Dr KARL SHUKER

Zoologist, media consultant, and science writer, Dr Karl Shuker is also one of the best known cryptozoologists in the world. He is the author of such seminal works as Mystery Cats of the World (1989), The Lost Ark: New and Rediscovered Animals of the 20th Century (1993; greatly expanded in 2012 as The Encyclopaedia of New and Rediscovered Animals), Dragons: A Natural History (1995), In Search of Prehistoric Survivors (1995), The Unexplained (1996), From Flying Toads To Snakes With Wings (1997), Mysteries of Planet Earth (1999), The Hidden Powers of Animals (2001), The Beasts That Hide From Man (2003), Extraordinary Animals Revisited (2007), Dr Shuker's Casebook (2008), Karl Shuker's Alien Zoo: From the Pages of Fortean Times (2010), Cats of Magic, Mythology, and Mystery (2012), Mirabilis: A Carnival of Cryptozoology and Unnatural History (2013), Dragons in Zoology, Cryptozoology, and Culture (2013), The Menagerie of Marvels (2014), A Manifestation of Monsters (2015), Here's Nessie! (2016), and what is widely considered to be his cryptozoological magnum opus, Still In Search Of Prehistoric Survivors (2016) - plus, very excitingly, his four long-awaited, much-requested ShukerNature blog books (2019-2024).

Dr Karl Shuker's Official Website - http://www.karlshuker.com/index.htm

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Showing posts with label yeti. Show all posts
Showing posts with label yeti. Show all posts

Friday, 19 May 2023

FORTEAN TIMES PRESENTS MONSTER HUNTERS: IN SEARCH OF UNKNOWN ANIMALS - MY LATEST MAJOR CRYPTO-CONTRIBUTION

 
The front cover of the new cryptozoology-themed Fortean Times bookazine Monster HuntersFortean Times/Diamond Publishing Limited – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Bookazines are increasingly popular and prevalent in bookstores and on news stands nowadays, constituting a handy publication format that, as its name suggests, is midway between a magazine and a book. They sell well too, which is why I am currently involved in what, if all ultimately transpires according to plan, will be a series of bookazines featuring various of my animal anomaly writings from down through the years – but more about that some other time.

Instead, this present ShukerNature blog article focuses upon what is to my knowledge the first UK bookazine concentrating specifically upon cryptozoological subjects, and with which I am extremely happy to be associated via my varied contributions to it.

Published by the UK's veteran strange phenomena periodical Fortean Times, its full title is Fortean Time Presents Monster Hunters: In Search of Unknown Animals, and contains 12 classic cryptozoology-themed articles published by FT down through the years. Some of these are the result of field expeditions, others the product of bibliographical researches.

Moreover, as its in-house cryptozoologist for over 30 years now, I was very kindly invited by FT to prepare not only a general introduction to this bookazine but also a concise summary/update for each of its articles, thereby fulfilling much the same role as performed by the late Arthur C. Clarke for each episode in his famous 1980s TV show Arthur C. Clarke's Mysterious World.

The authors and co-authors of the articles are: Neil Arnold, Loren Coleman, Edward Crabtree, Adam Davies (two articles), Richard Freeman, Martin Gately, Sharon Hill, Ruby Lang, Stu Neville, Todd Prescott, Benjamin Radford, Richard Svensson, Michael Williams, and yours truly (two articles).

To avoid spoiling the many surprises in store when you read Monster Hunters, I don't want to give too much away here, so I'll leave you to pair up the articles' authors with their subjects, but the subjects are: bigfoot, British mystery cats, Loch Ness monster, mokele-mbembe, Mongolian death worm, Nandi bear, Russian yeti, Scape Ore Lizard Man, Swedish lindorms, Tajikistan ghul, Trunko, and yowie.

