Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label Still in Search of Prehistoric Survivors. Show all posts
Showing posts with label Still in Search of Prehistoric Survivors. Show all posts

Saturday, 30 March 2024

REVIEWING 'CARNIFEX' - A CRYPTOZOOLOGY-THEMED CREATURE FEATURE FROM DOWN UNDER

 

 
Publicity poster for Carnifex, showing the characters gazing up in awe at some formidable claw marks left upon a  tree trunk by a large unknown animal of seemingly arboreal ability (© Sean Lahiff/Dancing Road Productions/Arclight Films/Universal Pictures Content Group – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Thanks to longstanding Australian FB friend and crypto-enthusiast Tim Morris kindly making it available to me - thanks Tim! – my movie watch on 26 October 2023 was the fairly recent Australian cryptozoology-themed creature feature Carnifex.

Directed by Sean Lahiff, and released just a year ago in December 2022 by Universal Pictures, Carnifex takes its name in a general sense from the Latin word for 'butcher' or even (during the Roman era) 'executioner'. However, wildlife enthusiasts, especially cryptozoologists, will also be aware of its more specific, zoological meaning.

Consequently, if you're of the latter persuasion, you will have no doubt guessed straight away from this movie's title that while conservationists Ben (Harry Greenwood) and Grace (Sisi Stringer) accompanied by documentary camerawoman Bailey (Alexandra Park) are uncovering and recording deep within the Australian outback the vast wildlife devastation caused there by some recent, unprecedented bushfires, they also make the startling, totally unexpected, and truly terrifying discovery of a living marsupial lion Thylacoleo carnifex. For once they do, they also discover – very swiftly – just how hyper-aggressive and rapacious the creature is, forcing them into a desperate bid for survival against this mega-belligerent blast from the past, their thoughts echoing only too emphatically the film's tagline: "Some species should remain extinct".

This ferocious species was – or is? –  a predatory pouched mammal of feline form, leopard or lioness stature (opinions vary), and possibly arboreal capabilities, but officially deemed extinct for many millennia. However, some cryptozoologists feel that its putative reclusive survival into the present day may explain occasional reports of an Aussie mystery beast known as the yarri or Queensland tiger. It may even have inspired the spoof killer koala called the drop bear (koalas and marsupial lions were actually quite closely related). Most of this pertinent background information, however, is never alluded to in the movie, sadly.

 
Yarri or Queensland tiger, based upon eyewitness descriptions (© Dami Editore srl – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Speaking of which: its build-up to this very dramatic discovery, although very lengthy (see later), is engrossing, and features a trio of lead likeable characters that interact well together, interspersed with plenty of breathtaking shots of genuine Aussie Outback Nevertheless, Carnifex suffers from two very significant, crucial problems.

Firstly, once the story truly gets going, it consists almost entirely of night-time scenes, resulting in actual sightings of the creature (with totally black pelage, thereby rendering it even more difficult to see against the darkness)  being as shadowy and brief as they are seldom and inconclusive, i.e. plenty of growling and flesh-tearing sounds, but visually all but non-existent.

Secondly, when in this 90-odd-minute movie's last 10 minutes we finally - finally! - get to see two blink-and-you'll-miss-them close-up full-face shots of the (very) anatagonistic animal in question (so fleeting in fact that after seeing them I then had to rewind and laboriously seek them out via freeze-frame in order to be sure of what they actually revealed – something, incidentally, that cinema audiences for this movie would not have had the luxury of being able to do), guess what?

The film makers had only gone and got their Thylacoleo carnifex fundamentally wrong – and after having kept their increasingly impatient viewers waiting so long to see it properly too!

 
A selection of photo-stills from Carnifex depicting the latter beast's brief appearances and, especially, its dentition – click picture montage to enlarge for viewing purposes (© Sean Lahiff/Dancing Road Productions/Arclight Films/Universal Pictures Content Group – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

All placental carnivores have fangs consisting of enlarged upper canine teeth (and so too, for that matter, does, or did, the thylacine or Tasmanian marsupial wolf Thylacinus cynocephalus, officially deemed extinct in 1936 but which may still linger on in this island's more remote regions). In stark contrast, conversely, the tusk-like fang counterparts of Thylacoleo were actually greatly-enlarged upper incisors (it also sported a pair of extremely enlarged lower incisors, but its upper canines were only very small and stubby). Yet in this movie, its Thylacoleo has been given enlarged upper canines, not incisors, thereby rendering their Carnifex dentally deranged!

Moreover, the two close-up shots of its front paws also revealed a telling absence of the huge thumb claw constituting another morphologcal characteristic of this unique predator.

Judging from these major morphological discrepancies, I can only assume that someone apparently hadn't done their zoological homework when researching T. carnifex for this Carnifex-entitled movie. Needless to say, this is a great shame, especially as otherwise it is a most enjoyable film, with engaging characters amid the savage beauty of the Australian bush, and it would have been a wonderful showcase for a truly original animal antagonist never previously represented in a cinematic role.

Then again, it is fair to say that many viewers are unlikely to have in-depth knowledge of thylacoleonid dentition anyway. So they will simply not notice or recognize the inaccuracy of the latter's depiction in this movie (particularly as it has no effect upon the plot itself), thereby enabling them to enjoy the movie as an otherwise very watchable, well-presented conservation-minded creature feature, especially one produced by a small independent film company as opposed to a mega-bucks Hollywood studio. Also on the positive side, it does mean that a morphologically-accurate 'living Thylacoleo'-themed monster movie is still waiting to be made.

 
Thylacoleo carnifex model produced by Jeff Johnson and owned by Rebecca Lang, two longstanding Facebook friends of mine (© Jeff Johnson/Rebecca Lang – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Incidentally, a novel written by Australian horror author Matthew J. Hellscream (I'm guessing that this may be a pseudonym…) that was published in 2016, i.e. 6 years before the present movie under review here was released, was also entitled Carnifex, and also featured some visitors to a remote area of the Australian bush encountering living but scientifically-undiscovered marsupial lions. According to various Adelaide Advertiser articles, Hellstream took legal advice when the movie came out because of perceived title and plot similarities, but that is not what I am concerned with here. What I am concerned with is that the very striking illustration of one such beast present on the front cover of Hellstream's novel depicts it with totally accurate dentition – click here to view it, and take note of the greatly enlarged incisors, and all but absent canines, plus the shearing blade-like carnassials further back.

I don't own a copy of this novel (yet), but I've heard tell that the cover artwork was prepared by acclaimed horror artist Frank Walls, who created the front cover for Hellscream's previous novel, Metro 7, but I can't confirm this. Whoever did design it, however, clearly made the effort to portray accurately the unique dentition of this truly unique mammalian predator.

Anyway, if you'd like to peer through the darkness of the Outback at night in search of the toothy terror lurking in this movie, be sure to click here to watch an official Carnifex trailer on YouTube.

Finally: this review originally appeared in ShukerNature's fellow blog, Shuker In MovieLand. To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
My book Still In Search Of Prehistoric Survivors (2016), which contains a very comprehensive coverage of the yarri or Queensland tiger, and featuring prominently in the bottom-left portion of its front cover an artistic representation by cryptozoology artist William M. Rebsamen of what this elusive, mysterious creature may look like if it is indeed a surviving representative of the marsupial lion Thylacoleo carnifex, complete with accurate dental depiction for the latter species (© Dr Karl Shuker/William M. Rebsamen/Coachwhip Publications)

 

Sunday, 18 December 2022

AN EXCLUSIVE NEW PORTRAIT OF THE IRISH ELK – A SHUKERNATURE PICTURE OF THE DAY

 
A dramatic, previously-unpublished portrait of an adult male Irish elk aka the giant deer Megaloceros giganteus (© Wayne Patton)

They say that good things come in pairs, so after the very favourable response recently received by my first ShukerNature Picture of the Day posted by me for quite some time (click here to access it), without further ado I am very happy to proffer a second one right now. Namely, the dramatic and exceedingly impressive but previously-unpublished portrait by American scholar/wildlife artist Wayne Patton (kindly forwarded to me earlier this year upon his behalf by his daughter, Alison Fielding) of one of prehistory's most spectacular mammals – the Irish elk, also known very aptly as the giant deer, and scientifically as Megaloceros giganteus.

