetahs in captivity in South Africa.


THE GENETICS OF A KING

Since its scientific discovery, there has been a great deal of conflict concerning the king cheetah's taxonomic status. At first it was believed to be a hybrid of leopard and cheetah, then a valid species, and ultimately a mutant form of the normal cheetah. In May 1981, however, the de Wildt Cheetah Breeding and Research Centre of Pretoria's National Zoological Gardens was able to examine this issue in a thorough manner, when a king cheetah was unexpectedly born to a pair of normal cheetahs here. A few days later, moreover, a second king was born, this time to the sister of the first king's mother.

Two normal spotted cheetahs

These fortuitous events duly initiated a programme of monitored breeding conducted at the centre, in order to determine the genetic basis of the king cheetah phenotype. By 1986, it had become clear that a recessive mutant allele was responsible, equivalent to the recessive allele producing the blotched tabby coat pattern in domestic cats. In other words, only cheetahs with two copies of the 'king' allele are kings. Cheetahs with one copy of the king allele and one of the normal (wild-type) spotted allele, or cheetahs with two copies of the spotted allele and none of the king allele, are normal spotted cheetahs.

Moreover, in a paper published by the journal Science in September 2012, a team of American genetics researchers from several different institutes revealed that they had identified the specific gene responsible for the king cheetah's striped coat pattern and the blotched coat pattern in domestic tabby cats. Both are caused by a recessive mutation in a gene dubbed Taqpep by the researchers.

Close-up of a king cheetah's fur, revealing its blotched-tabby-homologous pelage markings (© Wegmann/Wikipedia)

And so, one mystery concerning the king cheetah is a mystery no more - but there are others that still await a solution, and none is more fascinating than the following example.


UNMASKING THE MPISIMBI?

What makes the king cheetah so memorable in addition to its incredibly beautiful coat is its extremely limited distribution. Many freak mutations of coat colour or patterning in mammals are spontaneous, i.e. they can arise abruptly in any population of a given species, regardless of geographical location. Yet whereas the typical spotted cheetah occurs in southern, eastern, central, northern, and western Africa, king cheetahs have never been reported conclusively outside southern Africa – or have they?

There are two possible and potentially extremely significant exceptions to this widely-assumed rule (and three, if we consider some remarkable evidence that I lately uncovered for the erstwhile presence of at least one king cheetah specimen in the wild not anywhere in Africa, but instead in Asia, and which in 2013 I formally documented in Vol. 2 of the Journal of Cryptozoology, whose logo, very aptly, is a king cheetah – click here for further details).

A young king cheetah (© DannyBlue/Deviantart)

The first possible exception to the king cheetah's strict zoogeographical limitation to southern Africa is a king cheetah skin that in 1988 turned up in the West African country of Burkina Faso. It supposedly came from a specimen that had been shot by a poacher in the northern end of the Singou Total Fauna Reserve. Some researchers wonder whether this mystifying skin is one that in reality originated in southern Africa but which later travelled northwest via itinerant poachers or other skin traders. Alternatively, however, could a 'king' strain of cheetah have spontaneously arisen in West Africa?

As for the second putative exception to the rule of the king cheetah being exclusively southern African in distribution, this is one that has never been publicly revealed – until now. It features an extremely obscure East/Central African mystery beast known as the mpisimbi

King cheetah head (above) and normal spotted cheetah head (below)

In 1927, Chambers’s Journal published a fascinating article on East and Central African mystery beasts entitled ‘On the Trail of the Brontosaurus and Co.’. It was written by ‘Fulahn’, the pen-name of Captain William Hichens - a man whose name should already be familiar to mystery cat aficionados. For he was none other than the Native Magistrate at Lindi, Tanzania, during the 1920s and 1930s who investigated a succession of particularly gruesome murders there attributed by the local people to a giant brindled mystery cat known as the nunda or mngwa (click here for a ShukerNature blog post devoted to this feline cryptid).

Most of the cryptids documented by Hichens in his Chambers's Journal article are relatively famous ones, with one notable exception. Contained within his account are a couple of tantalising lines that have fascinated and frustrated me in equal measures for many years:

"But such are the mystery animals. There are others – the mpisimbi, the leopard-hyaena, which eats sugar-cane, and which I have hunted many a weary night without success;"

Despite numerous searches, I have never been able to uncover any additional information concerning this enigmatic creature. So what exactly is the mpisimbi?

King cheetahs (© David Pepper-Edwards)

The above-quoted lines offer no morphological description whatsoever of the mpisimbi. Conversely, its name’s English translation – ‘leopard-hyaena’ - is very intriguing, because it corresponds precisely with the English translation of the king cheetah’s native South African name, nsui-fisi. Moreover, Hichens’s unusual claim that the mpisimbi eats sugar-cane adds further to a putative link between the mpisimbi and the king cheetah, because in a second article, published under his own name a year later in Wide World Magazine, Hichens stated: “The Nsuifisi, or striped cheetah...was also reputed to be a raider of grain and sugar-cane”.

Of course, as Hichens went on to discuss, because cheetahs are carnivores it seems improbable that they would raid grain-plots. And even though hyaenas are notorious scavengers with an extremely catholic diet, they are not known to attack standing crops, but they will certainly devour cooked grain, vegetables, and even boiled flour.

King cheetah (© AKovacs23/Photobucket)

Such considerations and qualifications, however, are not significant with regard to the cryptozoological mystery under review here. What is significant is that both the mpisimbi and the nsui-fisi were claimed, rightly or wrongly, by the native tribes in their respective, separate areas of Africa to consume the very same unexpected foodstuff – sugar-cane.

Is it conceivable, therefore, that the mpisimbi and the nsui-fisi are indeed one and the same creature – namely, the king cheetah? If so, it suggests that at some time in the distant past, striped cheetahs did exist in East and/or Central Africa – although, with no modern-day reports of such beasts on file, even if they once did exist there they seemingly no longer do. Put another way: whatever it may have been, tragically the mpisimbi is now apparently extinct.

King cheetahs (© David Pepper-Edwards)

Of course, sceptics may well claim that this is all supposition, but the presence of those brief lines regarding the mpisimbi in Hichens’s article means that the possibility of mpisimbi and king cheetah synonymity, however remote it may seem, cannot be discounted.

Moreover, who can say whether, in the future, a king cheetah or two will not spontaneously arise in the East African population of the normal spotted cheetah? That is, after all, what spontaneous mutations do!

At present, however, the mystery of the mpisimbi's zoological identity remains yet another enigma in the eventful history of Africa's extraordinary striped cheetah - the once (and future?) king.

Diagrammatic representation of the king cheetah's ornate pelage patterning (© Tim Morris)

For plenty of fascinating additional information concerning king cheetahs and other exotic cheetah varieties (including woolly cheetahs, blue-spotted cheetahs, black cheetahs, and unspotted cheetahs or cheetalines, be sure to check out my two dedicated crypto-cat books – Mystery Cats of the World (Robert Hale: London, 1989) and  Cats of Magic, Mythology, and Mystery (CFZ Press: Bideford, 2012).