All of the articles are reproduced here in all of their original full-colour glory, which together with my introduction yields an 80-page bookazine that surveys a vast, global range of cryptids in what is unquestionably one of the most engrossing crypto-compendia that I have read for a very long time. Consequently, I unquestionably recommend anyone who has an interest in mystery beasts, or knows someone else who does, to buy (at just £6.99 in shops, or online here at £8.25 including p&p directly from FT) this masterfully-compiled (and bargain-priced!) anthology of very notable crypto-creatures. I guarantee that you won't regret it!

To give you some additional ideas of what to expect, here is FT's own publicity blurb for Monster Hunters:

From the archives of FORTEAN TIMES, the world’s foremost journal of strange phenomena, comes a new collection exploring the world of cryptozoology – the search for unknown animals.

Join us on expeditions to far-flung Mongolia to find the dreaded DEATH WORM of the Gobi Desert, to the Congo in search of a LIVING DINOSAUR and to Tajikistan on the trail of TERRIFYING APE MEN. Explore the wilds of the USA on the track of BIGFOOT and the South Carolina LIZARD MAN, or venture to the marshes of Sweden to investigate sightings of GIANT SERPENTS. And sign up for closer-to-home hunts for NESSIE and BRITAIN’S MYSTERY BIG CATS, including the infamous ‘Essex Lion’. MONSTER HUNTERS takes readers on an exciting round-the-world quest to track the most amazing, elusive and sometimes unbelievable crypto-creatures. Plus, the collection includes an introduction and updates and commentary on each article by renowned cryptozoologist DR KARL SHUKER.

See also its own dedicated page here on my official website.

Finally: I mentioned above that I've written a summary/update for all 12 of this bookazine's articles, but due to reasons of space one of them had to be omitted – my piece for the Nessie article. So now, as a ShukerNature exclusive, I am including it here, together with the illustration (as seen in the bookazine) that it refers to:

Perusing this article, I noted two very different aspects that resonate with my own Nessie associations. First and foremost is his statement that "people can see the monster in anything". This is extremely pertinent, because just as I've documented elsewhere in this bookazine [regarding another cryptid], eyewitness descriptions of what they claim to have been the LNM are so immensely varied that it should be instantly apparent that no single type of creature is being reported. Instead, a diverse range of different animal species, plus all manner of non-living entities (boats, waves, atmospheric mirages, etc), have been sighted on the loch down through the decades but have been erroneously combined by media reports and others to yield a single impossibly-varied and therefore non-existent composite beast known to us all as Nessie. Having said that, some of the separate, component creatures that have been mistakenly united to yield Nessie may themselves be novel beasts – extra-large eels, for instance, much longer than officially-recognised specimens, and/or covertly-introduced specimens of the European giant catfish (wels). But what of the alleged LNM land sightings, where unfamiliar-looking beasts have supposedly been seen in their entirety? If genuine, these cannot be explained via a composite-identity theory, which is why they intrigue me so much, and deserve far more attention than they generally receive. This article's second aspect of personal relevance to me is its illustration of three people looking across the loch at a classic 'head, neck, and hump' Nessie swimming by. That very same illustration was contained in a book chapter that as a child first made me aware of the LNM – but that's not all. The book, Stranger Than People, published in 1968, also opened my eyes to many other mysteries, lighting within me the flame of fascination for all things Fortean that has burned unabatedly ever since [click here to read more by me re Stranger Than People]. So I have a lot to thank it for!

 
The LNM illustration in question, as contained in Monster HuntersFortean Times/Diamond Publishing Limited – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

 

Tuesday, 22 September 2020

A MISSING LINK DOUBLE-BILL - SAME TITLE, TWO VERY DIFFERENT CRYPTOZOOLOGY-LINKED MOVIES!

Publicity poster for Missing Link (1988) and front cover of official DVD for Missing Link (2019) (© David and Carol Hughes/Universal Pictures; (© Chris Butler/Annapurna Pictures/Laika/Universal Artists/AGC – both images are reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Today, ShukerNature reviews two cryptozoology-themed movies with the same title – Missing Link – but dramatically different formats and approaches, as will be seen.