Famed for the adult male's immense antlers, this awe-inspiring species was traditionally believed to have become extinct throughout its Eurasian distribution range during the Pleistocene epoch, i.e. prior to the onset of the Holocene, approximately 10,600 years ago. However, within my book In Search of Prehistoric Survivors (1995), I presented some intriguing evidence for its possible survival into the early Holocene (including mention of a mysterious, still-unidentified European beast named the schelk or shelk that may allude to Holocene representatives of Megaloceros).

Moreover, some years later, as I duly updated in a ShukerNature article (click here) as well as in my subsequent book Still In Search Of Prehistoric Survivors (2016), conclusive evidence for this species' Holocene survival in two widely separate Eurasian localities – the Isle of Man off the British mainland, and western Siberia in far-eastern Russia – was indeed obtained.

Inspired by my writings as well as those of many others dealing with this magnificent species, together with all manner of artistic representations of it, including cave paintings, and being an accomplished artist himself, Wayne decided to prepare his own entirely original reconstruction of its likely appearance in life, and when it was complete he very kindly offered me the opportunity to reproduce it exclusively on ShukerNature, which I was only too happy to accept. And so, showcased above as a wonderful ShukerNature Picture of the Day, is Wayne's stunning adult male Megaloceros painting, together with his verbatim account below of how he came to prepare it, his influences, and personal thoughts and ideas concerning Megaloceros, presented once again with his kind permission.

[Incidentally, please note that Wayne is using the term 'shelk' in his account merely as a common name for Megaloceros, rather than claiming a direct link between the latter deer and the mysterious still-unidentified beast of that name.]

 
One of Charles R. Knight's classic Irish elk paintings (public domain)

My name is Wayne Patton, I am a botanist and soil scientist by training and experience. I worked a career for the US Forest Service. I also worked in Mexico, Canada, and collaborated with groups from Romania, and Israel. I am a big game hunter and I took game with ancient systems like the bow and arrow and atlatl darts. I also tanned my own hide and made all manner of leather goods like saddle, tack, etc… Art has been a hobby for as long as I can remember. Now I am too old to hunt, so I spend a lot of time painting and selling my work through several galleries. I got very interested in the Megaloceros giganteus (shelk) through both my hunting and art experiences. I decided to paint a bull shelk as exampled above, starting with photos of mounted skeleton in museums in Ireland, Germany, and Scotland. There are even a couple mounted skeletons in the US that were obtained from Ireland. I fleshed out the bones based on my art experience as well as butchering big game animals like the American elk as well as mule deer, goats, sheep, and some African animals like the kudu. This part was easy, however, virtually all paintings of shelks by Charles R. Knight, who did early work for the Chicago Museum of Natural History, as well as the paintings available on the internet, are sourced from the zoo, mostly, red deer and American elk. The artists painted these fat animals that are standing around at half-mast from eating the wrong diet and being trapped, and then showing them with the giant horns of the giant shelk. Perhaps the best artwork is by the current great Dutch painter Rien Poortvliet [but] he copied the colors of the red deer and missed key anatomical features like the Adams apple and shoulder hump of the real shelk. What about the color? All paintings seem to be copies of the red deer and American or Mongolian elk – is this correct?

I thought not, so I did a bunch of research to find out if any information exists and I stumbled on to a fabulous book called The Nature of Paleolithic Art by Dr R. Dale Guthrie, who was a professor at the University of Alaska. He visited caves in France, Northern Spain and Italy, as well as museums containing engravings of animals on rocks, bones, and ivory from sites in Europe. This formed a basis for his reconstruction of the bull and cow shelks. He also did a lot of work comparing Pleistocene cave art with animals that survived the Pleistocene extinctions like the Chamois, the Reindeer and the Muskox and found this art to be very accurate and can be relied upon to help make decisions about color and animal appearance. The early people lived with the animals and were keen observers and used their knowledge to hunt them, maybe hastened extinction in some cases. So, I used my firsthand knowledge of using skeletal remains to flesh out realistic animal anatomy, and I used most of Dr R. Dale Guthrie’s conclusions from his experience looking at Pleistocene art to get the best color information. My try at a painting of the Bull Shelk is enclosed. 

Give me feedback of what you all think!

Also, use Amazon on the internet to track down copies of the book I used for reference (The Nature of Paleolithic Art).

Also, have a look at Rien Poortvliet in his book A Journey to The Ice Age (mammoths and other animals of the wild).

Now, back to some ideas of why many shelk remains and those of perhaps of red deer or European elk (American Moose) have holes knocked in the top of their skulls. These animals were herded in to marl pits and peat bogs where they became mired and trapped after which early people, especially in Ireland, went out and killed them where they were. Then they butchered out the best cuts of meat including the heart, liver, and tongues. Along with the brains, all of which were considered delicacies as I have on occasion. Use the 'Meat Eater' series on Netflix as a reference. The main use for brains, however, was not eating even though they are good! The primary reason for use is stabilizing and tanning leather, as I have done also. Leather has been used since the Pleistocene to make all kinds of clothing, gear and weapons. Use of brains or urine can be a smelly operation. 

 
Life-sized statue of an adult male Megaloceros on display at Crystal Palace, London, originally created by Benjamin Waterhouse Hawkins during the 1850s (© Dr Karl Shuker)

Wayne has raised some very interesting points here. In particdular, it is certainly true that observing cave paintings can offer various visual clues to the physical appearance of prehistoric beasts that cannot be procured from fossils alone. Perhaps the most famous example of this is the apparent presence of striped markings on the body of the cave lion, as depicted in cave paintings of this extinct felid. So it is very significant that Wayne's Megaloceros painting has incorporated information encapsulated in these early firsthand eyewitness artworks.

Additionally, Wayne's information concerning the use of brains for tanning leather does indeed offer at least a partial explanation for the skull holes observed in Megaloceros remains that I documented in my first Prehistoric Survivors book and subsequently reiterated in my second one as well as my ShukerNature article. And as it was entirely new to me, this information is very welcome.

In short, I am delighted to be able to share with you Wayne's extremely striking, wholly original interpretation of what the adult male Megaloceros may have looked like in life, and his input to what is known about the use by human hunters of the brains extracted from the skulls of  butchered deer that may well have applied to this prehistoric species.

Once again, I thank Wayne most sincerely for permitting me to share all of this here on ShukerNature, and also his daughter Alison for kindly making contact with me in order to bring Wayne's work to my attention.

For an extensive coverage of possible and definite examples of Megaloceros post-Pleistocene survival, be sure to check out my book Still In Search Of Prehistoric Survivors.



Wednesday, 27 April 2022

MAPPING OUT THE NANDI BEAR

 
Close-up of the Nandi bear depiction on John McKenzie's 1961 map East Africa (© John McKenzie – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Last year on ShukerNature, in my extensive documentation of what may well be the single most significant episode ever recorded concerning Kenya's most infamous cryptid (click here to read my blog article), the ferocious Nandi bear, I made particular reference to an article on this elusive creature by Gordon Boy that had been published in the October-November 1998 issue of the periodical SAFARI Magazine.

However, in his SAFARI article, Boy included one additional but fascinating Nandi bear nugget that I specifically didn't allude to in my own. This was because I felt that it deserved its very own, separate coverage on ShukerNature (and also because I wanted to research it further first, which I have since done). So here it is now.

 
East Africa, John McKenzie's map that contains the tantalizing Nandi bear depiction (© John McKenzie – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Boy stated that an illustrated full-colour map of East Africa by John McKenzie and simply entitled East Africa (see above scan of it) included a depiction of a strange-looking creature that was actually labeled on it as a Nandi bear. He also stated that the map had been produced in 1952. In reality, however, when I researched this item, I discovered that it had actually been produced in 1961, not 1952, in Nairobi, Kenya; its printer/engraver was East African Standard Ltd.

Boy included a reduced-size reproduction of the entire map in his article (the map's full size is 70 cm by 57 cm), but this reproduction is not big enough for the individual animal depictions in it to be anything other than minuscule. When enlarged, however, they are all rendered clear enough to be readily identifiable with known species – all, that is, except for the Nandi bear depiction, which does not resemble any species currently known to science. Nor, for that matter, does it correspond with any eyewitness description of the Nandi bear.