MISSING LINK (1988)

The full cover for the official VHS videocassette of Missing Link, the live-action movie released in 1988 (© David and Carol Hughes/Universal Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Directed and written by David and Carol Hughes, Missing Link is produced in the style of a wildlife documentary with a voiceover narration by actor Michael Gambon. It is set in Africa one million years ago, and follows a voyage of discovery across this continent by a lone adult male 'man-ape' belonging to the early hominin species Australopithecus robustus. He is seeking others of his own species after having fled from the direct ancestors of ours, Homo sapiens, when his entire family was viciously slaughtered by them, leaving him as the only remaining representative of his species in that area.

This very unusual movie is more than a little reminiscent of another one that I watched and reviewed here on ShukerNature not long ago, Jonathan Livingston Seagull, in that although there is not a great deal of plot, the cinematography (again the work of the Hugheses) is absolutely spectacular. Missing Link was filmed on location in various Namibian national parks filled with iconic African fauna such as lions, elephants, giraffes, gazelles, zebras, mongooses, wildebeests, and those veritable avian locusts the red-billed queleas, whose immense flocks swarm and swirl through the sky like living composite super-organisms.

The unnamed australopithecine is played by Peter Elliott, and the fur suit as well as the constructed head and face that transform him into the man-ape are very impressive indeed. Viewing this movie constantly reminded me of the much later TV documentary series Walking With Cavemen (first screened in 2003, it was a successor to the highly successful, ground-breaking Walking With Dinosaurs and Walking with Beasts series).

This memorable movie's unnamed, unconventional star – a lone surviving australopithecine ape-man (© David and Carol Hughes/Universal Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Certainly, Missing Link was indeed far ahead of its time, but its lack of any major storyline or dialogue (other than Gambon's occasional words) probably explained why it was not a commercial success when released, and why it is seemingly not available on DVD. (Following its cinema debut, it was released in VHS videocassette format, examples of which are occasionally listed for sale online, but these are usually quite pricey.)

This is a great shame, because Missing Link is very deserving of being seen, as a tragic testament to how our ancestors almost certainly contributed to these distant relatives' eventual extinction - unless the mysterious agogwe, séhité, kakundakari, and certain other diminutive hairy man-beasts reported across Africa in modern times are relict survivors?

Offering a taster of the dramatic wildlife vistas and compelling content of Missing Link, here is an official trailer for this very different but definitely must-watch movie.

  
MISSING LINK (2019)

Photographic still for Missing Link, the animated feature film released in 2019, with Dora the Yeti Elder seen at far right (© Chris Butler/Annapurna Pictures/Laika/Universal Artists/AGC – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Directed by Chris Butler, Missing Link is a delightfully droll animated crypto-classic originally released in early 2019, and tells the story of what is supposedly the very last sasquatch (a restrained but all the more hilarious vocal tour de force by Zach Galifianakis). Namely, a very sensitive male bigfoot named Susan (don't ask!), who hires adventurer Sir Lionel Frost (voiced with great aplomb by Hugh Jackman) to end his loneliness by transporting him to the Himalayas where he can be united with his nearest kin, the yetis. (Cryptozoological purists be warned: the yetis here are portrayed as having white fur, a traditional if mistaken representation, as according to local eyewitness reports these mystery man-beasts are actually brown- or red-furred.)

Along the way, they meet up with a former significant other of Sir Lionel, the feisty Adelina Fortnight (Zoe Saldana), and are pursued tenaciously by the evil henchmen of Frost's nemesis, the repressive, insane Lord Piggot-Dunceby (Stephen Fry). His obsessive goal is to prevent Frost's discovery of both Susan the bigfoot and the yetis of Shangri-La from ever becoming known to the world at large.

Speaking of which: my favourite character is the etiolated, secretive, and deliciously paranoid Yeti Elder, Dora, voiced with acerbic zeal by Emma Thompson. Also worth listening out for are Little Britain stars David Walliams as Lemuel Lint, Sir Lionel's former assistant, who barely escapes with his life from his ever-perilous role, and Matt Lucas as Mr Collick, the no-less neurotic assistant of Lord Piggot-Dunceby.

Publicity poster for Missing Link with the Loch Ness monster (© Chris Butler/Annapurna Pictures/Laika/Universal Artists/AGC – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only) 

Full of the dry, quip-driven humour that always appeals to me, but with a hefty dollop of good old-fashioned visual slapstick thrown in too, Missing Link also includes many spectacularly eyecatching scenes (one of which features fellow cryptid Nessie, the Loch Ness monster!), but none more so than the splendorous ice palaces and hidden valley of the yetis. Watching this charming movie is without a doubt a very enjoyable and highly entertaining way to pass a birthday evening, so that is precisely what I did on my most recent birthday.

To prove my assertion, here is a very funny official trailer for Missing Link – and here is another one!

A version of this double-bill review of cryptozoology-linked movies can also be accessed here on my Shuker In MovieLand blog.




Friday, 31 July 2020

THIS CRYPTID WORLD: A GLOBAL SURVEY OF UNDISCOVERED BEASTS - BOOK #31 IS NOW PUBLISHED!


This Cryptid World: A Global Survey of Undiscovered Beasts (© Dr Karl Shuker/Brian Rau/Herb Lester Associates)


I'm very happy to announce that This Cryptid World, my 31st book, is now published, and I'm equally excited to reveal that in terms of its format it is totally unlike any publication that I have ever been involved with before. This is because instead of being a conventional book or bookazine, it is a double-sided fold-out poster guide-book!

Scientists estimate that more than 90 per cent of nature's species have yet to be discovered. With that in mind, this enthralling, unique cryptozoological publication asks you to set aside any scepticism, and allow it be your guide on a fascinating global tour of cryptids - creatures whose existence has yet to be formally substantiated by science.

Shocking desert worms, mystery cats, sea and lake monsters, man-beasts of many kinds, and countless other cryptids have been sighted across the globe, and reports continue. Some accunts seem credulous, others are more authoritative, yet all present us with the same question: can it be true?

This sumptuous fold-out double-sided poster guide with text by yours truly and illustrations by Brian Rau documents an extremely diverse range of mystery beasts, outlining their characteristics, location, and sightings, all illustrated and charted on a world map. Its large format works equally effectively as a fold-out guide-book or as a double-sided poster, and comes in its own very elegant bespoke folder together with an additional stand-up 'tent' postcard depicting a jackalope.

Available to order from all good bookstores, and directly from the publisher, Herb Lester Associates, in quantities or singly. NB – it is not currently available directly from Amazon (their required discount was felt to be too substantial).

A few of Brian Rau's very stylish, diagrammatic cryptid illustrations featured on the reverse of my text and annotated world globe (© Dr Karl Shuker/Brian Rau/Herb Lester Associates)




Friday, 2 May 2014

THE BIG GREY MAN OF BEN MACDHUI - BRITAIN'S VERY OWN BIGFOOT?




Ben MacDhui’s principal claim to fame is that, at 4296 ft (1309 m), it is the highest mountain in the Cairngorms range and is second only to Ben Nevis throughout Scotland. However, it is also famous – indeed, infamous – as Scotland’s ‘haunted mountain’, thanks to the sinister, ostensibly supernatural entity known as Am Fear Liath Mor, the Big Grey Man (BGM), said to haunt its lofty peak.


PANIC ON THE PEAK, FOOTSTEPS IN THE FOG

What is so remarkable about the Big Grey Man case is the extraordinary range of mysterious phenomena associated with it, and which are every bit as dramatic as they are diverse. Take, for instance, various reports of irrational panic linked to this supposed being’s presence, which include the following, defining BGM account.

The BGM first attracted major attention beyond the immediate environs of Ben MacDhui in December 1925, when internationally-renowned mountaineer and London University’s Professor of Organic Chemistry John Norman Collie (1859-1942) startled his audience while speaking at the Annual General Meeting of Aberdeen’s Cairngorm Club by recalling a truly bizarre event that had happened to him when climbing Ben MacDhui in 1891. (Over two decades prior to the meeting in Aberdeen, Collie had spoken of his Ben MacDhui experience to a local New Zealand newspaper, but this had not attracted such interest.)