 
Nandi bear depiction shown in situ geographically on McKenzie's map East Africa (© John McKenzie – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

To quote Boy's brief account of it:

On McKenzie's map, the Nandi bear illustration appears north of Eldoret, on the Uasin Gishu Plateau [in western Kenya]. The illustration shows a massive, dog-like quadruped, with short hair, of a banded brown-and-yellow colour, and with very stocky limbs, a humped back, and a sharply pointed snout. But what is the Nandi bear doing here? It is, after all, the only creature depicted on this map whose existence, even now, has not been verified by science. Or was its inclusion just a mischievous prank on the map-maker's part? The legend of the Nandi bear is not without its pranksters...

This is very true. However, tempering Boy's above statement is another one made by him when introducing his account of McKenzie's map:

The Nandi bear is pictured on some of the old illustrated wildlife maps of East Africa, published during the Colonial era.

In short, there are other old maps out there somewhere that also contain Nandi bear depictions, which in turn reduces the possibility that its included portrayal on the McKenzie example was merely a prank. Needless to say, I have sought to uncover such maps, but as yet I have not succeeded in doing so. Consequently, if anyone reading this ShukerNature blog article of mine knows of any or can offer relevant information concerning them, I'd greatly welcome details.

For the most comprehensive modern-day coverage of the Nandi bear in published form, be sure to check out my book Still In Search Of Prehistoric Survivors.

 


Thursday, 17 June 2021

WAS A POTENTIAL SOURCE OF NESSIE DNA PROPELLED INTO OBLIVION?

 
The Story of the Loch Ness Monster (1973), by Tim Dinsdale – the very first book devoted entirely to Nessie that I ever read and owned – and I still own it today (© Tim Dinsdale/Target Publishers – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Sceptics regularly dismiss the Loch Ness Monster (LNM) on the grounds that there is no tangible, physical evidence for such a creature's existence, evidence that could be subjected to formal scientific examination in order to determine its originator's taxonomic identity. On one very notable occasion, however, some such evidence was indeed obtained, nothing less, in fact, than sizeable samples of flesh from an apparent Nessie - only for them to be carelessly thrown away!

Here's what happened.

In 1978, a holiday cruiser owned by truck driver Stanley Roberts, rented out to a family that included an elderly grandfather, collided heavily with a substantial unknown object while sailing on Loch Ness near Urquhart Castle. As later recalled by Roberts in a Daily Record interview (click here to read it in archived form online):

The propeller stopped turning. The family were very alarmed. The old man had a heart attack and seemed to have died. There was no radio on board so they let off distress flares to get a tow back to Fort Augustus. The grandfather was taken by ambulance to hospital where he was found to be dead.

Roberts was duly informed by the rental managers. However:

They simply told me there had been an accident. It was only later that I learned more - what had been found on the underside of the boat when they pulled it out of the water.

 
Urquhart Castle and Loch Ness, depicted on a vintage pre-1914 picture postcard (public domain)

Boatyard workers who examined the cruiser had found:

flesh and black skin an inch thick along the propshaft. [However,] the workers chiseled the flesh away and threw it into the Caledonian Canal. I said you stupid b-----s. It would have proved that Nessie was here.

Indeed it might. Certainly, to quote Adrian Shine of the Loch Ness Project when told of this incident:

Very frustrating. With modern DNA techniques we could have learned a lot about exactly what had caused the damage.

In fact, this was quite possibly the single greatest lost opportunity in the entire LNM history to conduct a direct scientific examination of Nessie, because there is no known animal species resident in the loch that is big enough to have caused such a collision.

This ShukerNature blog article is excerpted from my book Still In Search Of Prehistoric Survivors.

 
Still In Search Of Prehistoric Survivors (© Dr Karl Shuker/Coachwhip Publications)

 

Saturday, 24 April 2021

HOW THE NANDI BEAR WAS CONCLUSIVELY IDENTIFIED AND CONTENTIOUSLY LOST - OR WAS IT?

 
Artistic restoration by Anthony Wallis of the possible appearance in life of Kenya's mysterious 'giant forest hyaena' – aka the Nandi bear? (© Anthony Wallis)

The hyper-aggressive Nandi bear, named after western Kenya's Nandi County that contains the once-contiguous Nandi and Kakamega Forests around where it has been most frequently reported, is undoubtedly one of Africa's most intriguing albeit infamous cryptids. It also has a string of native names, of which the most familiar are the chemosit and kerit. Moreover, a wide range of identities has been offered for this ferocious mystery mammal down through the years.

These range from erythristic (abnormally red) spotted hyaenas, extra-large modern-day baboons, sizeable all-black ratels (honey badgers), and even the odd aardvark, to various putative Pleistocene survivors – such as a species of chalicothere, giant baboon, African bear, short-faced hyaena, and sizeable wolverine-like mustelid. In fact, as noted by veteran cryptozoologist Dr Bernard Heuvelmans and others, the morphological descriptions recorded for it are so varied that no single species could conceivably reconcile all of them. In other words, it is evident that there is no single Nandi bear identity, that in reality this cryptid is instead a composite created by the erroneous lumping together of reports describing several different animal species.

 
Reconstruction of likely appearance in life of the giant short-faced hyaena Pachycrocuta brevirostris (public domain)

Tragically, however, so few Nandi bear reports have emerged during the past 70-odd years that such discussions may nowadays be of academic interest only. For if a species currently unrecognized by science had indeed previously featured in any documented sightings, by now this marauding mystery beast could well have become extinct, having died out before its reality and taxonomic identity had even been confirmed – except, that is, its reality and identity WERE apparently confirmed, after the carcase of a shot specimen was brought to a world-famous scientist for his opinion as to what it was. After closely examining this extraordinary creature's mortal remains, he offered what he considered to be a conclusive identification – and, in so doing, provided zoology with a major shock.

So why hasn’t this dramatic revelation regarding the Nandi bear's identity become well known, resulting in its formal recognition by science – and what happened to that uniquely significant examined specimen? Read on, and except (sadly) for the specimen itself, all will be revealed – albeit not at all in the way that I'd expected when first electing to investigate and document this exceedingly convoluted cryptozoological case.

Our tantalizing tale begins with a mystery within a mystery – namely, claims that the Nandi bear is in reality a giant forest hyaena. But what exactly IS a giant forest hyaena? After all, no such animal is formally recognized by science. Some notable cases featuring this mysterious creature that have been reported from Nandi bear territory were originally documented in a 2-page article written by Nairobi-based ornithologist Dr Gurner Robert Cunningham-van Someren (1913-1997) and published in the September/October 1981 issue of the East Africa Natural History Society Bulletin. Cunningham-van Someren, or Chum as he was popularly referred to (and which for reasons of brevity I shall also do henceforth), was Curator of Birds at Kenya's National Museum from 1975 to 1985 but famously had a wide knowledge of most African animals and plants, and was frequently consulted on matters covering the full spectrum of this continent's wildlife. Here are the relevant details as given by him in his article:

 
Nandi tea plantations (© Dennis Kipkogei/Wikipedia – CC BY-SA 4.0 licence)

Around 1957-1958, Douglas Hutton, the manager of Chemomi Tea Estate in the Nandi district, shot two specimens of a strange, unidentified species of mammal and sent their carcases to the tea factory, where several members of staff viewed them. During the early 1980s, Chum interviewed three of these eyewitnesses independently, and received detailed, largely consistent descriptions.

Standing almost 3 ft high at the shoulders, which bore a heavy mane of long hair, the creatures had broad, short heads with small ears, broad chests, rearward-sloping backs that emphasised their long heavy forelegs and shorter hind legs, and short tails. Only when enquiries were made as to the colour of their fur was there any noticeable disagreement between the trio of eyewitnesses – two claimed that it was grey-brown with light tips, the third stated that it bore black spots on a lighter background colour. None had ever seen such animals before.

The creatures' skeletons had been left in the bush to be cleared by ants, after which Hutton sent them for examination to what was then Nairobi's Coryndon Museum, but which in 1964 became Kenya's National Museum within this country's National Museums complex. In the report that he later received from the museum, their species' identity had been given, somewhat enigmatically, as a 'giant forest hyaena'. As for these intriguing specimens: like so many others of potentially profound cryptozoological significance, they somehow went missing and never resurfaced.

 
Nandi bear reconstructed as a giant hyaena-like creature (although this image appears in many online websites, its © holder/artist is currently unknown to me, despite my having made several detailed internet searches – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only – any information concerning its © holder would be greatly welcomed for correct attribution purposes)

At the end of July 1981, Ken Archer, General Manager of Eastern Produce Company and a friend of Hutton, was informed that farmers working on plots of land on the Nandi Escarpment road from Chemilil to Nandi had sighted a mysterious animal that they were unable to identify. On 12 August, he and Chum visited the farmers to ascertain the animal's appearance - and discovered from the vivid description given by one of the observers that it matched that of the two beasts shot by Hutton back in the late 1950s. The observer denied emphatically that it had been a baboon or a pig, and did not think that it was a spotted hyaena either.