Prof. James Norman Collie, photographed in c.1912 (© University College London (UCL) Chemistry Collections)

While descending through a heavy mist from the Cairn at this mountain’s flat, barren summit:

"…I began to think I heard something else than merely the noise of my own footsteps. For every few steps I took I heard a crunch, and then another crunch as if someone was walking after me but taking steps three or four times the length of my own.

"I said to myself, ‘This is all nonsense’. I listened and heard it again but could see nothing in the mist. As I walked on and the eerie crunch, crunch, sounded behind me I was seized with terror and took to my heels, staggering blindly among the boulders for four or five miles nearly down to Rothiemurchus Forest.

"Whatever you make of it I do not know, but there is something very queer about the top of Ben MacDhui and I will not go back there again by myself I know."

The anomalous sound of footsteps not in sync with those of the ‘ear’-witness has also been reported on several other occasions from Ben MacDhui. In 1904, while gathering biological specimens on the mountain for Aberdeen University, Hugh Welsh and his brother often heard the sound of pacing footsteps, both at night and during the day, but never succeeded in tracing their origin. Similarly, in 1940, while spending a summer’s night beneath a huge block of stone on Ben MacDhui’s slope known as the Shelter Stone, Scottish author R. Macdonald Robertson and a friend were awakened by the growls of Robertson’s bull terrier, and clearly heard the sound of crunching steps approaching them along the gravel path leading to the Stone, until, abruptly, they faded away again, and the dog then relaxed.

Ben MacDhui's Shelter Stone, c.1905 postcard

Even stranger was the experience of fellow author Wendy Wood, also in 1940, who heard while upon the Lairig Ghru (an arduous but much-traversed pass through the Cairngorms) what sounded to her like an enormously resonant Gaelic-speaking voice directly beneath her. After vainly searching the snow all around in case someone was trapped underneath it and was calling out for help, she became very apprehensive and duly began descending the mountain. As she did so, however, she heard what she later described as “gigantic footsteps” following her where there had previously been no sound, upon which she experienced a blinding panic, sending her fleeing downwards in absolute terror.

A comparable scenario (missing only the Gaelic voice) was experienced in 1945 by competent mountaineer Peter Densham. Eating his lunch at the summit, he suddenly heard crunching footsteps emanating from the Cairn close by, but as he stood up to investigate, an inexplicable wave of uncontrollable fear washed over him, causing him to flee wildly, so wildly in fact that he barely stopped himself plummeting headlong over a treacherous cliff known as Lurcher’s Crag.

On 26 September 2006, the following account was posted on the Cryptomundo cryptozoology website by a correspondent with the user name ‘big max’:

"I was climbing back down Ben MacDhui in May 1988 when I experienced the footsteps phenomenon mentioned by others. It was pretty misty and I was alone. But it was like ’something’ was behind me, only 10 metres or so, keeping track of me. I back-tracked to see if anyone was there. I didn’t see anything, but it was weird enough to scare me, particularly as the sounds occurred both when I was moving or stationary. It was only after I told this story to a Glasgow cousin years later that I first heard about the Grey Man."


FROM BIG GREY MAN TO MOVIE STAR!

In 2007, the winning entry in the category of Best Highland Amateur Film at the annual Fort William Mountain Festival was a 10-minute-and-one-second-long video entitled ‘The Big Grey Man of Ben MacDhui’, produced by an eight-person team of film makers (including Richard Cross, Jez Curnow, and Peter George) from scottishhills.com. It was also screened at the Edinburgh Mountain Film Festival in 2006, and can presently be viewed at http://www.biggreyman.co.uk and on YouTube. It features a number of local figures and mountain experts airing their thoughts on the subject, as well as shoots at various locations on and near Ben MacDhui, including a cold Winter Solstice at Corrour Bothy on 23 December 2005, a walk along the Lairig Ghru in March 2006, and a visit to the mountain’s summit in May 2006.