And speaking of Ken Archer: Chum claimed that in 1981 he had received a request from Hutton via Archer to investigate at Kenya's National Museum (where Chum was of course by now its Curator of Birds) the mysterious disappearance of Hutton's two specimens. This he did, but he could find neither any trace nor even any record of them there. Also of note: Archer had once personally spied what he thought may be a Nandi bear, some time prior to December 1937 (the month in which his sighting had been documented, but not dated, by British governmental administrator Captain William Hichens within an article on African mystery beasts published by the periodical Discovery). Archer had been in the company of a Major Braithwaite when they saw in some long grass what they initially took to be a lioness, until they saw that it sported a snout. Its head was very large, and it stood about 4.5 ft at the withers, which were very high, but its back sloped steeply to the hindquarters. Its coat was thick and dark brown in colour. They lost sight of this curious creature when it disappeared into a belt of trees near the river.

In addition to the Hutton and Archer reports documented by Chum and recorded by me above, I also learned of the following one. In 1962, the father of Nandi-born white hunter Jamie McLeod shot a creature whose unresolved species McLeod himself subsequently spied, and which he too referred to as a giant forest hyaena. According to his description, it was twice the size of Africa's spotted hyaena Crocuta crocuta (the largest hyaena species known to exist today), with long shaggy brown hair that tended to be very dirty on its belly, a lion-sized head, large carnivorous teeth, and a sloping back (but not as pronounced as the spotted hyaena's). I'm not aware of any details concerning the fate of the specimen shot by McLeod's father.

From such reports as these, it does seem unlikely at least on first sight that 'giant forest hyaenas' of the type documented here are spotted hyaenas. Occurring throughout eastern Africa south of the Sahara, this latter creature is as noted above the largest of the four modern-day species of hyaena, weighing as much as 120 lb, with a total length of up to 7 ft in exceptional specimens, and a shoulder height sometimes reaching 3 ft. Yet these still fall short of the dimensions required by any hyaena seeking to assume the role of the mystery beasts reported here. Nor does the long, shaggy, drab-coloured fur usually ascribed to the latter cryptids readily recall the typically short-furred, spotted pelage of Crocuta crocuta (although it is true that in terms of individual coat colouration and patterning, this species can be extremely varied – more about which later).

 
Two specimens of the spotted hyaena revealing the varied nature of this species' coat colour and patterning (© Markus Bühler)

In 2019, a correspondent whose identity is known to me but chooses not to reveal it publicly online, preferring to use the screen name Bradypus Tamias instead (and which, therefore, I shall also do here), kindly brought to my attention a very extensive and thoroughly fascinating but hitherto obscure article on the Nandi bear that had appeared in the October/November 1998 issue of the Nairobi-based SAFARI Magazine (an in-flight magazine that some commercial airlines carry for their passengers to read).

Written by Gordon Boy, it included many of the famous published reports of early 20th-Century Nandi bear sightings (a fair number of which are also documented within my two prehistoric survivor books' very extensive Nandi bear section), as well as the late 1950s Hutton episode documented by me above regarding the two slain but subsequently vanished 'giant forest hyaenas'. Moreover, it also included details of a much more recent Nandi bear encounter, one that was entirely new to me. It took place in February 1998, i.e. just 8 months before the publication of Boy's SAFARI article, and here is his description of that incident:

An expatriate construction engineer, Dennis Burnett, then based temporarily in Kisumu while working on a project for the Nairobi road-building firm Issaco, was driving home at night along the Koru-Kisumu road skirting the base of the Nandi Escarpment with his wife Marlene. It was pouring with rain when, suddenly, a large animal stepped out onto the road in front of their car. “In that instant, I could have sworn it was a bear,” he says.

 

The Burnetts were lucky enough to get a second look. “We stopped the car and, after reversing slowly back to the spot and then directing our brights onto the side for which the beast had seemed to be heading, we saw it again, for about 15 seconds, passing right in front of us.” It was then, Burnett says, that he and his wife realised that their ‘bear’ was really “an enormous, shaggy hyena – like a Striped Hyena, only very much bigger.”

 
A painting from 1909 of a striped hyaena with its mane erected (public domain)

The striped hyaena Hyaena hyaena is smaller than the spotted hyaena, standing up to 2.5 ft at the shoulder, with a head and body length of up to 4.25 ft plus a tail length of up t0 1.25 ft, and an average weight of around 77 lb, but with confirmed records of up to 121 lb. It occurs throughout East Africa, North Africa, and northwestern Africa (plus parts of the Middle East and southern Asia), and is named after the vertical striping on its flanks. Yet even if an exceptionally large specimen could explain the Burnetts' sighting documented above, it does not correspond with those in which the cryptids were referred to as giant forest hyaenas.

Nor does the only other hyaena species known to exist in East Africa – the aardwolf Proteles cristatus. For although it bears a superficial resemblance to the striped hyaena in terms of its striped coat and body outline, this aberrant species is the smallest, weakest hyaena alive today, and is exclusively insectivorous. So it is highly unlikely to be a plausible identity for the above mystery beasts.

 
Aardwolf (© Dr Karl Shuker)

If only the shot carcase of one of these mystifying Nandi-originating 'forest hyaenas' had received an unequivocal taxonomic identification by a relevant scientist and had then been sent to one of the world's premier collections of natural history specimens for a comprehensive second opinion (followed by formal documentation and recognition thereafter in the official zoological literature). In fact, although not previously revealed within the cryptozoological community, that is precisely what did happen – or at least most of it. Moreover, this particular specimen is also potentially of immense zoological significance, because it was identified neither as a spotted hyaena nor as a striped hyaena nor even as an aardwolf.

So here, as a ShukerNature exclusive, is the full story of this very unexpected specimen – an unmasked Nandi bear, no less, but no more either...

In another email to me of 2019, Bradypus Tamias mentioned that he had been seeking sight of an article written by an Angus F. Hutton that had appeared in the October/November 2009 issue of Old Africa, a magazine devoted to recalling East Africa's past and published in Naivasha, northwest of Nairobi, in Kenya. Happily, I was able to track it down online as a pdf file, and sent Bradypus a direct link to it.

Moreover, as soon as I began reading this article myself, it became evident that Angus F. Hutton was actually one and the same as Douglas Hutton, the manager of Chemomi Tea Estate who, according to Chum, had shot the two giant forest hyaenas in around 1957-1958 – except that he hadn't…

Nor, clearly, was Hutton's first name Douglas – just one of three notable errors made by Chum concerning this incident, as we shall now see.

A Life Fellow of the renowned Zoological Society of London who was very well-acquainted with the local Nandi fauna, Hutton opened his article by stating that a few years previously (i.e. prior to 2009), he had been amazed to find online his name linked to:

…a vague report about my shooting two Nandi Bears and the skins being lost! Actually it was only ONE Nandi Bear. I shot it with my .38 KPR Revolver half way between the Nandi Bears Club [a golf club] and Chemomi in the bit of forest at the saddle (where the Nandi used to hold their circumcision ceremonies). I was accompanied by our Cattle Assistant, Harry Tunmer, who had his massive Colt 45 Special Revolver. I had seen the mysterious Nandi Bear several times in that same area…I was determined to obtain a specimen of the Nandi Bear to end the speculation of what kind of animal it was.

I was Senior Assistant Manager and Factory Manager at Chemomi Tea from 1954 to 1962. I had numerous discussions with Dr Louis Leakey about my encounters with the elusive animal.

Dr Louis Leakey (1903-1972) was of course the eminent Kenya-based palaeoanthropologist whose pioneering archaeological work at Olduvai Gorge alongside his wife Mary revealed many highly significant early human remains, contributing immensely to our knowledge of human evolution in Africa. Moreover, at the time of Hutton's communications with him, Leakey was curator of the then Coryndon Museum – his tenure there spanning 1941-1961.