AFFLECK  GRAY AND THE BIG GREY MAN

The definitive publication on the subject of the BGM is The Big Grey Man of Ben MacDhui: Myth or Monster? – written by the aptly-named Affleck Gray, first published in 1970 (a second edition appeared in 1989, and a third in 1994), and containing a foreword by the acclaimed Scottish climber Sydney Scroggie.


Packed with newspaper accounts and eye/earwitness reports relating to mystifying happenings on this mountain, this fascinating book was authored by a man well-versed in the majesty and mysteries of the Cairngorms, as Gray was born and bred in Upper Strathspey, and investigated BGM reports throughout his life as a hobby. His contributions were also featured in the above-mentioned BGM film.


BGM SIGHTINGS

In spite of its descriptive ‘Big Grey Man’ name, surprisingly few visual BGM encounters are on file, and even those are far from consistent. When Prof. Collie’s account of his Ben MacDhui experience was originally published in New Zealand, it stimulated another renowned mountaineer, Dr A.M. Kellas, to write to him with details of an astonishing encounter made by himself and his brother, Henry Kellas, while climbing Ben MacDhui. Eschewing mere footsteps, the Kellas brothers claimed to have seen a huge figure, at least as tall as the 10-ft-high Cairn and described by them as “a big grey man”, walking out of the Lairig Ghru Pass and around the Cairn towards the summit where it passed out of sight. Moreover, while awaiting the entity’s reappearance, they were suddenly struck with acute fear, and raced, panic-stricken, down the mountain, convinced that the entity was pursuing them.

Ben MacDhui in the Cairngorms, taken from Carn Liath in the Grampians (public domain)

One night in 1942 while resting at the Shelter Stone and looking out towards Loch Avon, climber Sydney Scroggie suddenly spied:

"...a tall, stately, human figure, appear out of the blackness on one side of the loch, and clearly silhouetted against the water pace with long, deliberate steps across the combined burns just where they enter the loch."

Despite rushing over to the spot, Scroggie found no footsteps or any other evidence of the figure’s erstwhile presence, but experienced such unease that he swiftly returned to the Shelter Stone.

During October 1943, while walking alone along the Lairig Ghru, mountaineer-naturalist Alexander Tewnion abruptly heard long striding footsteps behind him, and to his horror he saw through the mist a strange shape looming forth and then charging directly towards him. Drawing out his revolver, Tewnion shot three times at the figure, but it continued approaching him, so Tewnion fled downwards to Glen Derry.

Does Ben MacDhui harbour its very own version of bigfoot? (© William Rebsamen)

Even more incredible, however, was the entity reportedly spied one night on Ben MacDhui by a friend of climber-writer Richard Frere. Having pitched a tent beside the Cairn, Frere’s friend awoke, to see a brown shape standing between his tent and the moon. So as soon as the shape moved away, his friend peered outside his tent, only to discover (according to Frere’s subsequent description) that just 20 yards away:

"...a great brown creature was swaggering down the hill. He uses the word “swaggering” because the creature had an air of insolent strength about it: and because it rolled slightly from side to side, taking huge measured steps. It looked as though it was covered with shortish, brown hair…its head was disproportionately large, its neck very thick and powerful. By the extreme width of its shoulders compared to the relative slimness of its hips he concluded its sex to be male. No, it did not resemble an ape: its hairy arms, though long, were not unduly so, its carriage was extremely erect."

By applying trigonometry in relation to surrounding objects, Frere’s friend calculated that the entity had been at least 21 ft tall.

As recently as 23 December 2005, while making their BGM film, team member Peter George was standing alone that evening outside a stone shelter hut in the Lairig Ghru called Corrour Bothy, looking out into the darkness, when:

"Out of the corner of my eye, over to the left towards the stream, I caught a glimpse of a tall grey figure. At first I thought it was one of our party, although all of them were inside the bothy. Turned to look properly and couldn't see anyone."