 
Dr Louis Leakey and his wife Mary (Smithsonian Institution/Wikipedia, no restrictions)

In his article, Hutton then related how, one evening in June 1960 (i.e. not in either 1958 or 1959 as Chum had claimed), while at the Nandi Bears Club, he had received a telephone call from his wife Gen at their Chemomi home concerning their newish cook/houseboy who was armed with a panga (long machete-like knife) and seemed both drunk and half-demented, causing her to fear for her safety and that of their two children. So Hutton, accompanied by Tunmer, left the club at once and drove back towards Chemomi. Then:

Suddenly as we rounded a bend there were TWO Nandi Bears about five yards away on my side of the road dazzled by the headlights. To me they both looked like smallish bears standing upright – about four to five feet in height – till I realized their front feet were still on the ground and the animals, in fact, had all four feet on the ground.

As a famous, longstanding big-game hunter, Hutton was a crack shot, and dispatched the larger of these two peculiar creatures straight away with a single bullet that severed the spinal cord in its neck, so that it dropped dead with its head at right angles to its body. Knowing the scientific worth of its skull if undamaged, Hutton stopped Tunmer from shooting it in the head (which he had wanted to do in order to ensure that it really was dead). As for its smaller companion:

The other animal bolted back into the bush on my side so Harry was unable to get a shot at it, but he had a good view. We could see how the shoulders sloped back sharply to the rump as it disappeared into the forest. He helped me load the corpse into the back of the wagon. I was amazed to see what I had shot. The animal was quite unlike anything I had ever read about or seen. It had long shaggy gingery-brown coloured hair. I was amazed at the height of its shoulders in relation to its very low hindquarters. It had small rounded ears. Its jaw and teeth were massive and its tail very short with a small black tuft on the end. The feet were also black. The sexual organs were huge and absolutely astounding. The animal appeared to be both male and female at the same time.

Hutton and Tunmer drove on swiftly to Hutton's house, where the cook, lying in a drunken stupor outside, took one look at the dead Nandi bear, dropped his panga as he shrieked in terror, then ran off, not returning for three days. Hutton and Tunmer, meanwhile, brought the creature's carcase inside the house, and the following day saw Hutton taking numerous colour photo-slides of it. Then, being an expert taxidermist as well as a very proficient big-game hunter, he carefully skinned and prepared its pelt, dissected its skeleton, and afterwards buried it in an ant heap for the voracious ants to strip every vestige of flesh from its bones. He also returned to the spot where he had shot it, and took plaster casts of the pugmarks from both animals that were still present there.

Hutton then telephoned Dr Leakey at the Coryndon Museum to inform him of what he had obtained, and a very excited Leakey asked him to ensure that everything was preserved. Hutton posted all of his slides to Leakey (but had not obtained copies of any of them beforehand that he could have retained for safekeeping), and some time later the preserved, well-packaged skeleton was delivered personally to Leakey by one of Hutton's friends. Hutton also sent to him the preserved skin and the spoor casts, all of which Leakey safely received, as acknowledged by him in a typewritten letter to Hutton dated 8 August 1960. Confirming this is a photograph of that letter, included in Hutton's Old Africa article. So far, so good – and more was still to come!

 
Dr Louis Leakey (public domain)

In his letter to Hutton, Leakey made the following revelatory statement concerning the identity of Hutton's shot Nandi bear:

There is no doubt it is the Long Haired Brown Hyaena which is almost unknown and has never been properly scientifically described. It was first recorded by Colonel Meinertzhagen, who shot one in 1905 in the Nandi area during the Nandi Wars. He preserved only the skin and sent this to the British Museum Natural History [now London's Natural History Museum] in 1906 on his return to England.

There is another record in our Museum of one, which was found partly eaten by a leopard by a local settler near Tindaret in 1913. However, the skin had to be discarded as it was badly preserved. The BMNS [sic – should be BMNH] specimen also appears to have disappeared which is unfortunate, as I contacted them after receiving your earlier letter, dated October 12th 1958, when my assistant Miss Jane Goodall, made a thorough search of our records.

Two short paragraphs, but containing a wealth of telling yet also sometimes confusing information. So let's start our analysis of their contents at the beginning.

First and foremost, the Long Haired Brown Hyaena is obviously what is nowadays known simply as the brown hyaena Hyaena brunnea, the fourth species of hyaena still living today. It is only marginally larger than the striped, and therefore rather smaller than the spotted, but both the striped and the brown hyaena can readily make themselves look much larger than they actually are by erecting hairs up to 1 ft long on their neck and back, which they do during acts of aggression or agitation. Moreover, the brown hyaena is instantly distinguished from all three of the other modern-day hyaena species by virtue of its very long, shaggy, dark brown coat, its tall brown-and-white striped limbs, very large pointed ears, and short, bushy, but fairly inconspicuous tail, which collectively give it a somewhat bear-like appearance.

 
Vintage photograph and modern-day photograph of brown hyaenas (public domain/© Markus Bühler)

Needless to say, therefore, if the brown hyaena inhabited East Africa, it would make at least on morphological grounds a very plausible Nandi bear of the 'giant forest hyaena' variety, especially if an unexpected encounter with humans caused it to feel threatened and thus to erect its neck and back hairs, thereby greatly increasing its perceived stature. However, this species, the rarest hyaena alive today, is officially confined entirely to southern Africa, but note my usage here of the word 'officially'…

In 1930, the skull of a supposed baby Nandi bear, which had been trapped on a farm near Koru (now Muhoroni), was presented to Colonel Charles T. Stoneham (a major collector of natural history specimens that later formed the basis of the Museum of Western Kenya). This was because Stoneham was known for his interest in the Nandi bear, having earlier claimed an encounter with a living specimen. However, as has been documented by Heuvelmans and others, Stoneham's detailed description of what he saw gave little room for doubt that it was actually an aardvark – he even likened it to an "anteater".

 
Exquisite 19th-Century engraving of aardvarks (public domain)

Anxious, therefore, to avoid any confusion or ridicule this second time, instead of passing any opinion himself Stoneham forwarded the skull to none other than Leakey at the Coryndon Museum. After examining it closely, Leakey had startled everyone by confirming that although a hyaena skull, it was from neither a spotted nor a striped hyaena, but was instead that of an old, full-grown brown hyaena!

Speaking of Leakey: in his letter to Hutton, what did he mean when he claimed that the brown hyaena "is almost unknown and has never been properly scientifically described [and] was first recorded by Colonel Meinertzhagen, who shot one in 1905 in the Nandi area during the Nandi Wars"? In reality, the brown hyaena was formally described and named as long ago as 1820, by Swedish naturalist Carl Peter Thunberg, who dubbed it Parahyena brunnea (but it was later rehoused in the genus Hyaena, alongside the striped hyaena). It is also depicted via engravings and its occurrence in southern Africa documented within several 19th-Century natural history tomes that I own. Consequently, what Leakey was evidently referring to was its presence in East Africa, something that even today is not officially recognized.

 
A colour engraving of the brown hyaena by Felix de Azara, which in 1839 appeared in Charles Hamilton Smith's tome The Natural History of Dogs…Including Also the Genera Hyaena and Proteles (public domain)

Moving on to Meinertzhagen: although British soldier and ornithologist Colonel Richard Meinertzhagen (1878-1967) is famous in cryptozoological circles by virtue of his discovering in 1904 Africa's spectacular giant forest hog Hylochoerus meinertzhageni, which is the world's largest species of wild pig, his name is also infamously associated with a number of zoological hoaxes. Among the most notorious of these are ones featuring bird specimens that he claimed to have personally obtained in certain named localities in the wild, only for researchers to discover later that he had in fact purloined them from various collections and had entirely invented their alleged provenances. Unfortunately but unsurprisingly, therefore, doubt has been expressed over whether his 1905 brown hyaena specimen really did originate from East Africa.

 
Colonel Richard Meinertzhagen in 1922 (public domain/Wikipedia)

As for Hutton's earlier letter of 12 August 1958, sent to Leakey's assistant, Miss Jane Goodall: yes indeed, this really is THE Jane Goodall, who went on to become one of the world's foremost field anthropologists due to her pioneering, seminal, and still-ongoing studies of chimpanzee behaviour in the wild. Sadly, Hutton did not include in his Old Africa article a photograph or any details regarding the content of his letter to Miss (now Dr) Goodall, but he did include a transcript of her short letter replying to it, which was dated 20 October 1958. Only one paragraph of her reply mentions the Nandi bear (but as seen below, it very succinctly reveals what he had written about it in his letter to her), which reads as follows:

Your record that the Nandi Bear has been seen by numerous people in your district during the last six months intrigues me. Your description sounds to me like the long-haired brown hyaena which is, unfortunately, little known in this country [Kenya]. Most people are only conversant with the Spotted Hyaena and the Striped Hyaena. The Brown Hyaena, however, does not walk on its hind legs!

As personally experienced by Hutton during his encounter with the two Nandi bear specimens on that fateful June 1960 evening, however, the marked difference in height between their shoulders and their much lower hindquarters can create the illusion that it is standing upright. This in turn could explain Nandi bear eyewitnesses claiming that they have seen such beasts walking upright, especially if these eyewitnesses were sufficiently startled by spying them in the first place or only had an indistinct view of them.

 
Dr Jane Goodall (public domain)

Returning to Hutton's shot Nandi bear specimen: what happened to it after Leakey had identified it as a brown hyaena? Due to its great significance as having been shot not in southern Africa but instead in East Africa, where this species was not supposed to exist, Leakey rightly deemed it to be "a very rare and valuable specimen". Consequently, and albeit reluctantly (because as he noted in his letter to Hutton he would have dearly liked to have retained it at the Coryndon Museum), Leakey decided to send it to London's British Museum Natural History for a full scientific description of it to be prepared there and officially published in the zoological literature. Due to its weight, however, he elected to send it (together with the colour photo-slides and spoor casts) not by air but instead by sea freight, from the Kenyan port of Mombasa. This he did – but apparently this zoologically-priceless package never reached the BMNH!

Instead, to quote Hutton's wry comment in his Old Africa article:

Sadly, probably the world's rarest natural history specimen and the colour slides disappeared between Mombasa and England without trace. Who knows? It might still be sailing the seven seas in a ship's bilge!

But how do we know for certain that it never reached the BMNH? Leakey never received any acknowledgement of its arrival there, so he naturally assumed that it was lost, but there is a lot more than just that to take into account here.

I noted earlier in this present ShukerNature blog article that according to Chum, Hutton's friend Ken Archer had asked him on Hutton's behalf in 1981 to check whether there were any records at Kenya's National Museum of the two Nandi bears shot by Hutton, but that he had found no trace nor even any record there of those specimens. Of course, we now know from Hutton's own article in Old Africa that although he had encountered two specimens, he had only shot one of them, the other specimen escaping unharmed. So Chum was incorrect in relation to this key aspect of that incident – and that was not his only misapprehension concerning it either. I have already mentioned his misremembering Hutton's first name, but he also made a third mistake, which in my opinion was the most profound and far-reaching one.

For of crucial importance here, so please keep this fact firmly in mind, is that whereas Chum had claimed that the two Nandi bears (in reality only one) had been shot by Douglas (in reality Angus) Hutton around 1957-1958, Hutton confirmed in his Old Africa article that he had shot the single Nandi bear in June 1960. So Chum had been wrong not only about Hutton's name and about how many Nandi bears had been shot by him but also about when the shooting had taken place. Yet, paradoxically, this last-mentioned mistake by him actually provides a sliver of hope that Hutton's ostensibly lost specimen might not actually be lost after all!

This is because in addition to searching the records of Kenya's National Museum, Chum had also contacted the BMNH's then mammal curator Daphne Hills, to double-check whether Hutton's specimen had indeed arrived there. We know that significant detail, because Hutton exclusively revealed this in his article by including in it the full typescript of Hills's letter of reply to Chum, which was dated 27 November 1981. In her letter, Hills made the following pertinent statements:

I have recently been curating our hyaena material and can say with some certainty we do not possess a specimen of the Chemoni Tea Estate sent from the Coryndon.

I have also looked at the correspondence from 1956 to 1959. There are a great many letters from Dr. Leakey, but no mention of a hyaena or "Nandi Bears." The "Long-haired Brown Forest Hyaena" sounds a most unlikely name, as the brown hyaena Hyaena brunnea is restricted to S. Africa and Namibia, but it could perhaps refer to an oddly coloured spotted hyaena Crocuta crocuta like the one mentioned in the enclosed article by R.I. Pocock. [Hills had enclosed with her reply to Chum a couple of articles, and I suspect that the Pocock article was one entitled 'The Story of the Nandi Bear', published by Natural History Magazine in 1930, which contains details concerning a number of aberrant spotted hyaenas deemed by some to have been Nandi bears.]

 
British zoologist Reginald I. Pocock (1863-1947) (Wikipedia – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Let's dissect those two paragraphs from Hills's letter and annotate them with some relevant information.

Firstly, the BMNH has a number of very sizeable warehouses containing specimens that have been received by it but not presently studied or assimilated into its main collections. Consequently, it is possible that Hutton's specimen did arrive but was passed to one of these warehouses and may still be there today, unregistered and uncatalogued. This could explain why Hills did not encounter it when curating the museum's hyaena material.

Secondly: Hills was obviously at a great disadvantage when attempting to offer an identification of Hutton's specimen, because she had neither the specimen itself nor any photos of it nor even a verbal description to examine, nothing more in fact than the "long-haired brown hyaena" appellation given to it by Leakey. And as the brown hyaena is not supposed to exist in East Africa, it is hardly surprising that she discounted this species as an identity for Hutton's missing mammal.

Thirdly: we now come to by far the most perplexing content of Hills's reply, at least on first sight. She stated that she had looked at the correspondence (on file at the BMNH) from 1956 to 1959, but had not found any letter from Leakey mentioning a hyaena or Nandi bears. When I read this statement, I immediately thought to myself: "Why was she looking through correspondence from 1956 to 1959, when Hutton hadn't even shot the creature until June 1960? Why hadn't she looked through correspondence from 1960 to 1961, instead?" After all, it's hardly surprising that she didn't find any letter dated 1956-1959 from Leakey containing a mention of a hyaena or Nandi bears when the earliest that he would have written such a letter would have been the second half of 1960.

Nor was I alone in being mystified by this chronological conundrum. At the very end of Hutton's article in Old Africa, the magazine's editor had added a single-paragraph conclusion, which included the following line:

And the letter from the British Museum [i.e. Hills] says they checked the letters received from Dr Leakey between 1956 to 1959, but the Nandi Bear specimen was not sent to them until some time after August 1960.

Precisely so. And then I had a thought. As already noted here by me, Chum had been under the misapprehension that Hutton had shot the Nandi bear (or two Nandi bears, as he was also wrong about) around 1958-1959, not 1960. Consequently, it seems very plausible to me that when Chum wrote to Hills, those were the dates that he included in his letter, not 1960 (no mention of that letter's contents were given by Hutton in his article, but this is perfectly understandable, because there is no reason why Hutton would have ever seen it prior to Chum sending it to Hills). If I am correct, this would therefore explain the otherwise incongruous action of Hills looking through correspondence for entirely the wrong years.

However, it also means that in the BMNH's 1960-1961 correspondence there just might be a letter from Leakey concerning Hutton's specimen. If so, and if, furthermore, this letter had not been sent in advance but had actually been included by Leakey inside the package containing that specimen (which after all is a reasonable assumption, as it would instantly explain the package's contents to whoever opened the package upon its arrival at the BMNH), the letter's presence in the BMNH's correspondence would mean that his specimen did reach the museum after all! Consequently, you will not be surprised to know that I have contacted the relevant researchers at the BMNH explaining all of this, and asking if it would be possible for a perusal of communications received in 1960-1961 to be scrutinized in search of such a letter from Leakey. If I receive a response, I shall of course include a relevant update here.

A virtual Nandi bear? (created by me using Magic Studio)

Meanwhile: yet another major aspect of this complex case needs to be considered here. Namely, did Hutton's two sighted Nandi bears constitute representatives of some still-cryptic indigenous East African population of the brown hyaena, or might they instead have been a pair of stragglers that had somehow made their way across thousands of intervening miles from their species' confirmed homeland in southern Africa?

In 1962, Hutton left Kenya permanently (resettling in Australia), but back in his time there and earlier, the Nandi Forest was a dark, forbidding locality, covering a very considerable area and contiguous with the equally dreaded Kakamega Forest. These very dense, wooded expanses were rarely penetrated by their superstitious human neighbours for fear of what horrors they may encounter there. Consequently, it would not be beyond the realms of possibility that this rainforest jungle domain did once house a native population of that mysterious hyaena, which in view of its secretive, nocturnal lifestyle and dark coat would only rarely be spied, but which on account of its unfamiliar nature would be blamed for whatever predatory attacks by whatever forms of creature occurred in its vicinity, i.e. regardless of whether the brown hyaena was the actual culprit. So, more of a scape-hyaena or bogey bear than a Nandi bear?