Just a trick of the light, or something more?

And although it was seen not on Ben MacDhui itself but on the neighbouring peak of Braeriach, mention must also be made of the bizarre entity reputedly encountered there by climber Tom Crowley. After looking round to see what was responsible for the sudden sound of footsteps behind him while descending this peak, Crowley was horrified to see a huge “…undefined misty figure with pointed ears, long legs, and feet with talons which appeared to be more like fingers than toes”. An altitude-induced hallucination, surely…?


THE SOUND OF MUSIC?

Yet another strand of this already much-tangled tale involves the hearing of mysterious music on Ben MacDhui’s lonely peak. So could the BGM be a veritable minstrel of the mountains? During one ascent of Ben MacDhui, later described by him in an Open Air article (Winter 1948), Richard Frere had reached the Lairig Ghru and was sitting there, immersed in an inexplicable bout of darkest despair, when, as well as sensing some invisible being close by, he suddenly heard an extremely high singing note, which continued unabatedly throughout his ascent to the summit and return to the Lairig Ghru – even though simple tests convinced him that it was not due to any effects of reduced pressure upon his eardrums. Then, without warning, the singing and sensation of a nearby presence ceased, and he was momentarily struck with a bout of absolute terror, followed by blissful serenity as he reached Rothiemurchus Forest.

The summit of Ben MacDhui (© Oliver Mills/Wikipedia)

Unaccountable pipe music was heard by acclaimed author Seton Gordon while climbing Ben MacDhui with a friend in 1926, and BGM authority Affleck Gray also experienced strains of origin-lacking music here. Moreover, just a few years ago, a writer signing himself ‘Jack’ reported online (originally at http://www.ghost-story.co.uk/stories/johnsexperiencebenmacdhui.html but this page no longer exists) that he had heard the sound of faraway music while at the Lairig Ghru.


YETIS AND URISKS AND DEVAS, OH MY!

Not surprisingly, faced with such a startling array of anomalies, the many explanations proposed for the BGM phenomena over the years have been equally disparate. Some, of course, can be readily discounted. For instance, with only a single putative report (that of Frere’s anonymous friend) on file, coupled with basic anatomical limitations, the necessity of a viable populations being present, and the undeniable fact that the Cairngorms hardly compare in terms of remoteness with the Himalayas or even North America’s vast Pacific Northwest forests, the prospect that the BGM is an elusive 21-ft-tall yeti-like (or True Giant bigfoot-like) creature of cryptozoology can be swiftly dismissed.

'Homage to Diana', a painting depicting Pan, by the Italian Baroque artist Annibale Carracci (1560-1609)

A zooform identity offers greater leeway, unconstrained by size and breeding limitations, and is also able to explain such anomalies as footsteps made by an unseen entity, the inducement of blind panic, and even sourceless music. However, as we have no notion what zooforms are or even if they genuinely exist, to label the BGM as one is simply replacing one mystery with another. Other, even more exotic notions put forward are that the BGM is a Pan-like being of Scottish folklore known as a urisk (hence the sensation of panic experienced by those who sense its presence nearby), or perhaps some form of nature spirit such as a deva.

Leading from those thoughts is the possibility that the assortment of unexplained phenomena experienced on Ben MacDhui indicates that it harbours a 'window area' - an interface between different dimensions or alternate worlds. If so, there is a good chance that such a significant portal would have a guardian, to deter would-be intruders or trespassers. Is it just coincidence that this is the precise effect so successfully accomplished by Ben MacDhui's formidable BGM?

A pair of Japanese hanging scrolls, c1300, depicting Bodhisattvas descending from Heaven

Very different again is the proposal offered up by practising Mahayana Buddhist Sir Hugh Rankin and Scottish mystic the Reverend Countess of Mayo among others that the BGM is in fact a Bodhisattva – one of the five “perfected men” controlling our planet’s fate. Yet as such beings are notably benevolent, such an identity hardly corresponds with the malevolent persona of the BGM.