Having said that: if there are (or were) indigenous brown hyaenas in East Africa, genetic isolation from their southern African compatriots may have engendered via evolution a larger body size for them, further heightening the terror that encounters with such creatures would have elicited among the Nandi locals.

 
Kakamega Forest interior (© Matthias Bohnen/Wikipedia – CC BY-SA 4.0 licence)

Moreover, there is a very notable precedent for exhibiting a discontinuous geographical distribution – and from within the hyaenas' very own taxonomic family. Famously, the aardwolf is known to exist in East Africa and southern Africa but nowhere in between. So why not the brown hyaena too, especially as this latter species is extremely reclusive? (In 2008, I was extremely lucky to spy a brown hyaena while taking part in a dawn safari at the Shamwari private game reserve in South Africa.)

Sadly, however, by the 1980s great swathes of the original Nandi and Kakamega rainforests had been depleted, replaced by cultivated farm land, no doubt leading in turn to a corresponding depletion of the fauna that once inhabited this area. This in turn could explain why modern-day Nandi bear reports are virtually non-existent – any indigenous brown hyaena population that may have formerly existed there is now almost certainly gone, wiped out. To quote Chum in his afore-mentioned East Africa Natural History Society Bulletin article from 1981:

Hyaenas used to be numerous [in the Nandi/Kakamega Forest area] in the past but with the development of tea gardens much of the forest has disappeared and below the escarpment there is a vast sea of sugar cane. A good hyaena environment no longer exists while additionally today there is little food to sustain a population of this animal. The local people and many club members of the Nandi Hills Club [aka the Nandi Bears Golf Club] say they have not seen hyaena for many years though they used to be fairly common.

Alternatively, might any encounters with brown hyaenas in East Africa feature wanderers from southern Africa instead (or even additionally)? This is by no means impossible either. Referring to the Leakey-identified brown hyaena skull obtained in 1930 near Koru, Boy notably revealed in his afore-mentioned SAFARI article:

This was a significant discovery in itself, in that Brown Hyenas, while not uncommon then in some parts of southern Africa, had never before been recorded so far north of the Zambezi. …

When, in the decades that followed, occasional reports emerged, of sightings of Brown Hyenas along the shorelines of the Rift Valley lakes of Manyara, Eyasi, and Natron, in northern Tanzania, the strange case of the Nandi bear appeared, to many, to be as good as closed.

From time to time, it seemed, possibly in drought years, nomadic Brown Hyenas from southern Africa, usually solitary males, would wander northward, following the course of the Rift Valley, where they would sometimes be found scavenging at night around the lakes. Sightings, though, of such beasts were accounted so sporadic, as to persuade many that the Brown Hyena – rarely ever seen, and wholly unfamiliar to people in East Africa – must, indeed, be the basis for the legend of the Nandi bear.

 
Looking along this lonely, deserted path cutting through the Kakamega rainforest, one could readily imagine a Nandi bear suddenly stepping out onto it from the dense cover of the thick foliage and trees on either side! (© Nao Lizuka/Wikipedia – CC BY 2.0 licence)

Thanks to Stoneham, Hutton, and Leakey, physical, tangible evidence had ostensibly been procured for the erstwhile existence of at least three brown hyaena specimens in East Africa, and specifically Kenya, although whether these were from an undiscovered indigenous population or were simply rare wanderers that had made their way northeastward from southern Africa remains undetermined.

In conclusion: after reading the articles of Boy and Hutton, I should now favour the brown hyaena as a leading player within Kenya's long-running Nandi bear stage show – but note my usage and emphasis of the word 'should'.

Yes indeed: just when you thought that Hutton's sighted/shot Nandi bears had been conclusively identified as brown hyaenas, albeit on zoogeographical grounds a most surprising identity for them and thence for the Nandi bear as a whole, it's time for me to totally turn this entire ShukerNature blog article upon its metaphorical head, by stating that in my humble opinion, Dr Leakey may in fact have been wrong when identifying Hutton's shot specimen (and thence by association its escaped mate too) as Hyaena brunnea – and here's why.

Throughout my researching and writing this present article, two short lines in Hutton's account of his shot Nandi bear have nagged away remorselessly at the back of my mind when attempting to reconcile Leakey's identification of it as a brown hyaena – and here are those two lines, which appeared in his description of the specimen:

The sexual organs were huge and absolutely astounding. The animal appeared to be both male and female at the same time.

These lines confirm beyond any shadow of doubt that Hutton's shot Nandi bear was a hyaena. For in zoological circles it is well known that adult female hyaenas possess an extremely sizeable penis-like clitoris that is almost as large as an adult male's bona fide penis (and is thus referred to as a pseudo-penis), as well as fused labiae that look surprisingly like testicles (i.e. a false or pseudo-scrotum) – highly unexpected attributes that have often resulted in observers wrongly claiming that hyaenas are hermaphrodites (i.e. both male and female at the same time, especially as adult females also possess teats). Or, to be precise – and which is absolutely crucial here – wrongly claiming that one species of hyaena is hermaphrodite. For there is indeed only one single species of hyaena whose adult females exhibit this extreme sexual condition, and it is NOT the brown hyaena!

On the contrary, adult females of the brown hyaena, and also of the striped hyaena and the aardwolf, all possess normal sexual organs. The only hyaena species whose females possess this bizarre peniform clitoris and labiae-created pseudo-scrotum is the spotted hyaena! (NB – in a May 2007 paper published by the scientific journal Hormones and Behavior, a team of researchers reported transient genital anomalies characterized by a convergence in genital appearance among young male and female striped hyaenas, but not among adult males and females of this species.)

 
Diagrammatic representation of the external genitalia of an adult female spotted hyena, showing the peniform clitoris and false scrotum. From: Matthews, L. Harrison, 'Reproduction in the Spotted Hyaena Crocula crocuta (Erxleben)', Philosophical Transactions of the Royal Society, Series B, vol. 230 (1939) (public domain)

Here is a pertinent quote from the chapter on hyaenas in Volume 6 of the second edition of Encyclopaedia of Reproduction (2018), providing a succinct description of the spotted hyaena's extraordinary anatomical condition:

Whereas the first three species [aardwolf, striped hyaena, and brown hyaena] show the typical mammalian pattern of sexual dimorphism [i.e. the sexes are morphologically distinct], the fourth – the spotted hyena – shows the most extreme form of sexual monomorphism [the sexes look similar] evidenced by any mammal. The female spotted hyena is behaviorally and morphologically “masculinized,” being larger than the male, socially dominant over the male, and possessing external reproductive anatomy that bears striking resemblance to that of the male. Notably, the female has no "external" vagina; instead, the urogenital canal passes through a peniform clitoris, providing the female spotted hyena with a singular opening through which she urinates, copulates, and gives birth.

Moreover, in each of the other three hyaena species the sexes are roughly the same size, but in the spotted hyaena, as noted above, the female is larger than the male.

Time, therefore, to recall that Hutton had stated in his account that it had been the larger of the two specimens encountered together by him and Tunmer that he had shot. This simple statement allows two notable deductions to be made. Firstly, they had to have been a pair of spotted hyaenas, not brown hyaenas (or any other modern-day hyaena species), because of the size difference between the two specimens (both were clearly adults because if one of them had been a juvenile and hence was smaller than the other for that specific reason, I feel sure that Hutton would have remarked upon this, as he was an experienced wildlife observer). Secondly, if they had indeed been a pair of adult spotted hyaenas, then the specimen that Hutton shot must have been the female, because it was the larger of the two. And sure enough, Hutton's statement about its astonishing sexual organs giving it the appearance of being both male and female indicate that it had indeed been an adult female spotted hyaena.

Also relevant here is that if this had been the identity of Hutton's shot Nandi bear, it would have borne teats, which of course would have only added to his confusion as to whether this bemusing beast was both male and female!

Further problems when attempting to reconcile Hutton's specimen with a brown hyaena identity also exist. Note that in his description of it, Hutton had stated that the creature's ears were small and rounded, the specific shade of its brown coat was gingery, and its tail had a tuft at its tip. Yet the brown hyaena's ears are conspicuously large and characteristically pointed, its coat is very dark brown, never gingery, and its entire tail is bushy, not just tufted at the tip. Conversely, the spotted hyaena's ears are indeed small and rounded, its coat is indeed gingery-brown in some individuals, and its tail is indeed only tufted at its tip.

 
Brown hyaena in Gemsbok National Park, South Africa, readily revealing its very large pointed ears, dark brown coat, and bushy tail (© Bernard Dupont/Wikipedia – CC BY-SA 2.0 licence)

In fact, as noted earlier here and represented visually by a colour photograph depicting a grey-coated specimen and a ginger-coated specimen standing together, the spotted hyaena is extremely variable in terms of coat colour and patterning. Moreover, the same also applies regarding its coat length, especially when its neck/back mane is taken into account. Game warden Captain Charles R.S. Pitman's fascinating book A Game Warden Among His Charges (1931) contains plenty of information on African mystery beasts, some of which he had personally investigated, including the Nandi bear. In his book, Pitman documented some truly remarkable examples of aberrant spotted hyaenas, and included a photograph of an extraordinarily shaggy spotted hyaena pelt whose colour was referred to by him in the photo's caption as being "like a 'blue kerry'". This bizarre pelt had been obtained from Kenya's Mount Elgon, and had been claimed by locals to be from a Nandi bear. Here is Pitman's verbal description of it:

The feet were missing and the tail was damaged. In general appearance it was that of a long-haired sheep-dog, blackish or blackish-brown dappled with whitish…The face is whitish and there is a long, coarse, pale mane – many of the white hairs are tipped with black. The shoulders are blackish, the back being of the same colour dappled whitish and freely interspersed with long white hairs. There is a secondary coat close to the skin of thick, brownish, woolly hairs. The hindquarters on which there are distinct traces of spotting are blackish with a rufous tinge. The tail, as far as could be seen, is generally whitish, but black near the root, and at the tip there is a big, black, bushy tuft. In spite of its peculiarities, even a cursory glance suggested the pelt of a spotted hyena, a creature with whose bewildering colour variations I am familiar.

The above description certainly recalls the shaggy dark brown 'giant forest hyaenas' and thence Nandi bears that have been documented earlier in this present ShukerNature blog article. And readily recalling Hutton's shot Nandi bear is the following hairy, gingery-brown-furred, only very faintly-patterned specimen of spotted hyaena photographed in Kenya alongside her pair of spotted cubs, one of which is reddish, the other grey, but both much more typical of their species in overall appearance:

 
Adult female spotted hyaena with only faintly-patterned, shaggy, gingery-brown pelage alongside her much more typical cubs (© flightlog/Wikipedia – CC BY 2.0 licence)

There can be no doubt, therefore, that spotted hyaena specimens that superficially recall brown hyaenas but are much bigger, being of typical spotted hyaena size, do exist after all, and parsimoniously would make much more likely giant forest hyaenas aka Nandi bears than actual brown hyaenas would, especially as the latter beasts would be also exceedingly out of place in East Africa.

Obviously I cannot offer the following opinion as a statement of fact in the absence of having first seen Hutton's specimen personally or at least some photo-slides of it. Nevertheless, based upon Hutton's very informative description of this specimen, plus what I have presented here regarding unexpected yet fully-confirmed brown-coated, shaggy Crocuta specimens, the likelihood is that his shot Nandi bear was not a brown hyaena at all, but was instead an adult female spotted hyaena, and that, against all expectations, Leakey's taxonomic identification of it was incorrect.

This particular case provides a perfect example of open-mindedly allowing the facts to guide you to your conclusions, rather than adopting the reverse course of action, i.e. close-mindedly twisting the facts to support a pre-conceived notion. For when I began investigating and researching this ShukerNature article, I freely confess that I naturally assumed Leakey to have been correct in his identification of Hutton's Nandi bear as a brown hyaena, and I anticipated on documenting the history of this remarkable but hitherto little-known specimen accordingly. However, during the preparation of my article, I became increasingly uncertain, with Hutton's telling lines describing the creature's sexual organs refusing to be ignored and, in turn, leading me to notice other morphological inconsistencies in this identification too. Consequently, by the end of my article's preparation these facts had guided me into concluding that, notwithstanding Leakey's pronouncement to the contrary, an adult female spotted hyaena, and not a brown hyaena, was the more likely explanation after all.

Nevertheless, after reviewing all of the cases and opinions documented here, not just the Hutton/Leakey episode, it wouldn't surprise me if at least a few brown hyaena specimens had indeed been sighted in and around the Nandi/Kakamega Forest area down through the decades, especially in earlier times when there was much more cover there in which they could remain concealed when not seeking prey. Some of the descriptions of Nandi-spied mystery animals presented above irresistibly recall this very distinctive species. So even though the Hutton individuals must surely have been a pair of adult spotted hyaenas based at least upon Hutton's description of them, perhaps a few brown hyaena specimens have occasionally wandered northward from their southern African homeland, thereby explaining the Nandi people's terror when seeing one, because as noted above they would have no traditional knowledge of this formidable-looking but zoogeographically out-of-place beast.

 
If someone with no prior knowledge of a brown hyaena suddenly came face to face with one in the depths of the Nandi Forest, it would be hardly surprising if they were shocked and terrified by their close encounter with such a formidable-looking beast (© Myska0091/Wikipedia – CC BY-SA 4.0 licence)

One final mystery: in a short letter of 12 March 1982 to Ken Archer in which he enclosed a copy of Daphne Hills's letter containing her comments, Chum added a most intriguing comment of his own:

I have looked at the photographs but really cannot come to a definite conclusion though they are hyaena-like, and this is the finding of others who have studied them.

But which photos was Chum referring to in his letter to Archer? All of the photo-slides snapped by Hutton of his shot Nandi bear specimen and sent by him to Leakey in 1960 had supposedly been packaged by Leakey with the specimen itself and sent by him to the BMNH later that same year. Yet could it be that in reality Leakey had kept a few of them back, retaining them at the Coryndon Museum as a safety precaution, perhaps, just in case the package did indeed go astray in transit? If so, and these precious few images of Hutton's specimen are what Chum had looked at, they were clearly still there during the early 1980s, and may still be there today. Another avenue of enquiry that I am therefore currently pursuing.

Speaking of Chum: in view of his prominent place within this very chequered history of the cryptozoological kind, it seemed only fair and proper that the last word here should go to him. Yes indeed, after writing to him on the subject of African mystery beasts in general but African mystery cats in particular, I received a very detailed handwritten letter from Dr Gurner Robert Cunningham-van Someren, dated 24 September 1987, which I still have on file. Although he was interested in the notion of unexpected animals being discovered in the Dark Continent and elsewhere, and discussed various African examples, he seemed less than impressed in the possibility of the Nandi bear ever becoming one of them, confining his entire coverage of this particular cryptid to a single short but memorable paragraph at the very end of his letter. Here is that paragraph:

Sorry I am unable to be more helpful – the Nandi Bear business was really a PR job as the tea planter [Archer, presumably] was so insistent.

In other words, Chum evidently did not consider the matter a serious one, but had searched on Archer's behalf for Hutton's specimen at the Kenya National Museum and had written his letter concerning it to Daphne Hills at London's BMNH simply to stay on good terms with him. Moreover, Chum's apparent disinterest in the Hutton incident may well explain why he had made three separate mistakes when recalling details regarding it, which in view of his renowned reputation as an extremely knowledgeable authority on African wildlife was highly uncharacteristic of him.

All in all, this has been a cryptozoological case that initially promised so much but ultimately delivered so little.

 
Beware, beware, the Nandi bear! (© Markus Bühler)

Certainly, and regardless of the taxonomic identity of the creature at its core, it remains exceedingly tragic that a specimen unequivocally identified as a bona fide Nandi bear by the person who procured it and who was very familiar with the local fauna has managed to slip through our grasp and consign this mysterious mammal to continuing official obscurity.

Then again, it may not have done. Perhaps there is indeed a letter from Leakey on file at London's Natural History Museum still awaiting disclosure, and perhaps somewhere in one of this leading scientific establishment's vast warehouses of stored but presently-unscrutinized specimens there are indeed a preserved pelt and skeleton, plus a series of accompanying photo-slides and pugmark casts, testifying to the reality of Africa's most daunting, redoubtable creature of cryptozoology. As noted above, if I do receive word back from the NHM, I'll be sure to let you know.

To be continued…?

 

For the most comprehensive modern-day coverage of the Nandi bear in published form, be sure to check out my book Still In Search Of Prehistoric Survivors.