GEOLOGICAL HOLOGRAM, OR OPTICAL SPECTRE?

During the 1970s, inorganic chemistry specialist Dr Don Robins proposed that some minerals may be capable of encoding a type of electrical energy, in turn yielding a moving image that could be projected under certain specific conditions, i.e. a veritable geological hologram. Could it be that the BGM is one such hologram, stimulated by certain specific, mountain-related mineralogical attributes, and exhibiting an additional aural component? Yet if so, why are such montane manifestations limited (at least in Scotland) to Ben MacDhui and its environs? In contrast, as documented by modern-day BGM investigator Andy Roberts, bouts of mountain panic entirely comparable with those reported from Ben MacDhui have been documented from many other mountains in Britain and elsewhere in the world.

Even more radical is the oft-mooted suggestion that the BGM may be an electromagnetic phantom – an apparition reflecting wavelengths of radiation beyond the vision of most humans (hence the rarity of sightings in contrast to the greater number of reports of footsteps), but whose presence is still sensed. It would certainly be interesting to see what might be exposed, for instance, if a camera containing UV-sensitive film were to be pointed in the direction of crunching footsteps heard on Ben MacDhui.

Brocken spectres, 1873 engraving

As for those rare sightings, the most popular explanation is that the entity observed is merely an optical illusion, probably of the Brocken spectre kind. Under certain climatic conditions in mountainous areas, a person’s shadow is very greatly magnified and is sometimes cast upon a bank of mist or cloud, yielding the afore-mentioned spectre effect. Very unnerving to unsuspecting or uninformed observers, it could certainly yield the huge, monstrous forms claimed from Ben MacDhui, and if coupled with local precipitation might also explain the sound of supposed footsteps.

Another relevant phenomenon related to optical illusions is the autokinetic effect, in which a stationary object seen from a distance sometimes appears to move – an illusion caused if there is an absence of visual clues in the proximity of the object. If this is added to the innate capacity of the human mind to “fill in” missing details when viewing an unfamiliar object briefly or during poor viewing conditions, it is not difficult to understand how a stationary, inanimate object might seem to resemble a moving, humanoid entity.


THE MONARCH OF THE MIST – WALES'S VERY OWN BGM?

And finally: Reports of BGM-like entities in Britain are not wholly confined to Ben MacDhui, or even to Scotland. According to traditional Welsh folklore, Wales's answer to the Big Grey Man is the Grey King, also known as the Brenin Llwyd or Monarch of the Mist. A brooding silent figure allegedly frequenting Snowdon, Cader Idris, Plinlimmon, and other lofty Welsh peaks, this awesome preternatural entity is said to be an ancient earth spirit, sitting aloof and alone at the summits, enrobed in mist and clouds. Sometimes it will send the caliginous mountain mists down the slopes to envelop unwary climbers so that they lose their way, trekking helplessly over the edge of unseen precipices to their doom.

The valley of Cader Idris, domain of the Brenin Llwyd?

In times past, the Brenin Llwyd was greatly feared as a child-stealer, and even the mountain guides were nervous of venturing into its domain. It also appeared as the evil supernatural villain in the children's fantasy novel The Grey King (1975) by Susan Cooper, the fourth of five books in her Arthurian series, The Dark is Rising.


In summary: there is no single, easy explanation for the multi-faceted mystery of Ben MacDhui’s BGM. Some aspects seem to be of psychological origin, others ostensibly paranormal, and there may even be facets featuring geological or other physical phenomena that are still unverified by science. Indeed, more than a century after Prof. Collie’s classic experience here, reports from Scotland’s haunted mountain of the grim grey entity that may (or may not) lurk within its misty realm remain as tantalising and tenuous as they were then, as intangible, in fact, as Scotch mist itself – and we all know what they say about that!


This ShukerNature blog article is excerpted from Kryptos - a future book of mine, currently a work-in-progress.